Netflix’s upcoming Korean romantic comedy series Our Sticky Love has released its main poster and trailer, offering a charming first look at the sticky, sweet romance between an amnesiac prosecutor and a small-town boxing coach. The series premieres August 7, exclusively on Netflix.
Photo courtesy of Netflix
Starring Ha Young as Go Eun-sae and Jung Hae-in as Jang Tae-ha, the show follows Eun-sae, an ambitious prosecutor who wakes up in a rural hospital with complete memory loss. She finds herself in the quiet Taffy Village (Yeot Village) in Gujin-gun, where Tae-ha, a former boxing champion turned local coach, calmly claims to be her boyfriend. What begins as a bewildering arrangement quickly turns into cohabitation filled with quirky chemistry, fish-out-of-water comedy, and underlying secrets.
The main poster captures the pair’s tangled dynamic perfectly: Eun-sae grips Tae-ha by the collar with a pout, while her prosecutor ID and swirling luxury items contrast with their rural setting. The tagline “Sweetly tangled. Hopelessly stuck!” nods to the series’ central metaphor of traditional Korean taffy (yeot) sticky, sweet, and impossible to pull away from once you’re caught.
In the trailer, Eun-sae’s confusion is front and center. The quiet village lined with traditional taffy shops and its peculiar residents feel alien to her big-city sensibilities, and Tae-ha’s scruffy appearance is a far cry from her usual type. She struggles to trust a word he says. Yet his steady warmth and earnest admiration gradually chip away at her defenses. Sweet lines and gentle affection leave her flustered and smiling, even as Tae-ha warns that no one can find out about them, hinting at deeper mysteries surrounding why she’s safest by his side and what truly binds them together.
Director Kim Jang-han describes the series as “a heart-warming, feel-good romantic comedy” about building a love that sticks “as tightly as sticky, sweet Korean taffy.” The irresistible charm, he promises, will leave viewers unable to pull themselves away.
With Jung Hae-in’s easy charm and Ha Young’s sharp comedic timing, Our Sticky Love looks set to deliver the perfect blend of heart, humor, and just the right amount of mystery.
Mark your calendars, the series streams August 7, only on Netflix.
A first anniversary is an unusual milestone in K-pop.
It arrives before a group has the benefit of hindsight, before careers can be measured in decades or discographies. Yet it is long enough to reveal something equally important: whether nine individuals have begun to grow into one team, whether their music has found people willing to carry it beyond borders, and whether the promise that accompanied a debut continues to gather momentum.
For AHOF, that question found one of its clearest answers in Manila.
Less than a year after debuting in July 2025, STEVEN, JEONGWOO, WOONGKI, SHUAIBO, HAN, JL, JUWON, CHIHEN, and DAISUKE arrived at the SM Mall of Asia Arena for 2026 AHOF 1ST TOUR: THE FIRST SPARK, the group’s first solo Asia tour. It was an achievement that many artists spend years working toward. Beginning in Seoul before traveling through Osaka, Tokyo, Kuala Lumpur, Manila, and Taipei, the tour reflected the confidence of a rookie group determined to prove that its debut was only the beginning.
Photo by APPPLEWOOD / F&F Entertainment
Yet while the tour itself marked a new chapter, the Manila stop carried another story altogether.
The Philippines has become one of the few places where AHOF’s first year can be traced almost continuously. Filipino audiences first welcomed the group through RENDEZVOUS IN MANILA in August 2025, met them again during AHOF for LOVE in Cebu in February 2026, and now watched them return for their first arena tour. Each visit captured a different stage of their development. Looking back, those events feel less like isolated performances and more like consecutive chapters of the same narrative—one in which Filipino FOHAs have had the rare privilege of witnessing AHOF’s earliest evolution as it happened.
That history gave THE FIRST SPARK a quiet significance before a single song had even begun.
The concert itself justified the anticipation.
Rather than relying on spectacle alone, AHOF built the evening around the steady progression of its own artistry. Opening with “Ignition” and “We Ready,” the group immediately established the youthful energy that first introduced them to audiences. As the set unfolded through songs such as “Cosmic Underdog,” “The Universe,” “Never Lose You,” “The Little Star,” “Butterfly,” and “Everything is Love,” another side of AHOF gradually emerged—one marked by greater emotional control, stronger vocal confidence, and a willingness to let quieter moments speak just as powerfully as the high-energy performances.
The inclusion of songs from RUN TO YOU, their third mini album, demonstrated how much the group’s musical identity has matured within its first year. The special cover stages of IVE’s “BANG BANG,” BTS’s “I NEED U,” and EXO’s “Love Me Right” further highlighted the members’ versatility, allowing different combinations of members to showcase their individual colors while reinforcing the cohesion of the group as a whole.
Photo by APPPLEWOOD / F&F Entertainment
What stood out most, however, was not simply the ambition of the setlist.
AHOF has become an exceptionally capable live group.
Their vocal performances remained remarkably stable throughout the evening, even during choreography that demanded constant movement. Harmonies felt natural rather than calculated, allowing each member’s tone to complement the next without overpowering it. The confidence with which they navigated transitions between songs reflected countless hours spent refining not only technique but also trust in one another.
That trust may be AHOF’s greatest strength.
Watching AHOF today offers a different experience from watching them a year ago. Their growth extends beyond cleaner choreography or more assured vocals. It is reflected in the confidence with which they command the stage, the balance they maintain between individual expression and group precision, and the ease with which they move through a demanding setlist. The result is a performance that feels less like nine talented individuals sharing a stage and more like a group that has developed a distinct artistic identity together.
The members themselves acknowledged as much.
During the closing ment, what remained after nearly three hours of music was not the exhilaration of performance but the honesty of reflection.
Steven admitted that he arrived in the Philippines carrying considerable nervousness, only to find that hearing FOHAs during soundcheck gave him the confidence he needed. More tellingly, he thanked his fellow members for helping him through those emotions, expressing his hope that regardless of what challenges or successes lay ahead, they would continue facing them together.
Han spoke candidly about the difficulties the group encountered throughout its preparations and promotions. There were moments, he revealed, when they realized that without relying on one another, continuing forward would have been much harder. It was a simple admission, but one that offered perhaps the clearest glimpse into what the group’s first year has truly demanded behind the scenes.
Jungwoo shared that seeing every seat occupied by FOHAs left him struggling to hold back tears throughout the concert. Shuaibo confessed that performing in an arena of this scale had once existed only as a dream, making the reality of standing before thousands of supporters almost overwhelming. Woongki described the evening as one of the most important memories of his life, while Daisuke, Juwon, and Chihen each promised to continue working harder, expressing gratitude that fans believed in them enough to return that effort with unwavering encouragement.
JL perhaps captured the spirit of AHOF most clearly when he reflected on finding people he wanted to spend his life with—not only within the group but also among the community that had grown around them. His hope that they would remain together regardless of what the future holds resonated because it echoed a sentiment expressed repeatedly throughout the evening: that AHOF’s greatest achievement has never been measured solely by accomplishments, but by the people with whom those accomplishments are shared.
Photo by APPPLEWOOD / F&F Entertainment
If the members gave the concert its heart, Filipino FOHAs gave it its atmosphere.
The fan projects prepared both inside and outside the arena reflected weeks of careful planning, while the energy inside the venue never wavered from the opening performance to the final bow. Every song was met with enthusiastic chants, every introduction with warm applause, and every heartfelt confession with a response that assured the members they were being heard.
Perhaps the most moving aspect of the evening was how naturally gratitude flowed in both directions.
The members repeatedly thanked the audience for believing in them. The audience, in return, responded with cheers that seemed determined to remind AHOF exactly why those words mattered.
There was no sense that appreciation belonged only to one side.
Instead, the concert unfolded as an ongoing conversation between artists still discovering how far they could go and fans who have chosen to walk alongside them from the very beginning.
That is what makes the Philippines such a meaningful chapter in AHOF’s first year.
Few overseas audiences have had the opportunity to witness the group’s development across multiple milestones in such a short period of time. Filipino FOHAs first met them as hopeful rookies introducing themselves to a new audience. Months later, they welcomed a group returning with greater confidence. By the time THE FIRST SPARK reached Manila, they were applauding artists capable of commanding one of the country’s premier concert venues with remarkable poise.
The transformation was unmistakable—not because AHOF had become different people, but because they had become more fully themselves.
That authenticity remains one of the group’s defining qualities. Even as their stages become larger and their schedules busier, the members continue to speak with a humility that feels increasingly rare. Nearly every closing remark centered not on celebrating what they had accomplished, but on promising to improve further. Success, for AHOF, does not appear to signal arrival. It signals responsibility.
That mindset may ultimately explain why THE FIRST SPARK resonated so deeply.
The concert celebrated impressive vocals, polished performances, thoughtful production, and the unmistakable chemistry of nine artists who continue to raise one another’s standards. At the same time, it served as a reflection of everything that has shaped AHOF during its first year: perseverance through demanding schedules, faith in one another during uncertain moments, and the unwavering encouragement of FOHAs who have believed in them from the beginning.
Photo by APPPLEWOOD / F&F Entertainment
Anniversaries often invite people to look back.
THE FIRST SPARK suggested something different.
It acknowledged the distance AHOF has already traveled while making it equally clear that the group still sees itself at the beginning of a much longer road. One year after their debut, Manila became the place where that belief was not simply spoken—it was performed, celebrated, and shared.
For AHOF, THE FIRST SPARK was the first major tour of a young career already gathering remarkable momentum.
For the thousands of FOHAs inside the SM Mall of Asia Arena, it was the privilege of seeing that momentum unfold not from afar, but from a place that has accompanied the group through nearly every defining moment of its first year.
In the years ahead, AHOF will almost certainly perform in larger venues, release more albums, and celebrate many more anniversaries. Yet their first year can only happen once. Manila now holds a lasting place in that story—not simply as another stop on a tour, but as one of the stages where the ambitions of nine young artists and the steadfast belief of their fans met at exactly the right moment, turning the first spark of a dream into something bright enough to illuminate everything still waiting beyond the horizon.
Just dropping this here for the A’TIN timeline because… SB19 at Lollapalooza 2026?!
The 2026 Lollapalooza livestream lineup has been announced and our Pinoy pride, P-pop group SB19 is the first homegrown Filipino act set to perform at the iconic festival on July 31 (Philippine Time), among other featured global artists.
Yes, the boys are taking the Mahalima energy to one of the world’s biggest festival stages so, A’TIN, consider this your sign to mark your calendars, ready your light sticks, and prepare to show up for SB19 as they represent Filipino P-pop on the global stage.
Make the Pinoy pride felt as SB19 takes the Lollapalooza stage! Catch the festival LIVE from the comfort of your home, streaming exclusively on Disney+ from July 31 to August 3, 2026, with the stream starting at 3:45 AM daily. Set your alarms, A’TIN—let’s show up and support SB19 as they bring Filipino pride to the global stage!
Join Nam Joo-hyuk in an adventure of slaying spirits and uncovering secrets!
Photo courtesy of Netflix
Still figuring out your next binge-watch worthy series for the weekend? Let Nam Joo-hyuk himself guide you through the Realm of Gwi with The East Palace! The dark-fantasy series feels like an adventure that will get you hooked in more ways than one, and here are five reasons why you shouldn’t miss it:
The Stellar Cast If you missed watching Nam Joo-hyuk on screen, his acting comeback as the spirit-slayer Gu-cheon makes all the wait worthwhile. He travels to the Realm of Gwi with the help of the Court Lady Saeng-gang, portrayed by Roh Yoon-seo, to solve the mystery behind the deaths of the King’s (Cho Seung-woo) sons. Kwak Dong-yeon and Jang Young-nam also take on the roles of the Crown Prince and Lady Dowager—two characters that you should also watch out for!
A Thrilling Limited Series In just eight episodes, you’ll be transported back into the Joseon Dynasty with a gripping plot filled with back-to-back revelations and goosebumps-worthy spirit encounters. You’ll find yourself hooked in every episode as the characters slowly reveal their arcs to the audiences, making you want to continue watching till the end.
The Deep Lores The East Palace is deeply rooted in Korean folklore, featuring different kinds of spirits that Gu-cheon and Saeng-gang encounter in their mission: the gwi-mae, won-gwi, and ak-gwi. As the story progresses, the characters encounter these ghosts and get to know their stories. Meanwhile, the ggeomeoksali, a “Yang” energy-draining spirit, has transformed into a cute gremlin that Gu-cheon eventually befriends in the series.
Photo courtesy of Netflix
The Breathtaking Mise-en-Scène The series’ elaborate cinematography offers its viewers a visual feast, filled with heartstopping close-ups of the spirits, lighting techniques, and strategic action shots that add to its impactful storytelling and worldbuilding. Every episode truly feels like you’re on a round trip from the cold Land of the Living to the dark Realm of Gwi.
A Multi-Genre Piece Apart from its dark-fantasy genre, The East Palace also discusses historical themes, highlights supernatural horror elements, and uncovers mysteries and plot twists that can be enjoyed by thrillseekers and casual viewers alike. It even has some bits of slow burn moments and endearing scenes, too!
THE LANDMARK OASIS FILM FROM STEVEN KNIGHT,DIRECTED BY DYLAN SOUTHERN AND WILL LOVELACE TORECEIVE ITS WORLD PREMIERE AT THEVENICE INTERNATIONAL FILM FESTIVAL!
“Oasis: Don’t Look Back In Anger” Produced by Magna Studios, Presented by Sony Music Vision, Opens in Philippine Cinemas September 11
Disney+ presents a special theatrical engagement of a Hulu Original film, “Oasis: Don’t Look Back In Anger,” the highly anticipated documentary, which follows the legendary British band, Oasis. The film will receive its world premiere at the 83rd Venice International Film Festival. The documentary from Magna Studios and Sony Music Vision created by the BAFTA and Oscar®-nominated writer, producer, and director Steven Knight (“Peaky Blinders,” “A Thousand Blows”) and directed by Dylan Southern and Will Lovelace (“Shut Up and Play the Hits,” “Meet Me in the Bathroom”), will open in Philippine cinemas on September 11, before streaming exclusively on Disney+ internationally and on Hulu and Disney+ in the U.S. later this year.
“Oasis: Don’t Look Back In Anger” charts Liam and Noel Gallagher’s triumphant reunion tour, Oasis Live ‘25, one of the most anticipated rock ‘n’ roll comebacks of our time. The film is an unapologetically uplifting account of the biggest musical event of 2025, capturing the experience and emotions of the band and their fans across the world. The unique perspective includes rehearsal, backstage, and onstage access as well as the first joint interviews with Noel and Liam in over 20 years. Alongside the band’s sold-out world tour, the film also explores the profound emotional impact of this phenomenal global cultural moment and what their music means to audiences and generations worldwide.
Featuring unprecedented access and never-before-seen footage, the film is a Magna Studios production, presented by Sony Music Vision in association with Sony Music Entertainment UK. The producers are Sam Bridger (“Lewis Capaldi: How I’m Feeling Now,” “Meet Me in the Bathroom”) and Guy Heeley (“Locke,” “Peaky Blinders: The Immortal Man”). The executive producers include Kate Shepherd, Marisa Clifford, Davud Karbassioun, Tom Mackay, Krista Wegener, Thomas Benski, Isabel Davis, and Tim O’Shea, with Oscar®-winning sound mixers James Mather (“Top Gun: Maverick,” “Belfast”) and Tarn Willers (“The Zone of Interest”), cinematographer Haris Zambarloukos (“Belfast,” “Beetlejuice Beetlejuice”), and editors George Cragg and Martina Zamolo leading the creative technical team.
Global superstar JENNIE has released her latest single, “Less than a Lover,” alongside its accompanying music video through ODDATELIER and Columbia Records, showcasing a softer, more introspective side of her artistry.
Described as an ode to summer, the track captures the uncertainty and excitement of a relationship that exists somewhere between friendship and romance. Written by JENNIE herself, “Less than a Lover” reflects on the emotions that arise from an undefined connection, blending alternative-pop influences with lo-fi guitar textures, vintage electric keyboards, and understated production that highlights her expressive vocals and lyricism.
The accompanying music video, based on a story conceived by JENNIE, follows the singer as she steps into an imagined world while filming a short movie with friends. As the fictional love story unfolds, the experience gradually alters the dynamics between the characters, mirroring the song’s exploration of relationships that resist clear definitions.
JENNIE first introduced “Less than a Lover” during her headline performance at Governors Ball in June before bringing the track to audiences at major international festivals, including Mad Cool, Open’er, and Roskilde. She is set to continue her global festival run as a headliner at Lollapalooza Chicago before making her debut appearance at Summer Sonic Festival in Japan.
With her latest release, JENNIE continues to expand her musical identity while reinforcing her position as one of the most influential artists in contemporary pop, balancing chart success with a distinct creative vision that spans music, fashion, and global entertainment.
As P-pop powerhouse SB19 gears up for its highly anticipated Global Festival Tour, Spotify has introduced “My SB19 Setlist,” a personalized in-app experience that allows A’TIN to celebrate the group’s music through playlists tailored to their listening history.
Available exclusively on Spotify beginning July 23, the feature generates a unique SB19-inspired setlist based on each listener’s streaming habits, highlighting the songs that have defined their journey as fans. From the group’s biggest hits to fan-favorite B-sides, the experience offers a personalized way for A’TIN to relive memorable moments while marking SB19’s latest international milestone.
To access the experience, users can simply search for “My SB19 Setlist” within the Spotify app. Spotify Premium subscribers can unlock additional content, including exclusive video messages from all five SB19 members and member-specific share cards. The platform also rewards the group’s top listeners with a Top Fan badge, which can be showcased through additional personalized share cards.
The interactive campaign underscores Spotify’s continued support for Filipino artists and fan communities, giving A’TIN another way to engage with SB19 as the group prepares to take its music to audiences around the world.
Netflix has officially unveiled the trailer for Ganito, Ganyan, Ganoon, the streaming platform’s biggest Filipino comedy-drama film for 2026—giving audiences a peek into the flawed relationship of Joanne (Jodi Sta. Maria) and Paz (Agot Isidro) as they confront the bitter reality of mortality while rebuilding their estranged relationship.
Photo courtesy of Netflix
At the Next on Netflix Philippines event held in February, Agot shared how the story can be relatable to the Filipino audience. “[We] Filipinos are very family-centric, so I really think we’re reaching out to our audience.”
For Director Cholo Laurel, the dramedy genre blend captures the nature of a real family. “If you look closely, drama is actually hilarious—especially family drama. The topics that we’re discussing here are already inherently heavy, so we wanted to lighten it up a little bit.”
Photo courtesy of Netflix
Ganito, Ganyan, Ganoon offers the viewers a truthful take on how filial love and family can make, break, and shape your dreams and decisions in life—making you laugh and cry through it all.
‘Ganito, Ganyan, Ganoon’ will premiere globally on August 13. Only on Netflix.
23 JULY 2026 — Fresh from the phenomenal success of their brand collaboration with IAM Worldwide, global K-pop sensation AHOF is back to headline the brand’s newest campaign—this time for the IAM Amazing Choco Barley.
The campaign officially kicks off today as AHOF is set to make their much-awaited return to the Philippines for a two-day concert on July 25 and 26 at the SM Mall of Asia Arena, creating a landmark moment that brings together music, entertainment, and wellness in one exciting week.
Just three months after captivating audiences as the newest youth ambassadors to headline the IAM Amazing Organic Barley Gummies, AHOF once again lends its youthful energy, global appeal, and vibrant personality to the IAM Amazing Choco Barley, a delicious chocolate drink infused with the goodness of pure organic barley, designed to make healthy living both enjoyable and accessible.
The new commercial showcases AHOF’s playful chemistry and unmistakable charisma, highlighting a product that combines indulgent chocolate flavor with the nutritional benefits of pure organic barley. The campaign reflects IAM Worldwide’s belief that wellness can be part of everyday life without sacrificing taste or enjoyment.
“After the incredible response to our first collaboration with AHOF, we knew we wanted to continue telling our story together,” said IAM Worldwide Officials in a press statement. “AHOF has become a powerful symbol of the new generation—dynamic, disciplined, and globally influential. Their authenticity resonates with audiences, making them the perfect ambassadors for a brand that continues to innovate in the health and wellness space.”
The partnership has become one of the most successful celebrity collaborations for a Filipino wellness company, generating strong engagement across digital platforms and strengthening IAM Worldwide’s presence among younger consumers throughout the Philippines and South Korea.
“The launch of the group’s first campaign for the IAM Amazing Organic Barley Gummies last April was met with overwhelming enthusiasm from fans, paving the way for an even bigger rollout with the IAM Amazing Choco Barley.”
Coinciding with AHOF’s Manila concert, the new campaign is expected to further ignite excitement among Filipino fans, many of whom have embraced both the group’s music and their advocacy for healthier lifestyle choices through IAM Worldwide.
As thousands gather to welcome AHOF back to Manila, audiences can also look forward to seeing the group’s latest campaign, reinforcing IAM Worldwide’s commitment to delivering world-class partnerships featuring internationally recognized ambassadors.
With AHOF once again taking center stage, IAM Worldwide continues to redefine how health and wellness brands connect with today’s generation—proving that great taste, better nutrition, and global entertainment can come together in one unforgettable platform.
To know more about IAM Worldwide’s latest celebrity partnerships, follow @iamworldwideofficial on Instagram and @iamworldwideofficialfb on Facebook.
After almost two years, K-pop girl group superstars ITZY returned to Manila for their 3RD WORLD TOUR <TUNNEL VISION> on July 11, 2026, at the SM Mall of Asia Arena. Performing to a crowd of roaring Filipino MIDZYs, Yeji, Lia, Ryujin, Chaeryeong, and Yuna delivered an electrifying showcase, proving once again why they reign supreme as stage-mastery queens.
As soon as the opening visual intro hit the massive arena screens, the atmosphere was supercharged. ITZY kicked off the night with their powerful vocals, electrifying choreography, and sharp synchronization, immediately captivating fans. The renowned K-pop girl group performed some of their chart-topping hits, including “Tunnel Vision,” “That’s A No No,” “Girls Will Be Girls,” “WANNABE,” “Imaginary Friend,” “LOCO,” “GOLD,” “Not Shy,” “8-Bit Heart,” and more. The tour also gave the members a chance to showcase their individual stages, performing their solo tracks from their 12th EP, MOTTO: Lia’s “Asylum,” Yuna’s “Tangerine,” Yeji’s “Pocket,” Chaeryeong’s “Undefined,” and Ryujin’s “Look.”
During ITZY’s heartfelt ments, the members took time to cherish the precious and unforgettable moments with their beloved MIDZY.
“From the soundcheck to the concert, why is your energy so high? Because it’s been a while since we’ve met, I wanted to pour my heart into our performances… Thank you for all the love. Stay healthy until the next time we meet again. Masaya kami!” Yuna shared, overwhelmed by Filipino fans’ unstoppable energy throughout the show.
“We were continuously surprised and felt so happy today. If you’re always like this, we can’t do anything but come back! MIDZY, kayo ang pinakamagaling! Salamat po!” Chaeryeong expressed, grateful for the fans’ overwhelming support. She also promised that ITZY would return often because Filipino MIDZY’s energy is truly unmatched and one of a kind.
“I can say that you are the TOP 1 when it comes to cheers! Thank you for coming today! We received so much energy and love, and because of that, we can successfully finish this tour. Once again, thank you for coming and for loving us. Salamat po!” Ryujin acknowledged the deafening cheers from Filipino MIDZY and thanked them for their warmth and unwavering support.
“It’s been a long time, and it feels very good to be back here with the members and our fans. Thank you for always cheering for us and filling up this space. I also agree with Ryujin that you have the best energy. While I was singing and dancing on stage, I could see your emotions and how much you enjoyed the show. I hope to see you all again very soon. Stay healthy.” Lia shared, touched by the strong support and heartfelt cheers from Filipino MIDZY.
“First of all, I think I fell in love. It’s just us standing on stage, but we think you guys are way cooler. Today, we truly felt how much you cherish, value, and love us. Time flies so fast. Just like our MIDZY, I hope we can come back even sooner. We won’t make you wait long. Salamat po, mahal kita.” Yeji expressed as she felt the sincerity of Filipino MIDZY’s love and support, reflecting on how much strength and inspiration the group continues to receive from their fans.
ITZY expressed their deep appreciation for MIDZY, saying that the Manila stop gave them immense energy and some of the loudest cheers of the tour, making them truly feel the love and support of their Filipino fans. The members promised to return soon for another show in the Philippines, with MIDZY already looking forward to seeing their beloved group once again.
From the captivating VCRs and mesmerizing stage pyrotechnics to the impressive stage production, ITZY 3RD WORLD TOUR <TUNNEL VISION> IN MANILA was a spectacular night that showcased the group’s unwavering passion and unforgettable connection with Filipino MIDZY.
ITZY 3RD WORLD TOUR <TUNNEL VISION> IN MANILA was presented by Live Nation Philippines.
South Korean actor BYEON WOOSEOK is set to return to the Philippines for the 2026 ByeonWooSeok Asia Fanmeeting Tour <The Secret Library> in Manila, scheduled on October 10, 2026, at the SM Mall of Asia Arena. The event is presented by PULP Live World.
Following the success of his previous Manila visit, the upcoming fan meeting is expected to offer Filipino fans a larger-scale production, featuring an expanded stage, exclusive segments, and opportunities for more intimate interactions between the actor and his supporters.
BYEON WOOSEOK rose to international prominence through the hit romance drama Lovely Runner, where his performance earned widespread acclaim and significantly expanded his global fanbase. Prior to his breakthrough, he appeared in several notable television series, including Record of Youth, Moonshine, and Strong Girl Nam-soon, steadily building his reputation as one of South Korea’s rising leading actors.
Earlier this year, he further expanded his filmography by starring in the romance-fantasy series Perfect Crown (also known as The 21st Century Grand Prince’s Wife) alongside award-winning actress and singer IU. The drama showcased another leading performance from BYEON WOOSEOK and reinforced his growing presence in the Korean entertainment industry.
His success has also been recognized through several major accolades. Following the popularity of Lovely Runner, BYEON WOOSEOK received the PRIZM Popularity Award at the 61st Baeksang Arts Awards. Throughout his career, he has also earned multiple popularity, rising star, and excellence awards, reflecting both industry recognition and strong public support.
The actor continues to enjoy a dedicated fanbase in the Philippines, where his previous solo fan meeting sold out shortly after tickets became available. Fans also gathered outside the venue during his last visit, underscoring the strong local support for the Korean star.
Tickets for the Manila fan meeting will be available through two sales phases. The WOO CHE TONG 1st Membership (Global) Presale is scheduled for August 15, 2026, from 10:00 a.m. to 10:00 p.m. (PHT) via smtickets.com. General ticket sales will begin on August 16, 2026, at 12:00 p.m. (PHT) through SM Tickets outlets nationwide and online.
Fans are encouraged to follow PULP Live World’s official social media accounts and website for updates on ticket prices, seating plans, and other event-related announcements.
The 2026 ByeonWooSeok Asia Fanmeeting Tour <The Secret Library> in Manila is presented by PULP Live World and brought to fans by VARO Entertainment, Pinn Alive, Merry Go Round, and PULP Live World.
First look inside the world-class SM Seaside Cebu Arena.
SM Prime Holdings, Inc. (SM Prime) is building a stronger concert economy in the Visayas, with more than 20 major shows lined up at the newly launched SM Seaside Cebu Arena in 2026.
The lineup features Filipino and international acts, live productions, sports events and family entertainment, with some set for their first large-scale performances in the region.
The arena officially opened on July 11, 2026, with BINI as the first act. Several major shows are confirmed for 2026 (BINI, IV of Spades, TJ Monterde & KZ Tandingan, Yeng Constantino, Hillsong Worship, LANY, Disney on Ice, plus upcoming sports events like the 2027 FIBA Women’s Asia Cup).
“Our goal is to help Cebu capture a larger share of the live entertainment economy. When major events come to the city, the impact extends beyond the venue. They support tourism, hospitality, transport, retail and the local services that benefit from stronger visitor inflow,” said SM Prime President Jeffrey C. Lim.
According to Lim, the development of SM Seaside Cebu Arena also reflects the post-pandemic shift in consumer behavior experiences.
For Millennials and Gen Z, experiences hold strong appeal because they create lasting memories, are easily shared socially and align with a more intentional approach to wellness, time and spending.
Technology is also fueling growth, with online ticketing platforms improving access and venue systems enhancing the audience experience through better visuals, sound and production quality.
SM Prime is building on both opportunities. In May, the company partnered with global ticketing company Ticketmaster to launch SM Ticketmaster. The venture will replace SM Tickets and combine Ticketmaster’s global platform and fraud prevention tools with SM Prime’s local operating network.
At the venue level, SM Seaside Cebu Arena features the most advanced center-hung display in the Visayas. The technology gives audiences a clear view of both the live performance and digital replays from every seat, supporting a wide range of events, from sports and concerts to family entertainment, corporate shows, circus productions and motorsports.
SM Seaside Cebu Arena sits within South Road Properties (SRP) and is directly connected to SM Seaside City Cebu, one of the country’s largest retail and lifestyle destinations.
The arena will also be linked to the upcoming SMX Convention Center Seaside Cebu, Park Inn by Radisson, and Radisson Hotel, further strengthening SRP as an integrated lifestyle, events and tourism district in the Queen City of the South.
Following the overwhelming success of its first campus stop at Arellano University, Wish 107.5 On Campus: Wish Bus Sessions is set to bring the excitement to two more schools this August—continuing its mission of delivering live music experiences straight to students.
The initial leg proved to be a hit among Wishers, drawing in crowds of music lovers who gathered to witness their favorite rising artists perform up close on the iconic Wish Bus. With that momentum, the next legs promise an even more electrifying lineup and unforgettable performances.
On August 6, the Wish Bus rolls into Lyceum of the Philippines University, featuring KDR Music House artists Oh Stella!, Lorenzo Jan, and Eloisa. Adding to the excitement are special guest appearances from P-pop sensations KAIA and Calista, sure to bring high-energy performances that fans won’t want to miss.
The musical journey continues on August 7 at Manila Central University (MCU) Caloocan, where another set of talented KDR Music House artists—polaris., Levii, and Dwarf—will take the stage. The event will also feature American singer, songwriter and record producer Daniel Seavey and more, adding an extra layer of excitement for attendees.
On Campus: Wish Bus Sessions offers a unique live music experience—intimate, engaging, and right at the heart of the student community. With performances happening on the world-famous Wish Bus, fans get the rare chance to see their favorite artists perform just a few feet away.
Powered by KDR Music House, this campus tour continues to highlight emerging OPM talent while connecting artists directly with their audience.
As the Wish Bus makes its way to more campuses, one thing is certain—live music is back, and it’s closer than ever. See you there, Wishers!
Following his well-received performance as Cambodia’s representative at the 2026 ASEAN-Korea ROUND Music Festival held at the Araneta Coliseum last April, Cambodian superstar G-Devith returns to Manila to further strengthen his growing connection with Filipino audiences through music, artistic collaborations, and cultural exchange.
Many Filipinos were introduced to G-Devith for the very first time during the ASEAN-Korea ROUND Music Festival, where he performed alongside artists from across Southeast Asia and South Korea before thousands of concertgoers at the Araneta Coliseum. His dynamic stage presence and artistry offered Filipino audiences a glimpse into Cambodia’s vibrant contemporary music scene and marked the beginning of his growing relationship with the Philippines.
His return to Manila reflects his desire to further connect with Filipino audiences and explore opportunities to collaborate with Filipino artists and creatives in the future.
During an intimate Philippine media conference at LaVie Resort & Casino, G-Devith shared his admiration for the Philippines’ rich music culture and expressed his openness to building meaningful artistic collaborations that celebrate the diversity and creativity of Southeast Asian music.
His Philippine visit culminates with his participation in the inaugural leg of the Southeast Asian Pop Music & Culture Caravan 2026, organized by the National Commission for Culture and the Arts in partnership with BSE. The regional initiative brings together artists and cultural communities across Southeast Asia in celebration of contemporary music, culture, and creative collaboration.
Joining G-Devith in the inaugural leg are, Filipino global pop group HORI7ON, P-Pop powerhouse 1st.One, and Filipino World Music band TALAHIB, reflecting SEA Pop’s vision of fostering greater appreciation for Southeast Asia’s diverse artistic voices and creating meaningful opportunities for cultural exchange across the region.
For G-Devith, the initiative represents an opportunity to further strengthen his connection with the Philippines and become part of the growing movement that champions Southeast Asian music beyond national borders.
Looking ahead, the Cambodian superstar, through an interpreter, also expressed his hope of returning to Manila once again—this time for his very own concert.
While discussions remain in their early stages, G-Devith’s interest in returning for a future Manila concert reflects his appreciation for the warm support he has received from Filipino audiences and his desire to continue sharing his music with the Philippines. The envisioned concert also presents exciting possibilities for collaborations with Filipino artists, further strengthening the cultural ties between Cambodia and the Philippines through music.
Theatre Group Asia (TGA) is proud to announce that acclaimed Filipino-American theater director Nicholas Polonio will direct its upcoming production of The Notebook, The Musical.
Based in New York City, Polonio is one of the most exciting Filipino theater artists working internationally today. Known for crafting emotionally rich productions with nuanced, deeply human performances, he has built a distinguished career directing new plays and musicals while collaborating with many of the United States’ leading theater companies and cultural institutions.
His directing credits include The Self Improvement and Male Preservation Society, or S.I.M.P.S. (IRT Theater), Mary Stuart (The Lee Strasberg Institute), The Police (Hangar Theatre Wedge), and POV: U Run Joe Biden’s TikTok (ANTFest). He has also developed new works with Ars Nova, New York Theatre Workshop, Ensemble Studio Theatre, Bedlam, Ma-Yi Theater Company, Williamstown Theatre Festival, Hangar Theatre, Audible Theater, the American Playwriting Foundation, and numerous other organizations. He currently serves as Director-in-Residence for Leviathan Lab.
As an associate director, Polonio has worked alongside some of today’s most celebrated theater makers on acclaimed productions including the Tony Award-winning Slave Play on Broadway, the West End, and its Los Angeles premiere; Public Obscenities at Soho Rep; Jelly’s Last Jam at New York City Center Encores!; Hamlet at Center Theatre Group; Shit. Meet. Fan. at MCC Theater; X: The Life and Times of Malcolm X at the Metropolitan Opera, Detroit Opera, Opera Omaha, and Seattle Opera; A Raisin in the Sun at The Public Theater and Williamstown Theatre Festival; Richard III at the Delacorte Theater; A Long Day’s Journey Into Night at Minetta Lane Theatre; A Streetcar Named Desire at Williamstown Theatre Festival; Paris at Atlantic Theater Company; 17 Border Crossings at New York Theatre Workshop; The White Devil at the Lucille Lortel Theatre; and productions of Henry IV, Part I and Richard II at Shakespeare’s Globe. Most recently, he completed the critically acclaimed production of La Cage Aug Folles starring Billy Porter and Wayne Brady at the New York City Center.
“We are thrilled to welcome Nicholas home to direct the international premiere of The Notebook The Musical,” said Clint Ramos, TGA Overall Artistic and Creative Director. “His remarkable artistry, international experience, and gift for revealing the complexity of human relationships make him the ideal director to bring this extraordinary story to Philippine audiences.”
Polonio is a former New York Theatre Workshop 2050 Directing Fellow and Drama League Hangar Directing Fellow. His artistic training also includes the Ma-Yi Writers Lab, Mercury Store Directors Lab, Roundabout Directors Group, Williamstown Theatre Festival Directing Corps, and the Young Vic Genesis Directors program. Before pursuing directing, he received a National YoungArts Award for Spoken Theater as an actor. He earned his BFA in Acting from Rutgers University and currently leads a directing seminar at New York University.
Featuring music and lyrics by Ingrid Michaelson and a book by Bekah Brunstetter, The Notebook The Musical is based on Nicholas Sparks’ bestselling novel and the beloved film adaptation. The musical tells the timeless story of Allie and Noah, whose enduring love transcends the passage of time, memory, and life’s greatest challenges.
Previously announced leads include Morissette as Middle Allie, Sheena Belarmino as Young Allie, and Philippine musical icon Celeste Legaspi in the role of Older Allie. London-based Laurence Mossman is set to play Middle Noah, Benedix Ramos as Young Noah, and acclaimed veteran artist Rody Vera as Older Noah.
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Catch the festival LIVE from the comfort of your home, streaming exclusively on Disney+ from July 31 to August 3, 2026, with the stream starting at 3:45 AM daily. Set your alarms, A’TIN—let’s show up and support SB19 as they bring Filipino pride to the global stage! 
