Former UNIS member Gehlee Dangca, now professionally known as GEHLEE, embarks on an exciting new chapter in her music career with “Closer,” her surprise digital single under Universal Records Philippines, set for release on October 23, 2026.
A fresh romantic pop track about the thrilling uncertainty of wanting to be closer to someone you secretly admire, “Closer” marks a new beginning for GEHLEE as she steps into her identity as a solo artist, offering listeners a glimpse of her musical direction beyond her previous group experience.
Also premiering this Friday, October 23 via the Universal Records Philippines YouTube channel is the “Closer” music video, featuring GEHLEE in a variety of fashionable looks that highlight her natural charisma, style, and appeal as a Global Filipina artist beginning her solo journey.
With “Closer,” GEHLEE invites listeners to take that first step, come a little closer, and experience the excitement of a new beginning.
The rising Filipino band caps a three-year music journey with its first international performance at AXEAN Festival 2026 in Bali.
Novocranehas been named Jack Daniel’s On Stage: The Chosen One, earning top recognition from a pool of 35 independent Filipino acts in the three-year music program.
Alongside fellow finalists ALYSON and August Wahh, Novocrane became one of the program’s final three artists, taking home the top honor and the opportunity to represent the Philippines at AXEAN Festival 2026 in Bali, Indonesia.
The recognition serves as the culmination of Jack Daniel’s On Stage (JDOS), a staple music program developed to champion Filipino independent artists and the communities that sustain them. Through a series of live showcases, collaborations, and creative exchanges, JDOS created opportunities for Filipino independent artists to develop their craft, connect with audiences, and build pathways outside of the local music scene.
Novocrane’s journey started with Chapter One: Playlist Live in 2024, their first show in Manila, and continued with Chapter Two: Mixtape in May 2026, where handpicked artists from the music program participated in a live collaborative showcase.
What set Novocrane apart from their contemporaries was the group’s evolution. During their time with Jack Daniel’s On Stage, Novocrane transitioned from a solo music project to a four-piece band, eventually steering their sound and identity in a more confident direction—on their own terms. They released new music, mounted their own album bar tour, collaborated with fellow independent artists, and continued performing while building a distinct presence within the Philippine indie music scene.
Gabriel Fajardo of Jack Daniel’s Philippines, highlighted the qualities that distinguished the band and made them the right choice for the recognition. “Novocrane demonstrated a character and authenticity that felt very natural to Jack Daniel’s. They have a distinct identity as artists, a dedication to developing and evolving their craft, while remaining open to growth and collaboration.
Their independent spirit—the determination to create their own path, evolve on their own terms, and remain true to who they are as artists—is what makes Novocrane Jack Daniel’s On Stage: The Chosen One.”
As part of the artist’s journey, Jack Daniel’s Philippines recently supported Novocrane as they took their music to the regional stage at AXEAN Festival 2026 in Bali, Indonesia, alongside fellow Jack Daniel’s On Stage Top 3 artist ALYSON. For a relatively young Filipino band, the festival provided more than an international stage: it placed their music within a wider regional ecosystem of artists, programmers, industry professionals, and audiences.
Fajardo adds, “More than simply performing in another market, it gave the band a platform to introduce their music to decision-makers who are looking for artists to feature in their own festivals and events, potentially opening doors to future performance opportunities beyond the Philippines.”
The experience marked a personal and professional first for the band. It was their first international show, and it had been among their goals. Novocrane vocalist Kai expressed her gratitude to Jack Daniel’s for supporting the band at Southeast Asia’s biggest intra-regional showcase festival. “To be able to travel the world because of our music is such an amazing thing. Performing at AXEAN Festival in Bali really meant a lot to us—it’s our first ever international show! To be able to share our music beyond home made me emotional. We’re incredibly thankful to everyone who believed in us (Thank you, Jack Daniel’s!). Playing international shows and festivals has always been our goal as a band. We can’t wait to play more!”
The festival also gave the band a chance to see how their music could resonate outside the Philippines without compromising the qualities that define them.
“What I really enjoyed about AXEAN was that we didn’t feel like we had to suddenly become something else just because we were performing outside the Philippines,” shares Novocrane member Henz. “We brought the same music, the same energy … and the same weirdness that we have back home.”
Supporting Novocrane’s regional debut continues the brand’s long-standing relationship with music and the independent community. The brand’s connection to music traces back to its founder, Jack Daniel, a music enthusiast who organized and performed with his own band, the Silver Coronet.
In the Philippines, Jack Daniel’s has supported the local music scene for more than two decades through grassroots initiatives, live music partnerships, independent showcases, and platforms including Jack Daniel’s Indiefest. Jack Daniel’s On Stage builds on that history by creating a dedicated platform for independent Filipino artists and the communities surrounding them.
“While Jack Daniel’s On Stage is now complete, the support for music continues—with more music to discover, more artists to champion, and more moments to celebrate together,” shares Fajardo. “Because Jack & Music is the Perfect Mix.”
With the brand’s institutional backing and guidance, Novocrane’s next music era is already taking shape. The band has released its latest single, “Dunkin!,” and is preparing to launch their highly anticipated debut EP. The band has also confirmed another international festival appearance, with details yet to be announced.
“This is just the beginning for Novocrane. We’ll keep on keeping on—all for the love of music and performing—and see where that takes us. We’re just happy to be here,” Kai explains.
As Novocrane carries the momentum of Jack Daniel’s On Stage and AXEAN Festival into what’s next, their story reflects the possibilities that emerge when independent artists get platforms not only to perform but also to grow, experiment, connect, and take their music further.
Catch Novocrane as they bring their latest single to life with the “DUNKIN” music video launch, happening on October 22, 2026, at Mono By Phono in Makati City.
About Jack Daniel’s
Officially registered by the U.S. Government in 1866 and based in Lynchburg, Tenn., the Jack Daniel Distillery is the first registered distillery in the United States and is on the National Register of Historic Places. Jack Daniel’s is the maker of the world-famous Jack Daniel’s Old No. 7 Tennessee Whiskey, Gentleman Jack Double Mellowed Tennessee Whiskey, Jack Daniel’s Single Barrel Tennessee Whiskey, Jack Daniel’s Tennessee Honey, Jack Daniel’s Tennessee Fire, Jack Daniel’s Tennessee Apple, Jack Daniel’s Bonded, Jack Daniel’s Sinatra Select and Jack Daniel’s & Coca-Cola. Today, Jack Daniel’s is a true global icon found in more than 170 countries around the world and is the most valuable spirits brand in the world as recognized by Interbrand. For more information visit www.jackdaniels.com.
The temperature is about to rise in the best way possible. K-pop rapper and singer-songwriter Lee Minhyuk, better known to fans as HUTA, is heading back to the Philippines for his 2026 LEE MINHYUK (HUTA) CONCERT in MANILA. The show lands on November 21, 2026 (Saturday) at the SM North EDSA Skydome and kicks off at 7:00 PM (PHT).
If you’ve followed Minhyuk’s solo work or caught any of his Waterbomb stages, you already know what kind of night this is going to be. Nicknamed the King of Waterbomb, he is promising Filipino fans a full-throttle, high-energy evening that matches the bold and fiery side of his artistry. The whole concept leans into everything that makes HUTA stand out: sharp stage presence, strong vocals, and that unmistakable heat he brings every time he performs.
Minhyuk first stepped into the spotlight as a member of BTOB back in 2012. Tracks like “Missing You,” “Beautiful Pain,” and “Pray (I’ll Be Your Man)” helped define the group’s sound, and he quickly became known as their main rapper. Over the years he has also carved out his own path as HUTA. His latest album, TEMPERATURE, featuring the title track “Icy & Spicy,” continues that solo journey. This year he also earned the titles Waterbomb King and Waterbomb Male God after a standout performance at Waterbomb Seoul that had fans talking about both his physique and his live delivery.
Ticket sales for the Manila concert opened on October 10, 2026 (Saturday) at 12:00 PM (PHT) through SM Ticketmaster. Seat plans, pricing, and other details are being rolled out through Show Biz Town, Inc.’s official channels. As always, the safest move is to stick to the promoter’s verified social media accounts and buy only through authorized platforms.
This will be Minhyuk’s first solo concert in the Philippines, which makes the night feel extra special. For every PH Melody who has been waiting for this moment, November 21 is the chance to bring the heat and show him exactly how much love Filipino fans can give.
Anime phenomenon Jujutsu Kaisen gets the live concert treatment at the Newport Performing Arts Theater on November 28 at 7:30 PM and November 29 at 3:00 PM.
The concert features a specially curated 11-piece ensemble from the Filharmonika Orchestra, combining classical and modern instruments, with cinematic visuals from the acclaimed anime playing on a large HD screen. Music is performed in sync with iconic scenes and dialogue, bringing the action, emotion, and cinematic scale of the series into the theater.
Fans can also revisit some of the anime’s most memorable storylines, from Gojo’s past to the events of Shibuya. The two-show concert brings together anime and live music for Filipino fans of the globally popular series. Catch Jujutsu Kaisen in Concert on November 28 and 29 at the Newport Performing Arts Theater.
Maris Racal wants more, more, more—and she’s making it Mini!
The actress turns up the pop-star energy in Maya Black’s latest music video, serving edgy looks and her signature confidence against a catchy hyperpop track. But there’s a twist: everything she wants literally turns into a miniature version of itself, bringing the song’s “make it mini” message to life in a fun and unexpected way.
Maris Racal makes everything Mini
With its fashion-forward styling, chrome accents, and Maris in full pop-star mode, the music video gives Maya Black and Mini Payments a fresh, music-driven treatment.
And while everything might be getting smaller on screen, the idea behind it is all about having more flexibility when it comes to bigger purchases. Because with Mini Payments, getting what you want doesn’t always have to mean paying for it all at once.
With Mini Payments, eligible purchases made using your Maya Black Credit Card can be converted into 3, 6, 9, or 12 monthly payments, giving cardholders more flexibility in managing bigger expenses.
Whether you’re planning a gadget upgrade, buying a new appliance, or making another bigger-ticket purchase, simply select an eligible transaction, choose your preferred payment term, and track your plan directly in the Maya app, subject to applicable terms and charges.
So while Maris makes everything Mini in the music video, you can also bring that same energy with your bigger purchases. Big purchase? No biggie. Make it Mini with Maya Black and Mini Payments.
To know more, visit maya.ph/minipayments and follow @makeyourmoneymaya on Facebook, Instagram, YouTube, and TikTok to stay updated.Approval and offer are subject to credit evaluation. Maya Philippines, Inc. and Maya Bank, Inc. are regulated by the Bangko Sentral ng Pilipinas.www.bsp.gov.ph.For 24/7 assistance, visit the Help Center in the Maya app or call us from 8 AM to 7 PM daily at +632 8845-7788.
As the Midnight Sun sets, the “Blue Moon” rises as GRAMMY®-nominated pop superstar Zara Larsson unveils the highly anticipated music video for “Blue Moon,” an exciting new extension of the Midnight Sun universe and a tribute to the album that has defined a career-changing year for the global pop sensation.
Directed by Charlotte Rutherford, the official video follows Zara as she finds herself alone in a desolate parking lot at dusk. As night falls, she breaks into a show-stopping performance and the ordinary landscape transforms into a vibrant, surreal world filled with fantastical creatures, vivid colors, and dynamic choreography. Blurring the line between reality and fantasy, the video captures the dreamy, escapist spirit of “Blue Moon” while showcasing Zara’s signature performance style.
Zara first gave fans a glimpse of the “Blue Moon” music video during the second of her two sold-out shows at Los Angeles’ iconic Greek Theatre last month, leaving fans clamoring for more. Last week, she offered another tease during an appearance on Las Culturistas with Matt Rogers and Bowen Yang, where she described “Blue Moon” as the “sister” to “Midnight Sun” — further underscoring the connection between the two.
The striking visual arrives nearly one year after the release of Midnight Sun. Since the album’s release, Zara Larsson has been on an unstoppable global run. From earning a GRAMMY® nomination for the album’s explosive title track and scoring her first-ever BillboardHot 100 Top 10 with PinkPantheress on “Stateside,” to taking home two American Music Awards for Breakthrough Album of the Year and Collaboration of the Year and earning five MTV Video Music Award nominations for “Stateside.” Larsson also expanded the Midnight Sun universe with Midnight Sun: Girls Trip, an all-star remix album featuring Kehlani on the “Blue Moon” remix alongside Shakira, Robyn, Tyla, PinkPantheress and more, further cementing her place as a force in today’s global pop scene.
In 2026, Larsson continued her global takeover on the live stage, embarking on her sold-out U.S. headlining tour this spring before bringing the Midnight Sun era to stages across the globe this summer. Her festival run included standout performances at BBC Radio 1 Weekend and Lollapalooza, where she drew one of the largest crowds of the weekend and the largest U.S. crowd of her career. She is currently on the road with her Midnight Sun tour in Australia, with stops in Melbourne, Sydney and more before bringing the tour to the Philippines and Thailand.
With “Blue Moon,” Zara continues to build on the world of Midnight Sun, celebrating an album that has propelled her career to new heights while offering fans a fresh perspective on the era. A natural evolution of the album’s universe, “Blue Moon” brings the Midnight Sun journey full circle.
“Summer isn’t over yet” is more than a lyric from Zara Larsson’s perennial hit “Midnight Sun” — it’s a statement of purpose. A decade after dropping her first international single, 2015’s “Lush Life,” the GRAMMY-nominated Swedish sensation is taking her rightful place in the zeitgeist as a Main Pop Girl. In 2026, while her sold-out tour raged onward, she lodged three songs in the Hot 100: the recently viral “Lush Life” (#35, video nearing 1B views), “Midnight Sun” (#39), and PinkPantheress collab “Stateside” (#6, and #1 on the Global 200). All of that followed hot on the heels of Midnight Sun, Zara’s fourth, truest, and most vibrant album to date, made with a tight trusted team (MNEK, Margo XS, Helena Gao, Zhone) and unafraid to show all sides of the star: lovestruck, wistful, ambitious, flippant, fun, uncertain — often in the same breath. If that radiant LP was inspired by the feeling of an endless summer night in Stockholm, then the globe-trotting remix album, Midnight Sun: Girls Trip, is what happens when that night rolls into an infinite season of pure pop energy where everyone is invited. For the reinvented set, Zara opens up her acclaimed album and shouts, “GET IN, GIRL!” to a worldwide all-woman lineup including icons like Shakira, Robyn, Tyla, Kehlani, PinkPantheress, JT, and more. The collection crosses borders, genres, and vibes for a series of unforgettable musical moments of authentic self-expression, diverse artistry, and total hands-up, top-down, open-air freedom.
There is something special about the way Filipinos do Christmas. The season starts early, the food is endless, the karaoke never stops, and someone is always ready to open the door with a smile when they hear those familiar words: “Namamasko po.”
Eight young women decided to turn that familiar greeting into a full-blown holiday anthem. MEI MEI’s “Namamasko Po” is a warm, playful, unmistakably Pinoy hug wrapped in a catchy melody and a tambourine that feels like it came straight from a neighborhood caroling group.
Formed in 2026 under Groovy Garden Records (a PULP Group label), MEI MEI is an eight-member P-pop girl group built on joy, confidence, and heart. Their name is a clever double play: the Mandarin “mèimei” (little sister) and the Filipino habit of repeating nicknames out of affection, Jan-Jan, Mai-Mai, the whole soft, familiar thing. The members each carry their own color and persona:
Alexa — Spark MEI MEI Jhamayka — Cool MEI MEI Ada — Dolly MEI MEI Aerise — Sweet MEI MEI Yuni — Groovy MEI MEI Thea — Princess MEI MEI Jessie — Power MEI MEI Dina — Diva MEI MEI
They debuted in May 2026 with the novelty-pop bop “Telebong (Hello Po),” followed it with the sassy “Alembong,” and then, just as the “ber” months started heating up, dropped their first Christmas track.
Written by Happee Sy (who also executive-produced) and arranged and produced by Dominic Benedicto, “Namamasko Po” takes the classic Filipino tradition of pamamasko, going from house to house singing and asking for a little something in return, and gives it a modern, danceable spin.
At its core is a simple, generous invitation: “Buksan na ang pinto at puso n’yo.” Open your door and your heart. The track celebrates the everyday magic of Paskong Pinoy: the shared meals, the karaoke with neighbors, the family reunions, the Noche Buena that somehow always has room for one more plate. It’s about generosity that doesn’t feel forced, warmth that doesn’t need a perfect house or perfect voice, just willingness to let people in.
Jessie (Power MEI MEI) put it simply: the song has a modern vibe, but it tells a traditional Filipino story that anyone can connect with. Aerise talked about how much she loved caroling as a kid, inventing dance steps and remixing songs, and how people would open the door with big smiles. Alexa loves the fact that in the Philippines the Christmas spirit starts as early as September. Dina looks forward to karaoke with the neighbors. Yuni and Jhamayka are all about the food. Ada is all about the family gatherings.
That’s the heart of the track. It’s not trying to be Mariah Carey or Jose Mari Chan. It’s trying to be the version of Christmas you actually lived, the one with plastic chairs in the driveway, puto and hamon, and someone always saying “Pasensya na, ha” before launching into another song.
“Namamasko Po” continues MEI MEI’s pattern of turning everyday Filipino expressions and experiences into music that feels both fresh and familiar. After “Telebong” and “Alembong,” this Christmas single feels like the natural next chapter: a group that keeps choosing to sound like us.
The lyric video dropped with the song on October 9, 2026, bright and colorful so fans could sing along right away. The official music video was set to premiere on October 17, promising a festive celebration of Paskong Pinoy filled with togetherness and a few familiar faces from local pop culture.
This is MEI MEI’s first Christmas as a group. They’re still early in their journey, still introducing themselves to the country, still figuring out the balance between novelty-pop fun and the deeper storytelling they clearly care about. But with “Namamasko Po,” they’ve already given listeners something that feels personal. Because sometimes all it takes is someone knocking.
And this year, that someone is eight girls saying, with bright voices and open hearts: Namamasko po.
May your doors, and your playlist, stay open this season.
SM Supermalls has once again turned the ordinary into something memorable, this time by rolling out the red carpet for the holiday season in true royal fashion. On October 16, SM Megamall officially opened Mega Holidays 2026 with a theme that feels both elegant and playful: The Royal Court of Christmas.
Step into the Mega Fashion Hall and the first thing that catches your eye is the towering 45-foot Christmas tree, glowing with lights and ornaments that set the tone for everything around it. Beside it stands a giant chess-inspired display that transforms the space into something more than just another holiday setup. It feels like walking into a grand court where strategy meets celebration, where every piece of décor seems carefully placed to spark curiosity and delight. The whole scene mixes immersive design with theatrical flair, creating a place where families can pause, take photos, and simply soak in the sparkle.
What makes this year’s launch stand out is the entertainment that comes with it. Repertory Philippines brought an original musical to the mall, performed live with the full support of the Manila Philharmonic Orchestra. This marks the first time the mall has paired a Christmas musical with live orchestral music in this way, and the result is a richer, more emotional experience. The collaboration turns a regular tree-lighting into a genuine cultural moment, one that feels special rather than purely commercial. Guests got to enjoy the drama, the music, and the collective countdown as the tree finally came to life.
This opening at SM Megamall is only the beginning. SM Supermalls is rolling out tree-lighting celebrations across the country from October 16 through October 25. From Luzon to the Visayas and Mindanao, malls are unveiling their own Christmas centerpieces with performances, Santa appearances, and the shared joy of watching the lights switch on together. Each location offers its own flavor of the season, yet all of them share the same goal: giving families a reason to gather and create new memories early in the holiday calendar.
The broader campaign, often tagged as Gala to the Max and Super Magical Christmas at SM, stretches the festive spirit across weeks rather than confining it to the final stretch of the year.
Shoppers can expect more than just decorations. There will be carolers, Santa meet-and-greets, special deals, parade, and plenty of small moments that make a trip feel worthwhile.
For many Filipinos, SM has long been part of the Christmas tradition. The lights, the crowds, the shared excitement of the first tree lighting of the season, these things have become familiar markers of the year. This time around, the Royal Court of Christmas at Megamall raises the bar by blending visual spectacle with live theater and orchestral music. It invites people not only to shop or take pictures but to stay a little longer, to watch a performance, and to feel the season arrive in a more complete way.
If you find yourself near Ortigas in the coming weeks, it is worth stopping by the Mega Fashion Hall. The tree is lit, the chess pieces stand ready, and the holiday atmosphere is already in full swing. More celebrations are unfolding across SM Supermalls nationwide, so wherever you are, there is likely a festive moment waiting nearby. The season has begun, and it is already shaping up to be one filled with light, music, and shared wonder.
After months of anticipation, excitement, and speculation, the stage is finally set for the inaugural Puregold Teatro Panalo! From a total of 373 submissions nationwide, only 12 exceptional works have emerged as the festival’s historic first batch of finalists.
Some of the biggest names in Philippine theater have meticulously reviewed hundreds of entries, searching for the most compelling stories, freshest voices, and boldest creative visions. Now, the chosen 12 are ready to take center stage and usher in an exciting new chapter for Filipino theater.
The highly anticipated announcement took place during a special live event at Cinema 16 of Gateway Mall on October 14. The selected playwrights stepped into the spotlight to receive their ₱100,000 talent fees, officially marking the beginning of their journey as pioneers of the first-ever Puregold Teatro Panalo. Ivy Hayagan-Piedad, Puregold Teatro Panalo Festival Chair, expressed her excitement over the historic lineup and the extraordinary response from Filipino theater artists across the country.
“It was encouraging to see how many Filipino storytellers are eager to share their work, and it made choosing only 12 plays especially difficult. They remind us how much Filipino theater has to offer; how live experiences offer authentic connections, and how important it is to create more opportunities for these stories to find their audience,” said Hayagan-Piedad. “With Puregold Teatro Panalo, we hope to give these works the stage they deserve and, in our own way, help Philippine theater continue to grow.”
The 12 finalists—eight straight plays and four musicals—of the inaugural Puregold Teatro Panalo are:
● “The Girl Scout Law” by Rhain Arabella Alcoriza ● “True to Life” by John “Sweet” Lapus ● “Trahedya ng Kamote” by Marjay S. Manalastas ● “The Boy Foretold By The Stars (One Act Play)” by Dolly Dulu ● “Nothing But Dreams” by Ricardo C. Novenario ● “Youngstunna” by Jerom Andrei M. Canlas ● “Walang Maliit na Bagay” by Joshua Lim So ● “@HOME” by Edralin Cabrera, Kathlyn Castillo, Michael Ian Lomongo, Marjorie Lorico, Maria Teresa Jamias, Wenah Nagales, & J Victor Villareal ● “Ang Maayong Balita Sumala Kang Bibo Bautista” by Jude Thaddeus M. Gitamondoc ● “Baka mali ang Tamaraw” by Emmanuel Benbinuto Antonio ● “Manang-Mana Nga!” by Steven Hotchkiss and Jay Pangilinan ● “The Fourth Wall Has Fallen” by Heber Justin P. O’Hara
Behind this landmark selection is an impressive assembly of some of the country’s most respected theater luminaries: NCCA SUDI National Music Awardee and multi-award-winning composer and playwright, Festival Director Vincent A. DeJesus; two-time Philstage Gawad Buhay! Award-winning director and accomplished actor Jenny Jamora; five-time Palanca Award-winning playwright Liza Magtoto; actor, award-winning film director, and producer Marlon Rivera; and theater artist, lyricist, and Palanca Awards Hall of Famer Atty. Nicolas Pichay.
Joining the team as Screening Committee members are multiple Palanca Award winners Dr. Layeta Bucoy and Allan Lopez, who screened the festival submissions and shortlisted the entries. Providing invaluable expertise and creative guidance to the festival is its Artistic Adviser, National Artist for Film and Broadcast Arts Ricky Lee.
With such an extraordinary roster of artists behind the selection process, the inaugural lineup represents a powerful showcase of the creativity, imagination, and storytelling talent thriving in the Philippines today. And this is only the beginning!
All 12 finalists will receive comprehensive development and production support from festival organizer Wishbone Collective Inc., transforming their winning concepts into fully staged productions. Audiences will finally get to experience these exciting new works when Puregold Teatro Panalo runs from February 20 to March 14, 2027.
The stakes will rise even higher as the festival draws to a close. One straight play and one musical will each be awarded an additional development grant, giving their creators the opportunity to expand their works into full-length theatrical productions.
More than a festival, Puregold Teatro Panalo is shaping up to be a major new platform for discovering Filipino talent, championing original stories, and creating opportunities for the next generation of theater makers. Twelve groundbreaking works. One historic inaugural festival. A bold new era for Philippine theater.
The future of Filipino theater is ready to take center stage. And when the curtains rise in 2027, audiences will witness the beginning of something truly extraordinary.
Netflix’s animated twist on the Cinderella story is getting its own soundtrack, and it’s landing the same day the movie hits the streamer.
Photo courtesy of Netflix
Steps (Soundtrack from the Netflix Film) arrives November 20 and features a brand-new song, “Someone to Hold,” from BLACKPINK’s Jennie. The album also includes four original tracks written and produced by Grammy nominee Justin Tranter, with additional vocals from Amanda Seyfried, Rose Gray (who co-wrote with Tranter), and Emei. Academy Award winner Kris Bowers (Bridgerton) handles the score.
You can pre-save the soundtrack HERE. Both the film and the album will be available to stream on November 20.
Watch the trailer here:
The movie flips the classic fairy tale on its head. Tired of living in Cinderella’s shadow, Lilith (Ali Wong) steals the Fairy Godmother’s magic wand and crashes the Royal Ball with her sister Margot (Stephanie Hsu). Their scheme backfires when villainous schemer Priscilla (Nikki Glaser) seizes the throne, plunging the kingdom into chaos. Lilith and Cinderella (Amanda Seyfried) are forced to team up, battling biker trolls, evil henchmen, and the Screaming Woods in a wild quest to save the kingdom, and their own relationship.
The stacked voice cast also includes Daniel Radcliffe, Young Mazino, Peter Dinklage, Bette Midler, and Damian Priest.
Powerful vocals, rapid-fire rap, and Filipino instruments: ABS-CBN artist CARMELLE brings these elements to “Eurovision Song Contest Asia 2026” as she represents the Philippines in Bangkok, Thailand on November 14.
Behind the country’s song entry, “Sobra-Sobra,” are Mat Olavides and Nica del Rosario, songwriters whose credits include hits by BINI and Sarah Geronimo. For them, the competition is a chance to show Asian audiences the different sounds and performers that Filipino music has to offer.
“I hope CARMELLE’s journey can show the rest of the world that world-class Filipino talent comes in all shapes and sizes. We are not limited to one sound nor one kind of performer,” said Nica, who co-wrote BINI’s “Huwag Muna Tayong Umuwi” and “Karera” and Sarah Geronimo’s “Tala.”
Sobra-Sobra composers Mat Olavides and Nica del Rosario with Carmelle (middle). Photo credit to Nica del Rosario IG
That vision comes through in “Sobra-Sobra,” which pairs a message of confidence and self-worth with a lively mix of musical influences.
“May Filipino elements like kulintang and kubing, but we also incorporated Latin influences. I think that combination reflects how Filipino music has always been shaped by different cultures while still developing its own identity,” said Mat, who co-wrote BINI’s “Salamin, Salamin” and co-produced “Pantropiko.”
The composers believe the song can connect with listeners even if they do not speak Filipino.
“It’s about knowing your worth, being confident in who you are, and not letting other people define you. Kahit iba-iba ang language and culture natin, I think those are emotions and experiences that many people can relate to,” Mat explained.
“The energy of the song also makes it fun and easy to connect with, even if you don’t understand every word,” he added.
For Nica, its message also speaks to women across the region.
Screenshot
“‘Sobra-Sobra’ is a song that can empower women all over Asia. I believe that all women go through a lot of the same struggles despite race and culture,” she said.
Bringing these elements together is CARMELLE, whose voice and performance style give the Philippine entry its character.
“CARMELLE’s distinct high and powerful belt and her rapid-fire rapping are also performance elements that are very Filipino that we hope the Asian audience can appreciate,” Nica shared.
CARMELLE earned the chance to represent the country in the inaugural Eurovision Asia after besting nine other contenders at the Philippine Selection Night on August 30. She will compete against entries from Bangladesh, Bhutan, Cambodia, Laos, Malaysia, Mongolia, Nepal, South Korea, Thailand, and Vietnam.
ABS-CBN serves as the competition’s official broadcast partner in the Philippines. Catch CARMELLE as she brings “Sobra-Sobra” to “Eurovision Song Contest Asia 2026” on November 14 through ABS-CBN platforms.
“Disney On Ice presents Let’s Dance!” brings a special holiday sing-along for the first time at the SM MOA Arena with new seats added.
The brand-new production makes a Philippine-exclusive holiday sing-along with audience
Embrace the warmth of the holidays as Goofy and Donald invite you to a magical holiday celebration when Disney On Ice presents Let’s Dance! comes to the SM Mall of Asia Arena in Pasay City from December 18 to January 3.
Groove into the holiday season with Mickey and pals.
Since 2016, Feld Entertainment has brought the magic of Disney On Ice to the SM Mall of Asia Arena, making the continued holiday tradition span to generations across the country. Through cutting-edge figure skating, high-flying acrobatics, unexpected stunts, thrilling special effects, eye-catching costumes, and stunning set designs, the show has since become a magical spectacle for the holidays.
This year, Disney On Ice is embracing that holiday tradition with a very special surprise!
Goofy and Donald bring a Philippine-exclusive sing-along this holiday season.
Each family will experience a one-of-a-kind Disney On Ice experience with an unforgettable Holiday Sing-Along featuring Goofy and Donald. Best of all, this experience is included with all show tickets. Create lasting memories during this festive adventure!
Ride the waves together with Prince Eric and Ariel.
Fans of the show can also expect a lot in this all-new production with Mickey and friends spinning the DJ booth, transforming Disney hits into vibrant, magical moments. The show will also feature our favorite Disney characters as they dream along with Asha and Valentino, laugh out loud with Timon and Pumbaa, and feel the ocean vibes with Ariel and her crew.
Watch as the majestic story of Frozen 2 featuring Anna, Elsa and Olaf come to life.
Audiences will also enjoy singing in harmony with Elsa and Anna, swaying to the rhythm of the waves with Moana, and watching the fun take off when Stitch grabs the spotlight for the very first time!
As the holiday tradition is nearing, Disney On Ice presents Let’s Dance! opened new premium seats for all shows at the SM Mall of Asia Arena.
WHERE:SM MALL OF ASIA ARENA
WHEN:
December 18, Friday3:00PM7:00PM
December 19, Saturday11:00AM3:00PM7:00PM
December 20, Sunday11:00AM3:00PM7:00PM
December 22, Tuesday1:00PM5:00PM
December 23, Wednesday1:00PM5:00PM
December 25, Friday11:00AM3:00PM7:00PM
December 26, Saturday11:00AM3:00PM7:00PM
December 27, Sunday11:00AM3:00PM7:00PM
December 29, Tuesday1:00PM5:00PM
December 30, Wednesday11:00AM3:00PM7:00PM
January 1, Friday1:00PM5:00PM
January 2, Saturday11:00AM3:00PM7:00PM
January 3, Sunday11:00AM3:00PM7:00PM
TICKETS: www.ticketmaster.ph
It’s easier than ever to experience the Disney magic. With a variety of ticket options, choose what fits best for an enchanted experience.
Tickets are now available to the general public. Get your tickets now via www.ticketmaster.ph.
To purchase tickets online, simply log in to www.ticketmaster.ph and create an account. If you are already a registered member, proceed to the Disney On Ice event page and select Cebu or Manila to view available seats and choose from the full range of ticket prices.
Reimagine what’s possible as the greatest Disney stories come to life on ice!
Metrobank proudly joins Disney On Ice presents Let’s Dance! as its official bank partner, reinforcing its commitment to bringing cardholders closer to world-class entertainment and unforgettable family experiences.
For more info about Disney On Ice, follow Disney On Ice’s social media channels: Facebook, Twitter, Instagram, & TikTok. Subscribe to the Disney On Ice YouTube Channel at www.youtube.com/DisneyOnIce
SM Mall of Asia Arena
SM Mall of Asia Arena is the preferred venue for world-class shows and premier sporting events, delivering best-in-class facilities, seamless service, and game-changing experiences that elevate the live entertainment industry.
For more information, visit www.sm-arena.com or follow @MOAArena on social media.
A fashionable house inspired by old Manila architecture, a legendary nightclub recreated from photographs and personal accounts, and a mirror ball that brings two different worlds together. In Bongga Ka, ’Day!: The Annie Batungbakal Musical, the Newport Performing Arts Theater becomes a slice of 1970s Manila, moving from the stylish interiors of House of Pasion to the disco nightlife of Coco Banana.Ohm David
Behind these settings is Ohm David, a seasoned Filipino scenographer whose work has shaped the visual storytelling of notable stage productions. For Bongga Ka, ’Day!, David brings this experience in theatrical design and architectural spaces to his interpretation of 1970s Manila, drawing from historic buildings, vintage photographs, and personal memories.
His creative starting point was the mirror ball, whose fragmented reflections offered a way to capture the many sides of the same city. “All those tiny mirrors reflect different perspectives of the exact same space. In each mirrored square, you see something entirely different,” Ohm explained. That idea helped shape two contrasting settings, each offering a different view of Manila’s fashion, culture, and nightlife.
Dressing up House of Pasion
In the musical, House of Pasion, the fashion house owned by Aurora Pasion (alternately played by Jackie Lou Blanco and Ring Antonio), introduces Annie Batungbakal (Atasha Muhlach) to a world of fashion and creativity.
To develop the setting, Ohm explored Quiapo and Escolta, taking inspiration from the architectural character of the historic Manila districts. He paired these influences with a more modern aesthetic, incorporating colors popular in the 1960s and 1970s, cleaner lines, and a spacious layout.
But beyond the period details, Ohm wanted the fashion house to reflect Annie’s experience of working there.
“I reimagined it as a dollhouse because, even though Annie dreaded waking up early for work, the House of Pasion was ultimately her playground,” Ohm said.
Comeback of Coco Banana
Manila’s legendary Coco Banana presented a different challenge. Unlike the fictional House of Pasion, the nightclub was a real part of the decade’s disco scene, but finding clear references to its interiors was difficult.
“Recreating Coco Banana proved challenging, tricky as it was exciting, because most existing photographs were either blurry or focused on patrons rather than the venue,” Ohm recalled.
The production team pieced together the club’s appearance from the limited photographs available, including images of its floors, walls, windows, and doors. People who had frequented the original venue also shared their memories, while dramaturg Eric dela Cruz interviewed someone familiar with its layout, decorations, and atmosphere.
The research provided enough detail to establish the club’s character, while leaving room for theatrical interpretation.
“So I would say it was 50 percent based on the actual place and 50 percent on imagination,” Ohm said.
The resulting set preserves the character of the old residence that once housed the club. Dark wooden walls and traditional capiz windows provide the backdrop, while disco decorations bring the nightlife setting to life.
“In fact, if you removed its mirrorball and tinsel, it would simply look like a wooden home,” Ohm explained.
The combination gives Coco Banana a distinctly Filipino character, rather than the look of a usual disco club.
Manila, remembered and reimagined
House of Pasion and Coco Banana may share the same decade, but Ohm used contrasting design styles to give each its own personality.
“First, I used color to create a stark visual contrast between the two spaces,” Ohm shared.
House of Pasion’s cleaner lines, brighter palette, and spacious interiors reflect a fashionable and more contemporary environment. Coco Banana’s darker wooden finishes and traditional architectural details, meanwhile, recall the older residential structure transformed into a nightclub. The result is a stage that moves between two different sides of 1970s Manila, giving audiences a look at the city’s fashion and nightlife through the world of Annie Batungbakal.
For those who experienced the decade, the settings may bring back familiar places and memories. For younger theatergoers, they offer a glimpse of the Manila that inspired the musical’s story and Hotdog’s songs.
“For both, I want them to see versions of themselves within the world we created through the set. I want them to enjoy and to have a good time!” Ohm said.
From House of Pasion’s fashionable interiors to Coco Banana’s disco floor, Bongga Ka, ’Day! brings together different images of Manila’s past, creating a world where the city’s familiar sights return to the stage.
Newport World Resorts, in association with VIVA Communications and The Philippine STAR, reunites for Bongga Ka, ’Day!: The Annie Batungbakal Musical featuring Hotdog’s timeless hits. The show, staged with PETA Plus, closes on October 31, 2026, at the Newport Performing Arts Theater.
Tickets for the last few remaining shows are available online and at all TicketWorld outlets and at the Newport World Resorts Box Office: PHP 4500 (SVIP), PHP 4000 (VIP), PHP 3,400 (GOLD), PHP 2,400 (SILVER), and PHP 1,300 (BRONZE).
Discover more to love about an all-original Filipino production with a special discount of 15% off on Bongga Ka, ’Day!: The Annie Batungbakal Musical tickets through the Discover More To Love website www.tourism.gov.ph using promo code BKDXDOT. Audiences can also enjoy 15% off tickets through the Department of Trade and Industry’s Malikhaing Pinoy platform at www.malikhaingpinoy.ph/calendar/ using promo code MPXBKD, in support of Filipino creativity and the country’s creative industries.
Learn more about the artists and the production through Newport World Resorts (@newportworldresorts), VIVA Communications Inc. (@vivaartistsagency), and The Philippine STAR (@philippinestar) on Facebook, Instagram, and TikTok.
At The Secret Library, the Korean actor reunited with Filipino fans for an evening of music, games, and heartfelt exchanges, adding another memorable chapter to their shared story.
On October 10, the Mall of Asia Arena became a gathering place for Byeon Woo Seok and his Filipino fans, affectionately known as Woo Che Tong or TongTong-ie. Through music, playful activities, and personal messages, The Secret Library brought the actor and his supporters together for a night centered on the memories they had made and the stories still waiting to be written.
The evening opened with Woo Seok performing Daybreak’s “Flower Road,” followed by a warm greeting to the Manila crowd.
“Every time I am here, I want to say thank you so much for your warm welcome,” he said.
Photo by PULP Live World and Joel H. Garcia
Reflecting on his fan meeting tour, Woo Seok admitted that he could hardly believe how many fans he had met along the way. He described his summer with them as an amazing experience and introduced The Secret Library as a special place containing all the stories they had built together.
During the first segment, “The Librarian’s Secret Records,” fans learned a few details about the actor. Asked what small thing had changed about him recently, Woo Seok answered that nothing had changed and that he was happier than ever. He also revealed that 🥹 was the emoji he used most frequently. His social media algorithm, he shared, was filled with videos and photographs of himself because he regularly monitored content from his fan meetings.
When asked what it meant to be “like Wooseok,” he described it as being happy, while fans supplied their own answer, “pogi,” the Filipino word for handsome. Woo Seok also shared how he hoped to be remembered, saying he wanted to be someone who made people happy.
He delighted the audience with Filipino phrases, including “tayo na,” “yohoo, dito ang tingin,” “kaya ko ’to,” “salamat po,” “cute kayo,” “mahal kita,” and “maganda.” Three lucky fans also joined him in reenacting scenes from his dramas. Woo Seok admitted that he felt shy during the activity but praised the fans for their performances, saying it would be fun to do the scenes together.
Photo by PULP Live World and Joel H. Garcia
Music remained a highlight of the program. He performed “Sudden Shower” from Lovely Runner, followed by “No Fate,” another song from the drama. Before singing the latter, he shared that the song always reminded him of the first time he met his fans and made him appreciate their support. He later went down from the stage and around the floor area to greet fans.
The second segment, “Secret Chapter,” brought a series of games and challenges. During a filmography quiz, Woo Seok adorably asked for more chances to answer a question involving Bus Number 34. He also took on a heart-pounding challenge featuring TXT’s dance choreography, performing for every side of the stage.
The activities continued with Tumbang Preso, where his playful attempts to bend the rules amused the audience. In “The Librarian’s Recipe,” he prepared eggs for three lucky fans, trying his best to make the perfect gyeran mari, or Korean rolled omelet.
One of the evening’s most touching moments came when the fans presented Woo Seok with a special project featuring messages of appreciation. Among them was the line, “Byeon Woo Seok, you’re the story we’ll always be proud to tell.” In Filipino, the message read, “Byeon Woo Seok, ikaw ang kwentong palagi naming ipagmamalaki.”
The fans then sang “Sudden Shower” to him, offering their own rendition of the song associated with Lovely Runner. The performance preceded Woo Seok’s message to his supporters, in which he acknowledged the role their love had played in his journey.
Photo by PULP Live World and Joel H. Garcia
“All just because of TongTong-ie’s unconditional love. We were able to come this far,” he said.
He promised to continue doing his best so that fans could find comfort in seeing him, especially when they felt tired or lonely.
“I hope you find comfort in seeing me, that you may see me clearly even from far,” he added.
Woo Seok also spoke about overcoming challenges and continuing to work hard. He thanked his fans and expressed his love for them, before returning to the evening’s library theme.
“The precious memories that we wrote together today. I will tuck it into another page of this book. So whenever I would like to open it again, I can revisit my heart and open this page,” he said.
“Let us meet again on the next page!”
Photo by PULP Live World and Joel H. Garcia
The final segment, “Destiny’s Bookmark,” featured “Fate Line” from Perfect Crown. In his closing remarks, Woo Seok thanked everyone for spending the evening with him and said he hoped to find ways to repay their love. He promised to continue working hard, deliver good performances, and give his best in his upcoming projects.
“Let’s meet again! Mahal ko kayo!” he said.
Throughout the fan meeting, the library served as a fitting metaphor for the relationship between Woo Seok and his fans. The songs recalled familiar stories, the games created new memories, and the fan project gave supporters an opportunity to express what the actor meant to them.
For Filipino TongTong-ie, the evening added another chapter to a journey that continues through Woo Seok’s performances and the affection surrounding his work. For the actor, it became another collection of memories to revisit, as he promised to return with new projects and more stories to share.
A fan meeting may last only a few hours, but its memories can remain long after the final song. At The Secret Library, Woo Seok and his fans added another page to their shared story, with the hope of meeting again when the next chapter begins.
In 2025, Marit Larsen and Marion Ravn gave M2M the ending the duo never got: the first headlining tour of their career that sold out across Asia and numerous countries around the world. Now comes TWO, a brand new global tour that will start in March 2027 in Singapore, Manila, Hong Kong, Jakarta, and reaching Mexico. MANILA will be on April 2, 2027 at the Araneta Coliseum. Tickets will go on-sale on Saturday, October 24 at 10AM via TicketNet.com.ph and TicketNet outlets nationwide. Presented by Wilbros Live.
“The Better Endings Tour exceeded our wildest dreams. We had no idea how full those rooms would be, or how natural and beautiful it would feel to get the band back together, hearing thousands of people singing these songs at the top of their lungs,” says Marit Larsen. “What was dreamt up as just that – a better ending – ended up sparking a whole new thing that we can’t help wanting to investigate further. I think we both knew, sitting on the floor backstage after our last show, that we had to keep going.”
TWO is built on the songs that made M2M a global phenomenon – “Don’t Say You Love Me”, “Mirror Mirror”, “Pretty Boy” and “The Day You Went Away” among them. But anyone expecting a repeat of 2025 will be surprised. The show has been reworked and reimagined, and will include new songs.
“In this new chapter, we dive deeper into what merging two very connected, yet undeniably different souls and songwriters can mean. We continue to bring different elements to the table, as we always have, but it turns out this time around our shared vision keeps pulling us towards each other. There is some magic there,” says Marion Ravn.
The name says it all: two childhood friends from Lørenskog, Norway, who found worldwide success as teenagers, went their separate ways and found their way back to each other. A second tour. And, for the fans who missed out last time, a second chance.
“At last, it feels like we’re writing the rest of our story together, side by side, the TWO of us.”
Follow @WilbrosLive on Facebook, Twitter, Instagram and TikTok.
We use cookies to ensure that we give you the best experience on our website. If you continue to use this site we will assume that you are happy with it.
