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  • beabadoobee new song ‘Switchblade’ out now!

    beabadoobee new song ‘Switchblade’ out now!

    new album Pylon out 18 September on Dirty Hit/Interscope Records

    North America, UK & Europe arena tour this autumn

    beabadoobee – 2026 – credit Erika Kamano

    beabadoobee today releases ‘Switchblade,’ the second song to be lifted from her hugely anticipated forthcoming album Pylon, a record that’s more wide-ranging and complex than anything that she has ever put out—a tannic rock record that is, at various points, angry, lonesome, ecstatic, depressed and deeply, pathologically in love.

    ‘Switchblade’ takes its central metaphor and pulls it apart thoroughly, wondering whether “self-defence is to be brave/Do you start the fight/Or take the flight?” The song has no clear answers, with Laus emphatically past the point in which she thought she could ever have everything figured out.

    Listen / buy ‘Switchblade’

    Pylon, for all its turbulent emotions, celebrates the not-knowing; its brilliance suggests that sitting with uncertainty can create something immense, both emotionally and sonically. Its vast array of feelings, often contradictory ones, is the point, says Laus: “Pylon is about accepting that negative feelings are going to come back—accepting the insecurity and feeling confused. It’s all a necessary part of growing and knowing yourself better. You have to go through all that shit, I have to write about it.’

    The follow up to her UK number 1 album This Is How Tomorrow Moves, Pylon is available to pre-order and pre-save now, and due for release on 18 September 2026 via Dirty Hit and Interscope Records. ‘Switchblade’ follows the album’s first single “Sun Has Set,” released to universal acclaim last month alongside a striking first person video directed by Bea’s partner and longtime visual collaborator Jake Erland.

    Pre-order / pre-save Pylon

    Pylon tracklist

    Pylon

    Sun Has Set

    Estranged

    Switchblade

    Write Me A Letter

    It’s Alright

    In Motion

    Memories

    Nothing To Prove

    Radio

    Powerlines

    Spark

    Despite That

    Satellite

    beabadoobee will debut songs from the record on the Powerlines Tour, her first ever arena shows and biggest tour to date, taking in shows across North America, the UK and Europe this autumn-winter. The Powerlines Tour promoted by Live Nation kicks off 1 October and includes stops at Madison Square Garden, The Kia Forum, The O2 Arena and more (full routing below). Tickets are on sale now; visit beabadoobee.com for tickets and tour information.

    ‘The Powerlines Tour’ Dates

    October 1 – Uncasville, CT – Mohegan Sun Arena*

    October 2 – Philadelphia, PA – Liacouras Center*

    October 3 – Boston, MA – TD Garden*

    October 5 – New York, NY – Madison Square Garden*

    October 7 – Toronto, ON, Canada – Scotiabank Arena*

    October 8 – Laval, Québec, Canada – Place Bell*

    October 10 – Columbia, MD – Merriweather Post Pavilion*

    October 11 – Raleigh, NC – Lenovo Center*

    October 13 – Orlando, FL – Addition Financial Arena*

    October 14 – Duluth, GA – Gas South Arena*

    October 16 – The Woodlands, TX – The Cynthia Woods Mitchell Pavilion*

    October 17 – Austin, TX – Germania Insurance Amphitheater*

    October 19 – Phoenix, AZ – Talking Stick Resort Amphitheatre*

    October 21 – Los Angeles, CA – The Kia Forum*

    October 24 – San Diego, CA – Viejas Arena*

    October 26 – Oakland, CA – Oakland Arena*

    October 28 – Vancouver, BC – Rogers Arena*

    October 29 – Seattle, WA – Climate Pledge Arena*

    November 14 – Glasgow, UK – OVO Hydro

    November 16 – Cardiff, UK – Utilita Arena

    November 17 – Manchester, UK – AO Arena

    November 18 – London, UK – The O2

    November 23 – Copenhagen, DK – K.B. Hallen

    November 24 – Stockholm, SE – Fryshuset Arenan

    November 27 – Oslo, NO – Spektrum

    November 30 – Paris, FR – Zenith ~

    December 2 – Amsterdam, NL – AFAS Live ~

    December 3 – Amsterdam, NL – AFAS Live ~

    December 4 – Brussels, BE – Forest National ~

    December 6 – Berlin, DE – Tempodrom ~

    December 7 – Düsseldorf, DE – Mitsubishi Electric Halle ~

    Previously Announced Summer Dates

    July 30 – Saint Charles, IA – Hinterland Music Festival

    July 31 – Chicago, IL – The Salt Shed (Official Lolla Aftershow)

    August 2 – Chicago, IL – Lollapalooza

    August 4 – Indianapolis, IN – Everwise Amphitheater

    August 7 – Morrison, CO – Red Rocks Amphitheatre*

  • BTS Drops Newest Music Video “NORMAL” on Spotify

    BTS Drops Newest Music Video “NORMAL” on Spotify

    JULY 17. MANILA, PHILIPPINES. Pop Royalty BTS unveiled the music video for “NORMAL” from their chart-shattering fifth studio album ARIRANG – now available to watch first on Spotify.

    The music video reveals BTS’ raw and vulnerable side, portraying each member through deeply personal and intimate moments. Set in the aftermath of a celebration, it moves between scenes from the previous night’s festivities and the stillness of the following morning, capturing the quiet moments that exist beyond the spotlight. One of the video’s most memorable scenes recreates the now-viral image of all seven members standing before a row of toilets, bringing the teaser campaign full circle.

    To watch BTS’ “NORMAL” music video, Premium subscribers in beta markets can open Spotify on their TV, desktop, iOS or Android device, search for and play “NORMAL” by BTS, and tap “Switch to video”. The music video will start playing right where the song left off. For a full-screen experience on mobile, simply turn your device to landscape mode. And to return to background listening, simply press “Switch to audio”.

  • Mitski turns vulnerability into art in unforgettable Manila debut at the Mall of Asia Arena

    Mitski turns vulnerability into art in unforgettable Manila debut at the Mall of Asia Arena

    There is something almost contradictory about a Mitski concert.

    It gathers thousands of strangers inside an arena, yet somehow feels as intimate as reading a page from someone’s diary. Songs that have long lived quietly through headphones suddenly exist in a room filled with people, but they lose none of their intimacy. Instead, they become heavier, more tangible, and more human.

    On July 14, during her long-awaited Philippine debut at the SM Mall of Asia Arena, Mitski offered Manila something far beyond a concert. She created a space where vulnerability was not something to hide but something to embrace—a space where sadness, longing, joy, uncertainty, and nostalgia were allowed to exist together without explanation.

    In an era where live performances are often measured by spectacle, pyrotechnics, and elaborate productions, Mitski reminded audiences that one of the most powerful things an artist can do is simply tell the truth.

    From the opening notes of “In a Lake,” the atmosphere inside the arena quietly transformed. Conversations faded, phones lowered, and thousands of people settled into attentive silence. Mitski never demanded attention. She never needed to. She possesses the rare ability to command a room not through volume or grandeur, but through presence.

    Watching Mitski perform is unlike watching most singers.

    She does not simply sing her songs—she inhabits them.

    Every measured step across the stage, every carefully timed pause, every subtle tilt of her head, every fleeting expression contributes to the story unfolding before the audience. Her movements are never ornamental. They are extensions of the lyrics themselves, transforming songs into living narratives that unfold in real time.

    There is a theatrical quality to her performance, but not in the traditional sense. Theater often asks audiences to suspend disbelief. Mitski does the opposite. She strips every performance down to its emotional core until what remains feels undeniably real.

    Her voice carries the music, but her body carries the emotions.

    For nearly two hours, she invited thousands of people into moments of reflection. Songs became memories. Lyrics became conversations people had once struggled to have with themselves. The arena gradually transformed into a place where emotions that often remain hidden were given permission to exist freely.

    Perhaps that is what makes experiencing Mitski live so profoundly different.

    Her music has always encouraged listeners to recognize complicated feelings rather than suppress them. Seeing those songs performed in person only deepens that experience. She does not ask audiences to leave happier than they arrived. Instead, she reminds them that every emotion—no matter how uncomfortable—is worthy of acknowledgment.

    That honesty resonated throughout a thoughtfully constructed 26-song setlist that moved effortlessly between older fan favorites and more recent releases. Beginning with “In a Lake,” the evening unfolded through songs including “Cats,” “Working for the Knife,” “Buffalo Replaced,” “Dead Women,” “I Bet on Losing Dogs,” “Heaven,” “Circle,” “Washing Machine Heart,” “Dan the Dancer,” “Francis Forever,” “Stay Soft,” “Two Slow Dancers,” “Lightning,” “My Love Mine All Mine,” “Nobody,” and “That White Cat,” before closing with an encore performance of “Pearl Diver.”

    Rather than feeling like a collection of individual songs, the setlist unfolded as one continuous emotional journey, each piece naturally leading into the next.

    Equally remarkable was the restraint of the production itself.

    The stage remained simple throughout the evening, allowing Mitski to remain the unmistakable focal point. There were no extravagant stage effects or elaborate set pieces competing for attention. Instead, carefully curated film sequences and cinematic visuals appeared across the screens, quietly expanding the emotional world of each song.

    The imagery never distracted from the performance. It completed it.

    Scenes drawn from films and evocative visual landscapes heightened the nostalgia, tenderness, and melancholy already present within the music. Rather than overwhelming the audience, the visuals served as gentle companions to Mitski’s storytelling, reinforcing every emotional beat without ever demanding the spotlight.

    Like the music itself, every creative decision felt intentional.

    The understated production reflected Mitski’s artistic identity perfectly—unassuming, deeply thoughtful, and entirely authentic.

    As emotionally immersive as the performance was, it was the moments between songs that revealed just as much about Mitski herself.

    Addressing the audience during her first-ever visit to the Philippines, the singer-songwriter admitted she was overwhelmed by the warmth she had received.

    “Thank you so much for coming. Thank you so much for having us. This is my very, very first time in my life being in the Philippines. And it’s such a privilege to get to be here in order to play a show. That’s like a dream come true,” she told the crowd.

    She went on to thank Filipino fans not only for filling the arena, but for the kindness shown to her entire team since arriving in the country.

    “It’s really wild to see you all here when it is my first time being here. I’m just in awe. You’re all so welcoming. I’m so overwhelmed. Thank you so much,” she said, adding that every person they had encountered had welcomed them with generosity and humor.

    It was a moment that reflected the sincerity that has always defined Mitski—not as a distant performer, but as someone genuinely moved by the people listening to her music.

    Near the end of the evening, her gratitude became even more personal.

    “Thank you for making me do my favorite thing which I love so much. Because you understand,” she said.

    “I just can’t really believe it. I don’t know what to do with these feelings. I feel so grateful for you and I love you all so much. Thank you for being here. Thank you for showing me I’m not alone after all. Thank you for telling me that actually all my feelings are normal. I’m very blessed and you have blessed me.”

    Those words lingered long after the applause subsided.

    For years, Mitski’s songs have reminded listeners that heartbreak, loneliness, uncertainty, and hope are experiences we all carry, even if we rarely speak about them aloud. Onstage in Manila, those same songs returned that comfort to their creator. The relationship between artist and audience became reciprocal; the understanding she had offered listeners through her music was reflected back to her by thousands of voices gathered inside the arena.

    Perhaps that is why Mitski’s Philippine debut felt so unforgettable.

    It was never simply about hearing beloved songs performed live. It was about witnessing an artist whose greatest strength lies not in spectacle, but in honesty. Through music, movement, silence, and storytelling, she transformed an arena into a sanctuary where vulnerability became a shared language and where, for one remarkable evening, no one had to feel alone.

    In the end, Mitski did not leave Manila with the loudest concert of the year. She left with something far more enduring: the quiet assurance that art, when created with sincerity and received with understanding, has the power to make thousands of strangers feel like they belong to one another.

  • SB19’s PABLO embraces hope and resilience in new solo single “USAD”

    SB19’s PABLO embraces hope and resilience in new solo single “USAD”

    PABLO of SB19 has released his latest solo single, USAD, on July 17, 2026, delivering a heartfelt message of hope, resilience, and personal growth. The song encourages listeners to embrace their own pace, recognize every step forward, and remember the greatness within themselves.

    The title, which translates to “move forward,” reflects PABLO’s belief that progress should be celebrated regardless of its size.

    “If you know within yourself that you’ve made progress, then that is still progress. USAD tells that story,” he said.

    For PABLO, every release marks a new chapter in his artistic and personal journey. USAD was born from a period of introspection and rediscovery, reminding him of the purpose behind his music and the value of recognizing one’s own potential.

    “We’re bestowed with such a great gift. Sometimes we forget, and sometimes we just need to be reminded that we’re all great. The Middle is about embracing my own greatness and discovering the greatness within,” he shared.

    Inspired by life’s quieter moments and often-overlooked struggles, USAD reflects on how setbacks, detours, and challenges shape a person’s journey toward growth.

    “If you don’t see the light at the end of the tunnel, you feel like you’ll never reach it. But it’s through those challenges, detours, and even dead ends that you gain what you need for your destination. When you finally get there, you understand why every step mattered,” PABLO explained.

    Sonically, USAD highlights the musical influences that have shaped PABLO as an artist, blending R&B, gospel, and rap into a sound that reflects his evolving creative identity.

    “I decided to fuse R&B and gospel with a little bit of rap. In the end, I called it Holy Smokes!” he said.

    With USAD, PABLO continues to expand his solo discography with music rooted in authenticity, perseverance, and optimism, encouraging listeners to keep moving forward and celebrate every milestone along the way.

    USAD is now available on digital music streaming platforms worldwide beginning July 17, 2026.

  • Ayala Malls Cinemas Tunes You Into the Sound of Mystery with “TUNER” Exclusively Playing on July 22 with Early Access at select Ayala Malls

    Ayala Malls Cinemas Tunes You Into the Sound of Mystery with “TUNER” Exclusively Playing on July 22 with Early Access at select Ayala Malls

     

    This July, Ayala Malls Cinemas exclusively brings the gripping crime thriller “TUNER” to the big screen, starting July 22. Starring Academy Award-winning actor Dustin Hoffman and Leo Woodall, best known for his breakout performances in HBO’s The White Lotus (2022) and Netflix’s One Day (2024), “TUNER” has captivated both critics and audiences earning an impressive 94% Tomatometer and 94% Popcornmeter on Rotten Tomatoes.

    Photo credit: Ayala Malls Cinemas 

    Experience the thrill only at Ayala Malls Cinemas, where immersive visuals and premium offerings heighten every secret. Catch “TUNER” exclusively at Glorietta, Greenbelt, Trinoma, Manila Bay, Fairview Terraces, Central Bloc in Cebu, Centrio in Cagayan de Oro, and Capitol Central in Bacolod. 

    Photo credit: Pioneer Films

    Directed by Academy Award-winning filmmaker Daniel Roher in his narrative feature debut, “TUNER” follows gifted piano tuner Niki, played by Leo Woodall, whose extraordinary sense of hearing catches the attention of dangerous criminals who exploit his unique talent to crack safes. As he struggles to leave his past behind and discovers an unexpected romance with music student Ruthie, Niki is pulled deeper into a perilous world where every decision could change his life forever. Blending romance, drama, and pulse-pounding heist suspense, the film also stars Academy Award winner Dustin Hoffman, Havana Rose Liu, Tovah Feldshuh, Lior Raz, and Jean Reno.

    Photo credit: Pioneer Films

    To make your movie day special and even more seamless, www.ayalaallaccess.com has you covered, allowing patrons conveniently book tickets, select preferred seats, and even pre-order your favorite snacks before your date. With cutting-edge Dolby Audio and Dolby Atmos technologies delivering rich, multi-dimensional sound, every whisper, note, and every heartbeat becomes part of an unforgettable cinematic experience.

    Be among the first to experience “TUNER” during its exclusive Early Access Screenings on July 18 at 6:30 PM at Glorietta, Greenbelt, Trinoma, and Manila Bay, before the film opens exclusively across participating Ayala Malls Cinemas starting July 22.

    Every note tells a story, and every sound reveals a secret. 🤫 

    Follow Ayala Malls Cinemas’ Facebook and Instagram to get to know more about the secrets and upcoming releases.

  • Home for K-Pop Fandom: SM Mall of Asia Arena Brings Fans Closer to the Experience!

    Home for K-Pop Fandom: SM Mall of Asia Arena Brings Fans Closer to the Experience!

    K-pop has continued to redefine the live concert experience, introducing new ways for artists and fans to connect. From VIP privileges such as soundchecks, exclusive merchandise, and hi-bye sessions to synchronized lightsticks and fan-led activities, every element adds to an immersive experience that begins long before the artists take the stage.

    EXO brings a galaxy of lights to the SM Mall of Asia Arena.

    This was evident at the SM Mall of Asia (MOA) Arena, which hosted two major K-pop concerts in July, drawing thousands of fans eager to celebrate their favorite artists and connect with fellow members of their communities.

    Souvenirs and photos in the venue
    Long before the show began, the areas surrounding the venue had already transformed into a gathering place for fans. On July 4 and 5, EXO-Ls, the official fandom of K-pop boy group EXO, filled the venue with coordinated outfits, banners, fan-made accessories, and other expressions of support for the group.

    Fans took a snap with the idols through individual photo walls.

    Taking home a piece of the experience also became an integral part of the concert. Official merchandise quickly sold out, while fans lined up to capture souvenir photos at photo walls and other installations around the venue.

    Fans take home a piece of the concert with complementary fan banners and perks.

    The experience extended beyond the performance itself. For many fans, the venue became a space where shared admiration for their favorite artists brought people together and turned a concert weekend into a celebration of community.

    Dedication rooted from admiration
    The same passion was evident during the much-anticipated return of K-pop girl group ITZY on July 11. Despite the weather, fans made their way to the venue, navigating walkways and available routes to reunite with the group and fellow MIDZYs.
    Their dedication reflected the deep connection between K-pop artists and their fans, where attending a concert goes beyond watching a live performance. It becomes a shared experience shaped by anticipation, preparation, and the excitement of celebrating alongside a community.

    Fans display confidence in every step of the way during the ITZY 3rd World Tour <TUNNEL VISION>.

    The energy throughout the concert dates highlighted how K-pop events have evolved into celebrations of music, passion, and belonging. Beyond the performances, these events give fans a space to express themselves, connect with people who share their interests, and create lasting memories.

    At the SM Mall of Asia Arena, the K-pop concert experience begins before the first song and continues long after the final encore, bringing artists and fans together through moments worth remembering.

    @moa.arena

    Colorful lights fill the arena with ITZY bringing down the stage. 💜 #ITZYAtMOAArena #ChangingTheGameElevatingEntertainment

    ♬ original sound – SM Mall of Asia Arena – SM Mall of Asia Arena
    Fans cheer in anticipation for ITZY’s return.

  • Manila Sound icons reunite for Sumayaw Sumunod concert at Newport World Resorts!

    Manila Sound icons reunite for Sumayaw Sumunod concert at Newport World Resorts!

    The biggest names behind the 1970s Manila Sound are coming together for one of the grandest celebrations of Filipino music. Sumayaw Sumunod: The Manila Sound Reunion Concert takes center stage at the Newport Performing Arts Theater on August 1, 2026. The one-night concert revisits the disco fever, pop sensations, folk anthems, soulful performances, and rock classics that defined an era.

    Headlining the concert are Lolita Carbon of Asin, Pat Castillo, The Rainmakers, Joey Abando of The Boyfriends, Gino Padilla, Rey Magtoto and Nonoy Tan of Wadab, Mon Espia of Labuyo, Monet Gaskell and Male Rigor of VST & Co., and the Queen of Pinoy Rock, Sampaguita.

    Among the featured performers is Lolita Carbon, one of the country’s most respected folk icons and the voice of the legendary band Asin. Audiences can look forward to timeless, soulful classics including “Masdan Mo ang Kapaligiran,” “Balita,” “Ang Bayan Kong Sinilangan,” and “Himig ng Pag-ibig.”

    Joining her is acclaimed jazz and soul vocalist Pat Castillo, whose sophisticated voice first gained national attention as a core member of The Circus Band, widely regarded as one of the country’s greatest live performing ensembles.

    Representing the flawless vocal group harmony of the Manila Sound era are The Rainmakers, whose rich vocal arrangements and feel-good pop sound made them radio favorites during the 1970s with signature hits like “Binibini” and “Ok Sa Akin.” 

    Fans of classic OPM romance will welcome Joey Abando, fronting the timeless catalog of The Boyfriends. The group produced some of the era’s most enduring soundtracks for courtship and young love, such as “Dahil Sa Iyo,” “Nais Kong Malaman Mo,” “Kahapon Lamang,” and the concert’s iconic namesake, “Sumayaw, Sumunod.”

    Adding a smooth ’80s pop flavor is Gino Padilla, one of the country’s most recognizable voices whose heartfelt ballads became massive chart-toppers. Audiences can prepare to sing along to his signature classics, including “Closer You and I,” “Gusto Kita,” and “Let the Love Begin.”

    The concert also happily reunites Rey Magtoto and Nonoy Tan of Wadab, whose smooth pop-soul musicianship and exceptional studio songwriting made them major favorites during the Manila Sound movement. Their timeless recordings, including “Pag Tumatagal… Lalong Tumitibay,” “Iniibig Kita,” “Tsismis Ka,” and the funky, bass-driven “Ang Jeepney,” remain staple anthems of local pop history.

    Representing an essential chapter of sophisticated groove is Mon Espia of Labuyo, a band celebrated for blending smooth jazz, soul, and rock elements with distinctly Filipino sensibilities. Espia will bring to the stage their crowning achievement: the legendary, comforting anthem “Tuloy Pa Rin.”

    Disco naturally takes the spotlight with Monet Gaskell and Male Rigor, two original pillars of VST & Co., arguably the definitive Manila Sound dance band. Their infectious grooves produced some of the country’s biggest dance hits, including “Awitin Mo at Isasayaw Ko,” “Rock Baby Rock,” “Disco Fever,” “Magsayawan,” and “Swing It Baby,” which shaped the dance floor culture of an entire generation.

    Completing the legendary lineup is Sampaguita, the iconic Queen of Pinoy Rock, whose commanding stage presence and uncompromising vocals broke barriers for women in the local rock scene. Her heavy-hitting classics “Nosi Ba Lasi,” “Laguna,” “Tao,” and the ultimate party track “Bonggahan” remain permanent staples of OPM.

    Whether audiences grew up with these songs or are discovering them for the first time, Sumayaw Sumunod: The Manila Sound Reunion Concert promises an evening of nostalgia, celebration, and proudly Filipino music.

    Journey back to the golden era of Manila Sound with a reunion of Filipino music legends in Sumayaw Sumunod: The Manila Sound Reunion Concert at the Newport Performing Arts Theater. Tickets are available at Ticketworld outlets and Newport World Resorts Box Office: P6,500 (PLATINUM), P5,500 (SVIP), P4,500 (VIP), P3,500 (GOLD), P2,500 (SILVER), and P1,500 (BRONZE). For ticket inquiries, contact VAA Live Hotlines at 09317082115 or (02) 8687-5853 loc 841.

    For more information on Newport World Resorts, visit www.newportworldresorts.com and follow @newportworldresorts on Facebook, Instagram, and TikTok.

  • ALYSON brings AFTER OURS to life in first full orchestral concert

    ALYSON brings AFTER OURS to life in first full orchestral concert

    Filipino city pop band ALYSON is set to present its first major concert with a full orchestra through AFTER OURS: Live and in Full!, happening on July 17, 2026, at Aster Events Place in Mandaluyong City.

    The special performance will bring the band’s acclaimed sophomore album, AFTER OURS, to life through orchestral arrangements, immersive production, and reimagined live performances, marking the group’s most ambitious concert to date.

    Known for blending Manila Sound, Japanese city pop, Brazilian funk, ’80s OPM, and jazz, the five-piece band will perform the album in its entirety alongside a full orchestra. The production also represents a significant creative milestone, with the members taking a more active role in co-producing the show and shaping its artistic direction.

    “We’ve been rehearsing for this show as a band for a long time now, so we’re confident that we can put on a good show,” the band said in a statement.

    “We’ve also been rehearsing with our orchestra, and it’s another experience to hear our music played altogether like this with so many talented people. The production team and our management have also been working double time to get this show off the ground, so we’re truly thankful for all their help.”

    In addition to the orchestral collaboration, ALYSON teased several surprises for concertgoers, including potential guest performers and exclusive setlist additions.

    “While we make no secret of the involvement of the orchestra and their hand in elevating our performance, we think there’s still room for surprises,” the band shared. “Maybe some special guest or two, maybe some unexpected numbers. What we can say is that it’s a setlist you can only see at a show like this. You’ll have to be there to find out.”

    Beyond showcasing the band’s music, AFTER OURS: Live and in Full! reflects years of artistic growth and collaboration, offering fans a more intimate and immersive concert experience.

    “This is, to date, the largest and most involved show we’ve ever done,” ALYSON said.

    “We’ve never played anything with this many people involved on and off the stage. It’s honestly evolved into something we never imagined we’d be able to do. We’re just happy to share this moment with everyone who’s supported us and treat them to an experience that’s beyond even what we imagined when we started this.”

    The concert also precedes another milestone for the band as it prepares for its international festival debut at the AXEAN Festival 2026 in Bali, Indonesia, scheduled for Aug. 29 to 30 at Jimbaran Hub.

    AFTER OURS: Live and in Full! is co-presented by Offshore Music PH and GNN, with support from ONErpm. Tickets remain available through https://afterours.helixpay.ph/.

  • Netflix Philippines unveils key art for family drama Ganito, Ganyan, Ganoon

    Netflix Philippines unveils key art for family drama Ganito, Ganyan, Ganoon

    Netflix Philippines has released the official key art for Ganito, Ganyan, Ganoon, its upcoming family drama film starring Jodi Sta. Maria and Agot Isidro, ahead of its global premiere on Aug. 13.

    Courtesy of Netflix

    The newly unveiled artwork features an extended Filipino family gathered on a scenic beach, presenting what appears to be a picture-perfect family portrait while hinting at the emotional complexities that lie beneath the surface.

    Directed by Cholo H. Laurel, Ganito, Ganyan, Ganoon follows Joanne “Jo,” portrayed by Sta. Maria, a television writer on the verge of a career-defining opportunity whose life is upended by the unexpected return of her estranged mother. Forced to confront unresolved childhood trauma, Jo embarks on an emotional journey that explores family, forgiveness, and self-discovery.

    Reflecting on her character, Sta. Maria described Jo as “accomplished,” “intelligent,” and “very strong,” adding that the story ultimately asks what shaped her into the person she has become.

    Courtesy of Netflix

    Opposite Sta. Maria is Agot Isidro as Paz, Jo’s strong-willed mother whose return from decades of living in New York sets the story in motion. As long-buried secrets gradually unfold, Paz’s past becomes central to the emotional conflict between mother and daughter.

    Courtesy of Netflix

    Beyond its emotional core, the film explores the unique dynamics and imperfections of Filipino families, highlighting how shared experiences of love, conflict, misunderstandings, and reconciliation continue to shape relationships across generations.

    Speaking during the Next on Netflix Philippines event in February, Laurel credited Netflix for allowing the project to remain true to its creative vision.

    “They were willing to give it the creative freedom that we needed to be able to stay faithful to the vision,” he said.

    Joining Sta. Maria and Isidro is an ensemble cast that includes Gabriel Lazaro, Gardo Versoza, Ruby Ruiz, RK Bagatsing, Mitch Valdez, and Angel Aquino.

    Ganito, Ganyan, Ganoon promises an intimate yet relatable portrait of a Filipino family navigating love, resentment, laughter, and regret—emotions that coexist as they rediscover one another despite years of distance.

    The film premieres globally on Netflix on Aug. 13.

  • Louis Tomlinson brings How Did We Get Here? World Tour 2026 to Manila this October

    Louis Tomlinson brings How Did We Get Here? World Tour 2026 to Manila this October

    Global singer-songwriter Louis Tomlinson is set to make his long-awaited return to the Philippines with the Manila stop of his How Did We Get Here? World Tour 2026 on October 17, 2026, at the Smart Araneta Coliseum.

    The concert marks Tomlinson’s biggest solo tour to date, giving Filipino fans the opportunity to experience the next chapter of the former One Direction member’s acclaimed career live on stage.

    Following his global success with One Direction, Tomlinson has established himself as one of contemporary pop music’s most compelling singer-songwriters. Earlier this year, he released his latest studio album, How Did I Get Here?, through BMG—his most personal and self-assured body of work yet.

    Described by Tomlinson as “the record I always deserved to make,” the album reflects his artistic evolution through introspective songwriting, heartfelt storytelling, and a confident indie-pop sound. The release debuted at No. 1 in the United Kingdom, Belgium, the Netherlands, and Spain, while reaching the Top 5 in Australia, Austria, France, Germany, Italy, Poland, and Switzerland.

    Its lead single, “Lemonade,” earned widespread airplay from BBC Radio 1, BBC Radio 2, and Capital UK. Tomlinson also performed the track during BBC Radio 1’s Live Lounge, where he delivered a cover of Hozier’s “Too Sweet.” The succeeding singles “Palaces,” “Imposter,” and his latest release, “Sunflowers,” have further showcased his evolving artistry, receiving praise from both critics and listeners.

    The album campaign has also been accompanied by high-profile media appearances, including cover features for Billboard and Rolling Stone UK, a guest performance and interview on The Tonight Show Starring Jimmy Fallon, an in-depth conversation with Zane Lowe, and an appearance on Steven Bartlett’s The Diary of a CEO, whose episode became the second most-streamed podcast episode of 2025.

    Prior to this era, Tomlinson’s sophomore album, Faith In The Future, topped the charts in the United Kingdom, Spain, Argentina, and Belgium. Its accompanying world tour sold out arena dates across 34 countries and stadium shows in five countries, further cementing his reputation as a global live performer.

    Among his career milestones, Tomlinson became the first male solo artist to headline Mexico City’s iconic Autódromo Hermanos Rodríguez Formula 1 circuit. His recently concluded sold-out arena tour across Europe and the United Kingdom once again demonstrated his enduring connection with audiences around the world.

    In Manila, concertgoers can expect a career-spanning setlist featuring tracks from How Did I Get Here?, alongside fan favorites from Walls, Faith In The Future, and other highlights from his solo discography.

    Artist Presale will run from 10 a.m. on July 27 until 10 a.m. on July 28 (local time). Fans may register through the official artist presale website.

    Mastercard cardholders will have exclusive access to a special presale beginning 12 p.m. on July 28 until 12 p.m. on July 29 (local time).

    Members of Live Nation Philippines may purchase tickets during the exclusive Live Nation Presale on July 29, from 12 p.m. to 11:59 p.m. Membership is free through the official Live Nation Philippines website.

    General ticket sales begin on July 30 at 12 p.m. via TicketNet online and authorized outlets.

    For ticket purchases and complete event information, visit the official websites of TicketNet and Live Nation Philippines.

  • Linggo ng Musikang Pilipino 2026 champions the future of OPM with “Pinoy Coded”

    Linggo ng Musikang Pilipino 2026 champions the future of OPM with “Pinoy Coded”

    Annual nationwide celebration returns this July with live performances, industry talks, and new regional collaborations that spotlight the evolving sound of Filipino music

    Linggo Ng Musikang Pilipino (LMP), the country’s annual nationwide celebration of Filipino music, returns this year with revitalized programming designed to champion the rich and diverse music scene in the Philippines.

    Established through Proclamation No. 933 and signed by the late President Benigno S. Aquino III in 2014, LMP has become a viral platform for recognizing the lognstanding legacy of Original Pilipino Music. For more than twelve years, it has consistently inspired greater appreciation for homegrown music and played a crucial role in fostering a culture of collaboration and community in its month-long activities.

    This year’s theme, “Pinoy Coded,” celebrates Filipino identity by highlighting how music reflects the nation’s culture, stories, and shared experiences. Through this year’s Linggo Ng Musikang Pilipino, the campaign aims to strengthen support for OPM and recognize the artists, songwriters, producers, music practitioners, and industry stakeholders whose contributions continue to enrich the Filipino music catalog and make it world-class.

    Last year’s LMP with speakers and attendees

    OPM President Ogie Alcasid explains, “The theme this year was a product of being exposed to current trends and trying to engage with a younger core audience. But we still wanted to retain that love for our music and our culture. Hence, why we went with the theme Pinoy Coded. It celebrates Filipino music, but at the same time, it also acknowledges the ever-growing and evolving landscape and audience of our local music industry.”

    Throughout July, Linggo Ng Musikang Pilipino 2026 will present an eclectic and well-curated lineup of performances, educational programs, and community initiatives across multiple venues in Metro Manila, Luzon, Visayas, and the rest of the country. This year’s festivities include the return of OPM Spotlight, a month-long concert series featuring OPM member-artists performing original compositions alongside iconic Filipino classics. Expanding beyond the capital, the celebration also welcomes collaborations with regional partners such as Nine Degrees North in Baguio, Palawan’s Songwriters’ Community, and Passion8 Events & Services in Iloilo, reinforcing the festival’s commitment to making the celebration more inclusive and representative of the country’ s vibrant music communities.

    “For this year’s celebration, we’re excited to collaborate with productions outside of Metro Manila,” OPM Executive Director Gab Cabangon adds. “It has always been our goal to expand the LMP celebration to different parts of the country so that we get to celebrate and highlight the diversity and excellence of Filipino music and Filipino artists.”

    OPM Spotlight: LMP2026 runs from July 1 to 31, with performances across different venues including Kubo at JT’s Manukan in Quezon City, Burnt Edges branches in Makati City, Beach House Bar & Grill in Marikina, What’s Your Poison in Población, and partner-produced stages in Palawan and Iloilo. Music fans can also expect an exciting showcase of OPM member-artists performing their original music and fresh renditions of iconic Filipino songs, highlighting the creativity and diverse voices at the forefront of the Philippine music landscape.

    Complementing the Spotlight series is the LMP2026: Rockwell Series, an all-OPM acoustic showcase happening from July 25 to 31 at Power Plant Mall in Rockwell, Makati. Featuring eleven OPM solo artists performing a blend of original compositions and OPM favorites, the series continues Rockwell’s longstanding support for Filipino music by bringing live performances to one of the country’s premier lifestyle destinations. Meanwhile, aspiring musicians will also have their moment through LMP2026: OPM-ic Open Mic Night on July 29 at Backdoor. Maginhawa, where emerging artists and non-OPM members can perform original songs and OPM covers before fellow music enthusiasts. Proceeds from the event will directly support Organisasyon ng mga Pilipinong Mang-Aawit’s future programs and initiatives.

    Zsaris performing at last year’s LMP: Rockwell Series

    Aside from live performances, LMP2026 continues its commitment to industry development through the LMP202 Music Talk Series on July 25 at Trinoma Cinema 6. Entirely dedicated to songwriters, producers, arrangers, music professionals, students, and other stakeholders, the half-day forum will tackle key issues concerning today’s music ecosystem: from industry research and creator support to music discovery, production, distribution, royalties, and emerging trends. The event also aims to foster meaningful dialogue, encourage collaboration, and equip participants with practical knowledge for navigating the evolving music industry.

    2025 Music Talks panel featuring Jim Paredes, Miguel and Paolo Benjamin, and more

    Cabangon emphasizes that this year’s Music Talk Series aims to provide a better understanding of the current landscape of the industry and provide practical guidance for those who want to pursue music as a career and passion. “We think it’s important that the various kinds of information are shared with other artists and professionals because we want as many members of our industry to succeed and thrive. We want artists and music industry professionals to be able to elevate their craft and their status because they’re making better-informed choices. We also want the Music Talk Series to be a space for professionals to connect with one another and expand their respective networks in the industry. We also think knowing where we are now as a local music industry would help us explore ways on how we can improve and grow as a whole in an ever-evolving landscape.”

    Beyond its function as a festival, Linggo Ng Musikang Pilipino remains a powerful movement that deepens appreciation for Original Pilipino Music while ensuring its continued preservation and growth. By providing platforms for both established and emerging artists, encouraging public engagement, and creating opportunities for music education and collaboration, LMP proves that Filipino music is not only an essential part of the country’s cultural identity but also a sustainable entity capable of inspiring future generations.

    FILSCAP President Arturo “Nonoy Tan” Lui Pio believes in the importance of valuing music and supporting the music creators behind it. “That’s why Linggo ng Musikang Pilipino (LMP) is a meaningful celebration for us. Through our partnership with OPM, we continue to advance this shared advocacy of encouraging more Filipinos to appreciate, support, and take pride in original Filipino music and the creators whose voices, stories, and creativity shape the sound of our nation.”

    Linggo Ng Musikang Pilipino 2026 is presented by Organisasyon ng mga Pilipinong Mang-Aawit’s (OPM) and FILSCAP, with support from Power Plant Mall as a major partner as well as MBC Media Group and Soundesign Manila as LMP2026 partners. OPM Spotlight and other music performances are made possible through collaboration with Nine Degrees North, Passion8 Events & Services, and the Palawan Songwriters’ Community. Promotional support is provided by DTI & Malikhaing Pinoy, IPOPHL, PRM, and PhilPop.

  • Checking Into Manila: lullaboy Returns With Hotels & Heartbreaks Tour

    Checking Into Manila: lullaboy Returns With Hotels & Heartbreaks Tour

    Following a breakout run across Asia and the release of his most personal album to date, Singapore-based singer-songwriter lullaboy returns to the Philippines with a live experience that transforms heartbreak into healing.

    For many artists, heartbreak inspires a song. For Singapore-based singer-songwriter and producer lullaboy, it became the foundation of an entire creative world.

    With more than 200 million streams across digital platforms and a growing fanbase throughout Southeast Asia, lullaboy has established himself as one of the region’s most compelling independent artists. Born in the United States, raised in Singapore, and of Indonesian-Chinese heritage, the Berklee College of Music graduate has performed at major festivals across Asia, mounted successful regional headline tours, and was selected to close the official afterparties for all six Singapore dates of Taylor Swift’s The Eras Tour. Throughout his career, he has remained committed to creating music rooted in vulnerability, honesty, and hope.

    “‘Lullaboy’ comes from the words lullaby and boy, because writing songs was always a way for me to comfort my inner child,” he said. “Even today, I write songs about love, life, and everything in between, and I hope they can bring comfort to everybody’s inner child.”

    That mission began after experiencing his first heartbreak, when songwriting became an emotional refuge during a period when he felt no one truly understood what he was going through.

    “As I released more songs, people started sending me messages saying they helped them through difficult seasons,” he said. “That’s when I realized sharing my own stories could make a positive impact on other people’s lives. I don’t just make music for fun anymore—I do it because I feel like it’s my purpose.”

    That purpose drives Hotels & Heartbreaks, his third studio album and the inspiration behind his ongoing nine-city Asia tour. More than a concert, the live experience invites audiences to “check in hurt and check out healed,” taking listeners on an emotional journey through heartbreak, reflection, and hope. The album’s 12 interconnected tracks and accompanying visualizers were intentionally designed as one continuous narrative, allowing listeners to find pieces of their own stories within the music.

    The concept emerged from a realization that professional success alone could not replace genuine human connection.

    “I was staying in all these beautiful hotels while touring,” lullaboy recalled. “At the end of the day, I’d lie on my bed and ask myself, ‘What’s it all for?’ You can achieve your biggest dreams, but if you don’t have love or someone to share them with, it doesn’t necessarily bring happiness.”

    For lullaboy, everyone has their own “heartbreak hotel” to navigate before finding peace.

    “This album is actually an album of hope,” he said.

    The Philippines has become an important chapter in that journey. Long before returning as a touring artist, lullaboy first visited the country through mission work as a young worship leader. Those early experiences—and the warmth he received from Filipino communities—left a lasting impression.

    “I remember telling myself that one day I would come back here as an artist,” he said. “Then last year, I finally did my first concert in Manila, and I was blown away by how much warmth there was from the people. They sing really loud, they have beautiful voices. I’ve been waiting for this moment. I think the Lullafam knows how much I love the Philippines.”

    Now, Hotels & Heartbreaks brings lullaboy back to Manila on July 17 as part of his biggest Asia tour to date, with stops in Malaysia, Indonesia, Hong Kong, Taiwan, Japan, South Korea, and Singapore. Designed as an immersive live production, the show combines music, storytelling, and interactive moments, inviting fans to leave behind their emotional baggage before “checking out” with a renewed sense of hope.

    For first-time listeners, lullaboy recommends beginning with “Someone Like You,” followed by “Shortcut to Heaven,” and ending with “Heaven”—a sequence that mirrors the emotional arc at the heart of the album.

    Ultimately, that is the message he hopes audiences will take home.

    “Heartbreak isn’t the end,” he said. “It’s something we all need to go through because it teaches us what truly matters. If I can get through heartbreak, anybody can.”

    As lullaboy returns to Manila this July, Hotels & Heartbreaks promises more than an evening of live music. It is an invitation to step into a story of love, loss, and healing—and a reminder that even life’s most difficult chapters can lead to hope, growth, and home.

    lullaboy: Hotels & Heartbreaks Tour – Manila will take place on July 17, 2026, at Teatrino Promenade. Tickets are available via Ticket2Me at https://ticket2me.net/event/22595.

  • The Magic of Christmas Comes to Life as Ayala Land, Circuit Makati, and the Samsung Performing Arts Theater Present The Nutcracker

    The Magic of Christmas Comes to Life as Ayala Land, Circuit Makati, and the Samsung Performing Arts Theater Present The Nutcracker

    Ayala Land, Circuit Makati, and Samsung Performing Arts Theater, with the support of GCash, are proud to present a landmark holiday event this December: The Nutcracker, one of the world’s most beloved classical ballets, staged for the very first time at Samsung Performing Arts Theater. Running from December 11 to 13, 2026, the show will feature the artists from Ballet Manila, the country’s premier classical ballet company, together with the dancers of Steps Dance Studio, one of the Philippines’ largest dance schools. 

    For generations, The Nutcracker has been synonymous with the spirit of Christmas, enchanting audiences around the world with its breathtaking choreography, unforgettable characters, and Pyotr Ilyich Tchaikovsky’s iconic score. First premiered in 1892, the ballet has become one of the most performed and beloved works in the classical repertoire, offering a timeless celebration of imagination, family, and the joy of the holiday season. Its debut at Samsung Performing Arts Theater marks a significant milestone for the venue, reinforcing its commitment to presenting world-class productions while creating unforgettable cultural experiences for audiences in the Philippines.

    This landmark staging brings together some of the country’s most accomplished artists and creatives. Internationally acclaimed designer Gino Gonzales, recipient of the 2024 CCP Gawad Para sa Sining for Theater, will create the production’s enchanting sets and costumes, while the atmospheric lighting design will be crafted by Monino Duque, recipient of the 2023 Aliw Awards Lifetime Achievement Award. The production will be restaged by acclaimed ballet coach and choreographer Jeffrey Espejo, whose artistic vision will bring new life to this treasured classic while honoring its enduring legacy.

    Set on Christmas Eve, The Nutcracker follows young Clara as she receives a beautifully crafted Nutcracker doll that becomes the gateway to an extraordinary dream. As midnight strikes, the toy comes to life, leading her through an unforgettable adventure filled with courageous battles, enchanted forests, and dazzling kingdoms. Together they defeat the fearsome Mouse King before journeying through the sparkling Kingdom of Snow and arriving in the magnificent Land of the Sweets, where the Sugar Plum Fairy welcomes them with a breathtaking celebration of dance inspired by confections and cultures from around the world. Blending fantasy with extraordinary artistry, The Nutcracker continues to capture the hearts of audiences of every generation, reminding us of the wonder that Christmas brings and the limitless power of imagination.

    With its distinguished artistic team, spectacular production design, and extraordinary cast of performers, this inaugural production promises an unforgettable theatrical experience for families, longtime ballet lovers, and first-time audiences alike. More than a performance, The Nutcracker invites audiences to rediscover the childlike wonder of the season and celebrate the joy of Christmas through one of the world’s most treasured ballets.

    Tickets for The Nutcracker will be available exclusively through TicketWorld beginning July 15 at 10:00 a.m.

    For more information, please follow the official Nutcracker page on Facebook and Instagram and the official venue Samsung Performing Arts Theater on Facebook and Instagram.

  • Pinoy rock legends TEETH announce five-city reunion tour, debut album vinyl release

    Pinoy rock legends TEETH announce five-city reunion tour, debut album vinyl release

    Fans can relive the music that defined a generation as the band returns to the stage and releases its landmark self-titled debut album on vinyl for the first time.

    Filipino alternative rock icons TEETH are celebrating more than three decades of music, friendship, and enduring influence with a five-city reunion tour and the first-ever vinyl release of their landmark self-titled debut album.

    Dubbed Year 33: TEETH The Reunion – Legacy Tour, the concert series begins on Aug. 30, 2026, at the Foochow Event Building Hall in Singapore before heading to the Philippines for stops in Manila (Sept. 5), Davao (Sept. 12), Iloilo (Sept. 19), and Cebu (Sept. 26).

    Tickets for the Singapore leg are now available via https://teeth-reunion-sg2026.peatix.com.

    Coinciding with the tour, TEETH will release their acclaimed self-titled debut album on vinyl for the first time. Widely regarded as one of the defining records of the 1990s Pinoy rock movement, the album introduced a generation of listeners to enduring anthems such as “Laklak” and “Prinsesa,” songs that helped shape the sound and identity of Filipino alternative rock.

    The album went on to receive Double Platinum certification from the Philippine Association of the Record Industry (PARI), selling more than 80,000 copies.

    The forthcoming vinyl edition has been newly remastered by acclaimed mastering engineer Shinji Tanaka and will be released in a strictly limited run of 500 standard black vinyl copies. Produced by Backspacer Records, the LP also features newly commissioned artwork by award-winning visual artist Nix Puno, whose hand-painted interpretation pays tribute to the album’s original cover while offering a contemporary perspective.

    Fans attending the Philippine shows may also avail themselves of the exclusive 33rd Anniversary Add-On Package, which includes the limited-edition, band-signed anniversary vinyl, a commemorative event shirt, trucker cap, exclusive sticker pack, and signed event poster.

    The package also grants access to premium fan experiences, including a meet-and-greet session, an exclusive listening party, soundcheck access, and a group photo opportunity with the band.

    Formed in 1993, TEETH emerged as one of the defining acts of the Philippine alternative rock explosion of the 1990s. The band is composed of original members Glenn Jacinto (vocals), Jerome Velasco (guitars), Pedz Narvaja (bass), Mike Dizon (drums), and Dok Sergio (guitars), who previously served as the band’s bassist.

    Known for blending alternative rock, grunge, and later shoegaze influences—most notably on their third studio album, I Was A Teenage Tree—TEETH built a lasting legacy through melodic songwriting, raw musicianship, and a distinctive sound that continues to resonate across generations. Throughout their career, the band earned numerous accolades, including three NU Rock Awards and two MTV Pilipinas Award nominations.

    Year 33: TEETH The Reunion – Legacy Tour is presented by BLKSHPMNL Lifestyle & Entertainment Management Inc. (BLACKSHEEP MANILA) and S32 Productions (Singapore). Ticketing details for the Philippine leg of the tour will be announced soon.

  • Behind the Spectacle: Arnold Sanchez on Bringing Puregold OPM Con Generations 2026 to Life!

    Behind the Spectacle: Arnold Sanchez on Bringing Puregold OPM Con Generations 2026 to Life!

    When the lights dimmed inside Araneta Coliseum and thousands of fans gathered for Puregold OPM Con Generations 2026, they witnessed more than a star-studded concert—they experienced a celebration of Original Pilipino Music that brought together iconic performers and today’s biggest artists in one unforgettable production.

    Behind the creative execution of the show was Arnold Sanchez, who served as Show Director, overseeing the concert’s creative direction, storytelling, and live production.

    For Sanchez, the vision was clear from the very beginning: create a concert that honors the legacy of OPM while allowing every artist’s story to resonate with audiences across generations.

    “Every concert tells a story,” Sanchez says. “Our responsibility is to create an experience where every performance, every transition, and every technical element work together to support that story.”

    Central to that process was the close collaboration with the Puregold team. According to Sanchez, the project’s success began with a shared creative vision.

    “They knew exactly what they wanted the concert to represent,” he shares. “Because we shared the same creative perspective, my role was to elevate that vision and bring it to life through storytelling, stage direction, and technical execution. That trust made all the difference.”

    Sanchez is no stranger to large-scale live productions. As the resident Show Director of Wish 107.5, he has helmed some of the country’s biggest music events, including the Wish Music Awards, the Wishdate Concert Series, concerts for Rico Blanco and The Juans, and the Aurora Music Festival. These productions have shaped his approach to creating immersive live experiences where creative storytelling and technical precision go hand in hand.

    Yet despite an accomplished portfolio, Sanchez remains quick to point out that productions of this scale are never the achievement of one person alone.

    “The audience sees what happens on stage, but every successful concert is built by hundreds of people working behind the scenes,” he says. “From the production team and technical crew to the artists, suppliers, and organizers, everyone contributes to making moments like these possible.”

    He likewise expressed his gratitude to the entire Puregold family for the trust they have consistently placed in him and his team.

    It is a privilege to work with an organization that continues to champion Filipino artists and celebrate OPM on such a grand scale.

    I am deeply grateful to Mr. Vincent Co, President of Puregold Price Club, Inc., for his unwavering support of Original Pilipino Music and for providing a platform where artists can come together to celebrate OPM with their fans.

    My sincere appreciation also goes to Ms. Ivy Piedad, Senior Marketing Manager of Puregold Price Club, Inc., whose clear creative vision and direction became the foundation of this production. To Ms. Thess Ordonez-Cuisia, President of Cozoz, Inc., thank you for your guidance and for entrusting our entire production team with the responsibility of bringing this vision to life. And to Ms. Katherine Jusayan, Project Director of Cozoz, Inc., thank you for your meticulous oversight, steady leadership, and collaborative spirit, which made even the most demanding moments feel lighter and more enjoyable.

    To the entire Puregold and Cozoz family, thank you for believing in our team and for giving us the opportunity to help turn this vision into a memorable experience. It was an honor to contribute to a production that celebrates the richness of Filipino music and the artists who continue to shape it.

    Sanchez also credits much of his professional growth to the mentorship and opportunities entrusted to him by Kuya Daniel Razon, CEO of Wish 107.5, and General Manager Jay Eusebio, whose leadership has profoundly influenced his creative philosophy.

    “The guidance, discipline, and values I’ve learned from Kuya Daniel Razon and General Manager Jay Eusebio continue to shape every production I direct. Those experiences have become the foundation of my work as both a creative and a leader.”

    As Puregold OPM Con Generations 2026 concluded, the concert stood not only as another milestone in Philippine live entertainment but also as a testament to what can be achieved when vision, collaboration, trust, and excellence come together.

    For Sanchez, however, the greatest measure of success is not found in the spotlight but in the collective effort behind it.

    “This production belongs to everyone who poured their hearts into it. Every member of the team played an important role in making this experience possible. Above all, I thank God for His guidance throughout the journey. To God be all the glory.”