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  • “Tinatawag Ka Ng Isla”: Balaraw Is For Fans Who Love A Good Mystery-Thriller

    Photo courtesy of Netflix

    Balaraw’s official trailer gave viewers plenty to unpack ahead of the series launch, including dreams that leave our protagonist Sabina (Janine Gutierrez) with more questions than answers, an island that seemingly refuses to give up its secrets, and a taste of uncertainty (and danger) waiting for anyone who dares to set foot in Balaraw.

    Photo courtesy of Netflix

    Here’s a closer look at what makes Netflix’s upcoming Original series Balaraw a must-watch, as well as some first look photos!

    THE PEOPLE OF BABANG YAWA

    Photos courtesy of Netflix

    The official trailer gave us an extended look into what awaits viewers on the island of Balaraw, and most especially, the community that calls it home. A tribe shrouded in mystery, with an uncommon way of life built into the very fabric of their DNA. It is a place with cryptic elements waiting as you venture deeper into the island. But their existence begs its own set of questions: what kind of lives do they lead, what roles do they play in Sabina’s search for her mother, and what are they willing to do to keep their community afloat and their secrets from surfacing?

    SABINA’S CONNECTION TO THE ISLAND

    Photo courtesy of Netflix
    Photo courtesy of Netflix

    Sabina is haunted by a pull of something she can’t quite explain. It was the very force that once pulled her mother away from the island, making her the only person to ever successfully leave. Now on her own quest for answers, Sabina is left questioning her mother’s decision to presumably return to the island, untangling mystery after mystery as she gets closer to her mother. What truths will she and the others uncover when they finally get there? And what will those truths mean for Sabina and her connection to the island?

    AN ISLAND SHROUDED IN MYSTERY

    Photos courtesy of Netflix

    An island known to few and with its existence debated by many, Babang Yawa is seemingly cut off from the rest of the world—a place with its own community cloaked in mystery. Netflix’s Balaraw is for people who love a show that keeps you guessing and questioning what’s real. It will keep you glued to your screens as you join Sabina’s search for answers right up to the very end.

    The island is calling.

    Are you brave enough to answer?

    Find out the secrets of Balaraw on October 29. Only on Netflix.

  • IV OF SPADES Take the Scenic Route on ‘Rollercoaster’

    IV OF SPADES Take the Scenic Route on ‘Rollercoaster’

    The Filipino quartet blends reggae, indie rock, and Manila Sound into a freewheeling track about letting go and riding the moment.

    Life rarely moves in a straight line, and IV OF SPADES is leaning into the detours. On “Rollercoaster,” the Filipino quartet trades the pressure of chasing the next big moment for something looser: a sun-soaked, groove-heavy ride through reggae rhythms, indie-rock textures, and Manila Sound.

    Released during the band’s US and Canada tour, “Rollercoaster” finds IV OF SPADES in an especially playful mode. The psychedelic-tinged track moves with an easy confidence, layering reggae’s rhythmic pulse with indie rock and the melodic sensibilities of Manila Sound. The result is vibrant without feeling overly polished, with a laid-back quality that gives the song room to breathe.

    It is the kind of track that seems built for motion. Imagine the windows down, the volume turned up, and a stretch of road with nowhere specific to go. “Rollercoaster” captures that particular rush of abandoning the itinerary and seeing where the night takes you — a feeling equally suited to spontaneous road trips, late-night hangs, and those fleeting hours when plans become secondary to simply being present.

    That sense of surrender is central to the song. Rather than treating uncertainty as something to overcome, IV OF SPADES turns it into part of the thrill. The band’s groove-forward approach allows “Rollercoaster” to feel carefree without becoming weightless, maintaining the musical inventiveness that has characterized the quartet’s work.

    The single arrives at a particularly strong point in the band’s 2026 run. IV OF SPADES recently took home Album of the Year and Song of the Year at the 2026 Awit Awards, followed by a win for Alternative Song of the Year at the Filipino Music Awards. “Rollercoaster” also marks the band’s second release of the year, following “Isang Pag-ibig.”

    Originally uploaded to the band’s SoundCloud page in 2015, “Isang Pag-ibig” was revisited and re-released in 2026, introducing the track to a new generation of listeners. Since its release, it has accumulated more than three million combined streams across platforms and peaked at No. 18 on YouTube Music’s Trending Music chart.

    With “Rollercoaster,” IV OF SPADES once again demonstrates that its musical identity does not fit neatly into a single genre. Instead, the quartet draws from different eras and sounds to create something distinctly its own — colorful, rhythmic, slightly psychedelic, and unapologetically fun.

    Sometimes, the best way forward is simply to stop worrying about the destination. On “Rollercoaster,” IV OF SPADES makes a convincing case for enjoying the ride.

    “Rollercoaster” is out now worldwide on all major digital music platforms via Sony Music Entertainment.

  • Chicago the Musical Marks 30th Broadway Anniversary with Manila Comeback

    Chicago the Musical Marks 30th Broadway Anniversary with Manila Comeback

    More than a decade after it first lit up the stage, Chicago the Musical is returning to The Theatre at Solaire for a limited run from March 9 to 28, 2027.

    Presented by GMG Productions in association with Barry & Fran Weissler and David Ian, the show that inaugurated the venue in 2014 is coming home. Now celebrating 30 years on Broadway, the Tony Award-winning musical has racked up more than 11,700 performances, been seen by over 35 million people, and played in 38 countries and more than 525 cities.

    Carlos Candal, CEO of GMG Productions, put it best:


    “Chicago is one of those extraordinary shows that never goes out of style. It’s sexy, sophisticated, provocative and wickedly funny, with incredible music, iconic Bob Fosse choreography, and a story of fame, ambition, scandal, and celebrity that remains as relevant as ever.

    There’s something especially meaningful about bringing Chicago back to The Theatre at Solaire, where it inaugurated the venue in 2014. More than twelve years later, returning to the same stage feels like a real homecoming.

    What I love most about Chicago is its edge. It’s glamorous and seductive, but also dark, witty, and dangerous. From ‘All That Jazz’ and ‘Cell Block Tango’ to ‘Razzle Dazzle,’ it’s filled with songs and moments that have become part of musical theatre history.

    We’re thrilled to bring it back to Manila in March 2027. Whether you saw it in 2014 or are discovering it for the first time, Chicago is a show that truly comes alive on stage. Come on, baby, let’s razzle dazzle.”

    Barry Weissler, the show’s producer, shared the same excitement:

    “It was such an honor to be chosen as the inaugural production at the grand opening of the Theatre at Solaire back in 2014, so for Chicago to return to Manila next year and take that same stage again is a real homecoming.

    John Kander, Fred Ebb, and Bob Fosse created a prescient masterpiece that is ever relevant in this moment and time. Audiences are in for a real treat. The show is as hot as ever!”

    David Ian, co-producer with Crossroads Live, added:


    “We’re delighted to announce the return of Chicago to the Theatre at Solaire in March 2027 as part of its red-hot 30th Anniversary global tour. Chicago truly is the triple-threat musical that combines the sensational choreography of Bob Fosse with the master melodies of John Kander and the satirical lyrics of Fred Ebb. Our incredible company can’t wait to perform Chicago in Manila, home of such an enthusiastic musical theatre audience. Get ready to paint the town!”

    Set in 1920s Chicago, the musical follows Roxie Hart, a housewife and nightclub dancer who lands on trial for murder. With the help of slick lawyer Billy Flynn, she tries to turn her crime into a media sensation, only to find herself competing for the spotlight with fellow inmate and nightclub star Velma Kelly.

    The legendary book by Fred Ebb and Bob Fosse, music by John Kander, and lyrics by Fred Ebb deliver one showstopper after another: “All That Jazz,” “Cell Block Tango,” “Razzle Dazzle,” “Nowadays,” and more. The original Broadway revival was directed by Tony Award winner Walter Bobbie and choreographed by Tony Award winner Ann Reinking.

    A six-time Tony Award winner (including Best Musical Revival), Chicago continues to captivate audiences more than three decades after its Broadway return.

    Tickets: get in early

    The razzle dazzle starts soon. Here’s the schedule:

    • October 12–15, 2026 — UnionBank Presale (10% off for cardholders)
    • October 16, 2026 — GMGP Waitlist Presale (10% off)
    • October 19, 2026 — General Public Onsale

    Register for the waitlist and early access at: chicago-mnl.gmg-productions.com

    Tickets will be available through TicketWorld (premier.ticketworld.com.ph).

    Age recommendation:Children below 4 years old will not be admitted. The production contains mature language and themes, including violence, murder, sexual content, and smoking onstage. Parental guidance is advised.

    So put on your best face and get ready. Chicago the Musical is coming back to Manila this March 2027 — and there’s going to be plenty of all that jazz.

  • A Decade of Amplifying OPM: Coke Studio Celebrates 10 Seasons!

    A Decade of Amplifying OPM: Coke Studio Celebrates 10 Seasons!

    Through genre-bending collaborations and a stage built for discovery, Coke Studio has helped push OPM from local airwaves to global playlists.

    This year, Coca-Cola Philippines celebrates Coke Studio’s 10th season under the theme “Dinig Ang Pinas,” marking a decade of the platform’s commitment to championing Filipino music. To mark the milestone, Coke Studio brings together legendary OPM artists KZ Tandingan, Ben&Ben, and Al James for a special anthem release titled “Sumabay Ka“, a track inspired by Filipino stories and the artists’ own Coke Studio journeys, honoring ten years of giving Filipino music a bigger stage to be heard.

    This season, Coke Studio legends take center stage once again, not just as performers, but as storytellers and cultural champions, each offering a fresh take on the legacy they helped build. The lineup features KZ Tandingan, Asia’s Soul Supreme; Ben&Ben, the nine-piece folk-pop band behind some of OPM’s most streamed anthems; and rapper and hitmaker Al James, known for blending hip-hop with distinctly Filipino storytelling.

    Since its launch in the Philippines, Coke Studio has grown from a single-season collaboration series into one of the country’s most recognized platforms for original Filipino music. From Season 1 to 9, the platform has featured 75 Filipino artists and produced tracks that have amassed over million views on YouTube, including standout hits like Blooming by BINI, and songs by Sarah Geronimo, Moira Dela Torre, and even Apl.de.Ap.

    Through it all, the platform has remained anchored by one goal: giving Filipino artists a stage to be seen, heard, and celebrated on their own terms, from intimate stages to bigger platforms and, in doing so, contributing to the broader evolution of OPM.

    “For ten years, Coke Studio has been more than a platform. It’s been a promise to Filipino artists that their music deserves to be heard. As we mark this milestone, we want to build an even bigger stage for the next generation of OPM talent to be discovered, celebrated, and heard by the world.” says Frenissa Lagman, Senior Marketing Director at Coca-Cola Philippines.

    As Coke Studio enters its second decade, the platform remains committed to expanding opportunities for Filipino artists and building bigger stages, for OPM to be heard by wider audiences at home and abroad.

    Fans can follow the season and join the conversation via @cocacolaph on Instagram, @CocaColaPhilippines on Facebook, and stream this year’s anthem song, “Sumabay Ka”, featuring KZ Tandingan, Al James, and Ben & Ben on Spotify!

  • THEATRE GROUP ASIA BRINGS INTERNATIONALLY ACCLAIMED DIRECTOR CHAY YEW TO THE PHILIPPINES FOR ANG TAHANAN NI BERNARDA ALBA!

    THEATRE GROUP ASIA BRINGS INTERNATIONALLY ACCLAIMED DIRECTOR CHAY YEW TO THE PHILIPPINES FOR ANG TAHANAN NI BERNARDA ALBA!

    Theatre Group Asia (TGA) brings internationally acclaimed director, playwright, and arts leader Chay Yew to the Philippines for his Philippine directorial debut with Ang Tahanan ni Bernarda Alba, his adaptation of Federico García Lorca’s classic drama translated into Filipino by Guelan Varela Luarca.

    With a career spanning more than three decades, Yew has directed productions at some of the United States’ leading theater institutions, including The Public Theater, New York Theatre Workshop, Roundabout Theatre Company, Playwrights Horizons, Goodman Theatre, Berkeley Repertory Theatre, La Jolla Playhouse, and American Conservatory Theater. His directing credits include Cambodian Rock Band, Mojada, Oedipus el Rey, Sweatshop Overlord, The Light in the Piazza, and The House of Bernarda Alba. His work also extends to opera, and he is a recipient of the OBIE, DramaLogue, and Craig Noel Awards for Direction.

    From 2011 to 2020, Yew served as Artistic Director of Victory Gardens Theater in Chicago, where he championed new works and stories reflecting the city’s diverse communities. His contributions to theater have also earned him the 2024 Doris Duke Artist Award, while the Stage Directors and Choreographers Society honored him that same year as one of 65 directors who have “inspired SDC members and transformed the American Theatre.”

    For Ang Tahanan ni Bernarda Alba, Yew returns to material he first staged more than 25 years ago with the National Asian American Theatre Company in New York. When Yew first approached The House of Bernarda Alba, he found himself drawn to the more poetic qualities of Lorca’s Blood Wedding and Yerma.

    Yew shares, “I combined the two, trying to find its own lyricism within past Lorca plays, including the story that Lorca is telling, and integrated it into this production. And in this version, I also decided to deepen and find new complexities of all the women in the play.”

    For his Philippine directorial debut, Yew says the work carries particular resonance for Filipino audiences. His earlier staging involved several Filipino artists who recognized familiar cultural dynamics within Lorca’s story. “When we first did the play, there were a lot of Filipinos involved, and they all kept saying that it was the most Filipino experience. The more I did it, the more I realized it had to come to the Philippines,” Yew continues. The collaboration with TGA also brings the story full circle. The collaboration also carries a deeply personal resonance, as one of TGA’s co-founders, Bobby Garcia, was once a student intern under Yew during the early years of Yew’s career in New York.

    For the Philippine production, Yew was also deliberate about presenting his adaptation in Filipino. That decision reunites him with playwright and translator Guelan Varela Luarca, whom he first met while Luarca was a graduate student at Hunter College and later collaborated on an adaptation of The Oresteia. He explains, “When the opportunity came with Bernarda Alba, I didn’t want to do it in English. I told Clint I wanted to give this play a Filipino spirit. It’s a play they should hold on very dear to…the only person who I knew who has the capacity of its poetry and politics is Guelan.”

    On working with the iconic Lea Salonga portraying the play’s titular character, Yew shares, “It’ll be huge challenge for her because I think this role is very antithetical to what she has done. Yet, I do recognize the fortitude, the strength, and the dynamic quality that she has as an actor to play the role. I recognize in Lea those qualities. She is a mother. She is a force of nature. And the question right now is, how far can we explore Bernarda with a wonderful actor like Lea?”

    Ang Tahanan ni Bernarda Alba is about a strict matriarch and her five daughters. After the death of her second husband, Bernarda imposes eight years of mourning on her daughters and demands absolute obedience within the household. But as tensions build behind closed doors, her daughters’ frustrations, desires, and rivalries begin to challenge the order she has tried to maintain.

    Ang Tahanan ni Bernarda Alba will be staged in February 2027 at the Power Mac Center Spotlight Blackbox Theater. Tickets will be available exclusively through TicketWorld, beginning with a pre-sale for BPI cardholders from October 19 to 21, followed by an exclusive pre-sale for TGA subscribers on October 22 from 10 a.m. to 11:59 p.m. Public ticket sales begin on October 23 at 10 a.m.

    Ang Tahanan ni Bernada Alba is presented by Ayala Land and Theatre Group Asia and is the 2nd offering of its 2026-2027 Season of Power. BPI and Philippine Airlines provide additional support.

    For more information, visit TGA’s website www.theatregroupasia.com, Instagram @theatregroupasia, or Facebook page https://www.facebook.com/theatregroupasia.

  • ABS-CBN MUSIC NAMED FILIPINO MUSIC AWARDS 2026’S MUSIC COMPANY OF THE YEAR! 

    ABS-CBN MUSIC NAMED FILIPINO MUSIC AWARDS 2026’S MUSIC COMPANY OF THE YEAR! 

    BINI, Maki, and Regine score top honors

    ABS-CBN Music was named Music Company of the Year at the Filipino Music Awards 2026, with Kapamilya artists BINI, Maki, and Asia’s Songbird Regine Velasquez-Alcasid also taking home top honors.

    Regine received the Lifetime Achievement Award for her enduring contribution to Philippine music, honoring the OPM icon’s celebrated body of work and lasting legacy across decades.

    BINI emerged as one of the night’s biggest winners, taking home two grand awards, Artist of the Year and Tour of the Year for their “Signals World Tour.” The recognition reflects the nation’s girl group’s growing global impact as they continue to bring Filipino music to audiences beyond the Philippines through milestones such as their Coachella and Summer Sonic debuts, their recording of “A Parallel World” for the film “Forgotten Island,” and their ongoing world tour.

    Maki, meanwhile, received Album of the Year for “KOLORCOASTER,” his 10-track record released under Tarsier Records featuring the hits “Dilaw,” “kahel na langit,” and “Namumula.” 

    ABS-CBN’s Music Company of the Year legacy recognition highlights its continued support for Filipino music and artists, as well as its role in creating opportunities for OPM to reach audiences in the Philippines and abroad through its music arm, ABS-CBN Music. 

    Now on its second edition, the Filipino Music Awards 2026 celebrates creativity and excellence while honoring artists and institutions that contribute to the growth and evolution of OPM. The awards were presented by AGC Power Holdings Corp., in cooperation with One MEGA Group Inc., MEGA Global Group Inc., Modern Media Group Inc., and DigistarPH Inc.

  • BEABADOOBEE RETURNS TO MANILA FOR THE POWERLINES  TOUR!

    BEABADOOBEE RETURNS TO MANILA FOR THE POWERLINES  TOUR!

    13 APRIL 2027 (TUESDAY) SM MALL OF ASIA ARENA

    Hot on the heels of her highly anticipated and already-acclaimed new album Pylon, music icon beabadoobee is returning to Manila on 13 April 2027 at the SM Mall of Asia Arena for The Powerlines Tour!

    Tickets will be available starting with an artist presale from 12 October, Monday, 10AM to 13 October, Tuesday, 10AM. Sign up now for artist presaler access at https://beabadoobee.lnk.to/signup.

    Mastercard cardholders have special access to presale tickets in Manila Mastercard Presale starts 13 October (Tue), 12PM to 11:59PM. Check out priceless.com/music for details.

    Live Nation PH members can secure tickets during the Live Nation PH presale on Wednesday, 14 October at 12PM local to 11.59pm local venue time. Visit livenation.ph  for free membership sign-up and presale access.

    General on sale will begin on Thursday, 15 October from 12pm via ticketmaster.ph.

    ABOUT BEABADOOBEE

    Born in the Philippines and raised in London, Beatrice Laus emerged as a British alternative music icon across three acclaimed albums and five EPs. She has garnered multiple BRIT Award and BBC Sound Of nominations, and won NME’s Radar award, whilst amassing over 10 billion streams worldwide and more than 12 million followers across her social channels.

    In September 2026, beabadoobee released her latest album, Pylon, which debuted at number 1 on the UK Official Albums Chart and the ARIA Albums Chart in Australia, and at number 7 on the US Billboard 200. The album follows This Is How Tomorrow Moves, her first record to reach number 1 on the UK Official Albums Chart in 2024, as well as her UK Top 10 albums Beatopia(#4) in 2022 and Fake It Flowers (#8) in 2020.

  • A Decade of Amplifying OPM: Coke Studio Celebrates 10 Seasons

    Through genre-bending collaborations and a stage built for discovery, Coke Studio has helped push OPM from local airwaves to global playlists.

    This year, Coca-Cola Philippines celebrates Coke Studio’s 10th season under the theme “Dinig Ang Pinas,” marking a decade of the platform’s commitment to championing Filipino music. To mark the milestone, Coke Studio brings together legendary OPM artists KZ Tandingan, Ben&Ben, and Al James for a special anthem release titled “Sumabay Ka“, a track inspired by Filipino stories and the artists’ own Coke Studio journeys, honoring ten years of giving Filipino music a bigger stage to be heard.

    This season, Coke Studio legends take center stage once again, not just as performers, but as storytellers and cultural champions, each offering a fresh take on the legacy they helped build. The lineup features KZ Tandingan, Asia’s Soul Supreme; Ben&Ben, the nine-piece folk-pop band behind some of OPM’s most streamed anthems; and rapper and hitmaker Al James, known for blending hip-hop with distinctly Filipino storytelling.

    Since its launch in the Philippines, Coke Studio has grown from a single-season collaboration series into one of the country’s most recognized platforms for original Filipino music. From Season 1 to 9, the platform has featured 75 Filipino artists and produced tracks that have amassed over million views on YouTube, including standout hits like Blooming by BINI, and songs by Sarah Geronimo, Moira Dela Torre, and even Apl.de.Ap.

    Through it all, the platform has remained anchored by one goal: giving Filipino artists a stage to be seen, heard, and celebrated on their own terms, from intimate stages to bigger platforms and, in doing so, contributing to the broader evolution of OPM.

    “For ten years, Coke Studio has been more than a platform. It’s been a promise to Filipino artists that their music deserves to be heard. As we mark this milestone, we want to build an even bigger stage for the next generation of OPM talent to be discovered, celebrated, and heard by the world.” says Frenissa Lagman, Senior Marketing Director at Coca-Cola Philippines.

    As Coke Studio enters its second decade, the platform remains committed to expanding opportunities for Filipino artists and building bigger stages, for OPM to be heard by wider audiences at home and abroad.

    Fans can follow the season and join the conversation via @cocacolaph on Instagram, @CocaColaPhilippines on Facebook, and stream this year’s anthem song, “Sumabay Ka”, featuring KZ Tandingan, Al James, and Ben & Ben on Spotify!

  • KDR Music House Artists Shine Alongside Angela Ken and fitterkarma Before 5,000-Strong Orani Crowd

    KDR Music House Artists Shine Alongside Angela Ken and fitterkarma Before 5,000-Strong Orani Crowd

    Orani, Bataan was treated to a night of live music on Monday, October 5, as around 5,000 fans packed Orani Plaza for the latest Wish 107.5 Roadshow.

    The crowd came out in full force for a lineup that brought together established names and rising artists, including big acts Angela Ken and fitterkarma, alongside promising performers from KDR Music House – Sweet N’ Salty, Dwarf, and Hakki.

    Angela Ken returned to the Wish Bus with her relatable originals, performing “simula ngayon.,” “kahapon,” “baka bukas,” and “Ako Naman Muna.” Chart-topping band fitterkarma, fresh from their first major solo concert, also took the stage and performed their latest tracks for their growing following.

    Amid the star-studded lineup, Sweet N’ Salty, Dwarf, and Hakki each delivered performances that gave the huge crowd something to remember.

    For Bataan-based band Sweet N’ Salty, the Orani stop carried a special significance as they performed before a massive crowd in their home province.

    The band treated fans to their original songs “Lila” and “Love Bomber,” earning an enthusiastic reception from the audience. Their appearance was a proud hometown moment, with thousands turning up to support one of Bataan’s emerging musical acts.

    Dwarf used the Wish Bus stage to introduce his upcoming single “Bulalakaw” to a live audience of around 5,000.

    The singer-songwriter’s performance offered fans an early taste of the soon-to-be-released track, adding an element of anticipation to the evening. With the song yet to officially drop, the Orani crowd became among the first to hear it performed live.

    Meanwhile, Hakki marked her return to the Wish Bus with performances of “Torete,” “Aaminin,” and “Ang Wakas.”

    Her set showcased her vocal versatility and gave her another opportunity to connect with Wish 107.5 listeners. The packed plaza responded warmly as she took the audience through her three-song set.

    The Roadshow, held in partnership with the Local Government Unit of Orani, also featured broad mix of performers such as SAIKYOUTOPIA, Prince Lui, and April and Marco.

  • Spotlight shines on Puregold Teatro Panalo’s 26 shortlisted one-act plays

    Spotlight shines on Puregold Teatro Panalo’s 26 shortlisted one-act plays


    From 373 original entries, Puregold Teatro Panalo has officially announced its shortlist of 26 one-act plays.


    Straight plays and musicals were sent from a whole host of theatrical practitioners, be they respected veterans of the scene or exciting up-and-comers. All of them took the chance to be part of the first ever Puregold Teatro Panalo, and now only 26 have advanced to the next stage of the selection process.


    Festival chair and Puregold senior marketing manager Ivy Hayagan-Piedad spoke on the significance of the first ever shortlist. “We received a remarkable level of interest in the first Puregold Teatro Panalo,” Hayagan-Piedad said. “The volume and quality of submissions reflect the depth of Filipino talent and the continued vitality of the country’s theatrical community. Narrowing the entries down was a rigorous process, and the 26 represents a compelling mix of stories, perspectives, and creative voices with the potential to be brought to the stage.”


    The 26 shortlisted one-act plays of the Puregold Teatro Panalo include:


    STRAIGHT PLAYS


    ● “@Home” by Edralin Cabrera, Kathlyn Castillo, Michael Ian Lomongo, Marjorie
    Lorico, Maria Teresa Jamias, & J. Victor Villareal
    ● “Ang Huling Panawagan sa Pagdarasal” by Mubarak M. Tahir
    ● “Ang Pagbabalik ng Voltes V” by Neil Arkhe Azcuna
    ● “Mga Diwata IRL” by Jay M. Crisostomo IV
    ● “Nang Muli Kang Makakanta” by Ma. Angelica S. Chiuteña
    ● “Nothing But Dreams” by Ricardo C. Novenario
    ● “Palabas/Exit” by Angel Oclarit
    ● “Pax Silica” by Robert Arlou De Guzman
    ● “Silang mga Bayani’t Banal” by Anthony Kim Vergara
    ● “Soap Opera” by Jerry O’Hara
    ● “The Boy Foretold by the Stars” by Dolly Dulu
    ● “The Girl Scout Law” by Rhain Arabella Alcoriza
    ● “Trahedya ng Kamote” by Marjay S. Manalastas
    ● “True to Life” by John “Sweet” Lapus
    ● “Walang Maliit na Bagay” by Joshua Lim So
    ● “Youngstunna” by Jerom Andrei M. Canlas


    MUSICALS


    ● “Ang Maayong Balita Sumala Kang Bibo Bautista” by Jude Thaddeus M.
    Gitamondoc
    ● “At Bumaba Ang Mga Tala” by John Rey Tayag Magin
    ● “Baka Mali ang Tamaraw” by Emmanuel Benbinuto Antonio
    ● “City in Darkness: A Lockdown Musical” by Senedy Que
    ● “Feverish Time” by John Edrick R. Alcontado
    ● “Manang-Mana Nga!” by Steven Hotchkiss
    ● “Outside Looking In” by Timothy Carlo Racho & Michael Angelo Lopez
    ● “Tagpuan” by John Austin Perez
    ● “Tala” by Jiezl Virmy Chua
    ● “The Fourth Wall Has Fallen” by Heber Justin P. O’Hara


    Festival director Vincent de Jesus believes the shortlisted works demonstrate great
    promise for the festival.


    “It was difficult enough narrowing things down to 26 deserving one-act plays,” said de
    Jesus. “From this bunch, only the very best of the best will make it to the stage in February. The Puregold Teatro Panalo will be a showcase of the many talented Filipinos working in theater today and will be the breeding ground for many great works to come.”


    From the 26 shortlisted works, only 12 will be selected to form the inaugural festival’s lineup. Of those 12, there will be 8 straight plays and 4 musicals, all of which will be staged at the upcoming festival from February 20 to March 14, 2027.


    The selected playwrights will receive ₱100,000 in financial compensation on top of development and production support from festival organizers Wishbone Collective Inc.


    At the end of the festival, one straight play and one musical will receive development grants set to turn these one-act plays into full-length theatrical productions

  • Tiffany & The Jets Bring the Soundtrack of Our Youth Back to Manila

    Tiffany & The Jets Bring the Soundtrack of Our Youth Back to Manila


    There’s a certain kind of magic that only the 1980s can still deliver. The big hair. The neon lights. The pure, unfiltered rush of a song that made you feel invincible at 15 and somehow still does decades later. On February 16, 2027, that magic is coming home to Manila.


    Two of the most beloved names of the late-’80s pop era, Tiffany and The Jets, will share the stage for one night only at The Theatre at Solaire. Presented by NP Asia Inc., the concert is more than a show, it’s a reunion with the version of ourselves who once blasted these songs through cassette players, danced in living rooms, and believed every lyric was written just for us.

    Tiffany Darwish was only 15 when she stepped into the spotlight and never really left it. Her cover of “I Think We’re Alone Now” knocked Michael Jackson off the top of the Billboard Hot 100 in 1987. Then came “Could’ve Been,” a heartbreak ballad so pure it still stops people mid-conversation. At 16 she became the youngest female artist to top the Billboard 200 with a debut album. The mall tours. The big sweaters. The unmistakable voice that could turn a simple pop song into something that felt personal. Later came “All This Time,” the track that gave this night its quiet emotional center, a song about looking back, holding on, and realizing some feelings never really fade.


    Then there are The Jets. Eight brothers and sisters from the Wolfgramm family, Tongan-American kids raised in Minneapolis who turned family harmony into chart gold. “Crush on You” still makes people smile the second that synth line kicks in. “You Got It All,” with Elizabeth Wolfgramm’s impossibly mature vocals (she was barely a teenager), became a quiet anthem for anyone who ever felt seen by a song. “Make It Real.” “Rocket 2 U.” “Cross My Broken Heart.”

    Their music was pure joy, danceable, heartfelt, and full of that unmistakable 80s optimism. These two acts once shared stages in the late 1980s. Now, almost four decades later, they’re sharing one again,.this time in Manila.

    Expect the hits, of course. Tiffany’s “I Think We’re Alone Now,” “Could’ve Been,” and “All This Time.” The Jets’ “Crush on You,” “You Got It All,” “Make It Real,” and “Rocket 2 U.” But more than the setlist, expect the feeling. The kind of night where strangers sing every word together. Where someone in the row behind you quietly cries during a ballad. Where you catch yourself smiling at a memory you didn’t know you still carried.


    It’s the kind of concert that doesn’t just entertain, it time-travels. For a couple of hours, the years between then and now shrink. You remember the first crush. The school dances. The car rides with the windows down and the volume up. And somehow, standing in a modern theater in Entertainment City, it all feels close again.

    The Theatre at Solaire has hosted its share of big nights, but this one feels different. It’s intimate enough to feel personal, grand enough to match the songs. Doors open for an 8:00 PM start on February 16, 2027. Tickets are available through TicketWorld.


    There’s also a Cebu stop on February 11 at the IC3 Convention Center, billed as “Love on Stage”, a pre-Valentine’s night with the same nostalgic spirit. For many, the Manila date will be the one that feels like the main event.

    In a music landscape that moves faster every year, there’s something quietly radical about nights like this. No heavy production gimmicks. No attempt to reinvent the past. Just two artists who helped define an era, still standing, still singing the songs that raised a generation.
    All this time later, the voices are still there. The melodies still land. And for one night in Manila, the 1980s get to feel brand new again.


    Some concerts you go to because the artist is hot right now..This one you go to because the songs never stopped mattering.


    February 16, 2027.
    The Theatre at Solaire.
    Tiffany & The Jets.


    Bring the people who grew up on these songs with you. The night will do the rest.

    Get your tickets here:

    https://premier.ticketworld.com.ph/shows/show.aspx?sh=TIFFTJ27

  • ena mori, SHNTI Put Filipino Indie in the Spotlight at Taiwan’s Golden Indie Music Awards

    ena mori, SHNTI Put Filipino Indie in the Spotlight at Taiwan’s Golden Indie Music Awards

    Filipino indie artists ena mori and SHNTI are taking their music beyond Philippine borders, earning nominations at Taiwan’s 17th Golden Indie Music Awards (GIMA) in a year that marks the awards’ most competitive edition yet.

    ena mori’s Ore and SHNTI’s Melting PT. are among five works nominated for Best Asian Creative Artist, a category recognizing original music from artists across Asia outside Taiwan. They join KIKI’s Death of a Daisy & Birth of an Oyster, N.Y.P.D. 南洋派對’s DON’T LIKE 我鍾意, and NAMDO CALLING—Jung Eunhye, CADEJO and Yechan Kim’s NAMDO CALLING.

    The significance of the nominations is amplified by the category’s record-breaking turnout. A total of 105 entries from artists outside Taiwan were submitted for Best Asian Creative Artist, making this year’s field the largest in the category’s history.

    For ena mori and SHNTI, the nominations place two distinct Filipino voices within a broader Asian independent music conversation, one increasingly defined by genre-crossing sounds, different languages, cultural influences, and artists pushing beyond conventional boundaries.

    The 17th GIMA received 4,242 submissions overall, with this year’s nominees spanning alternative pop, jazz, electronic music, hip-hop, and other forms of contemporary independent music. The awards reflect the diversity of a regional music scene where artists are bringing distinctly local perspectives into an increasingly interconnected landscape.

    That idea is reflected in this year’s theme, “觸 TRUE.” Combining the Taiwanese character 觸 (chù), referring to being emotionally moved or deeply affected, with the English word “TRUE,” the theme centers on authenticity and music’s ability to resonate across cultural and geographical borders.

    Fang Q, bassist of Taiwanese band Cosmos People and chair of this year’s jury, noted the record-breaking number of submissions as a reflection of the vitality and diversity of Taiwan’s contemporary music landscape.

    Among the biggest names in this year’s field is Taiwanese band Sunset Rollercoaster, whose album QUIT QUIETLY earned nominations for Best Album, Best Band, and Best Alternative Pop Album. Its track “Bluebird” is also nominated for Best Alternative Pop Song, while Tseng Kuo Hung is in contention for Best Singer-songwriter for QUIT QUIETLY.

    The nominations further underline the breadth of Taiwan’s independent music scene, where artists continue to move between genres, languages, and creative traditions.

    Beyond the competitive categories, the Jury Award will go to Yuhan Su for Over The Moons, while the GIMA Impact Award will recognize Blue Note Taipei and founder Tsai Bop for their contributions to Taiwan’s jazz culture and live music community.

    Before the awards ceremony, GIMA LIVE will bring the nominees to the stage on October 21 and 22 at CORNER MAX in Taipei. The official showcase will feature the finalists for Best Live Performance, with the category’s winner determined following the performances.

    The 17th Golden Indie Music Awards Ceremony will take place at 7 p.m. on October 31 at the Taipei Music Center, with a livestream available for international audiences.

    For ena mori and SHNTI, the nominations arrive at a moment when independent music in Asia is becoming increasingly difficult to define by borders alone. Their inclusion among this year’s Best Asian Creative Artist finalists gives Filipino indie another point of entry into that conversation, putting Ore and Melting PT. alongside works representing the region’s expanding range of sounds, languages, and stories.

  • One Zone Music Fest Brings 1Z Entertainment’s Filipino Music Vision to the Araneta Coliseum

    One Zone Music Fest Brings 1Z Entertainment’s Filipino Music Vision to the Araneta Coliseum

    What began as a vision to build a home for Filipino artists is set to take shape on a much larger scale as 1Z Entertainment stages its first-ever music festival, One Zone Music Fest (OZF), on October 24 and 25 at the Araneta Coliseum.

    Bringing together SB19, XONARA, J2X, and special guests, the two-day festival is designed to be more than a showcase of 1Z Entertainment’s roster. It is an extension of the company’s larger vision for Filipino music and creativity: a space where artists can experiment, collaborate, and introduce different sides of their artistry while sharing the same stage.

    “For us, it was already such a dream to be able to start and build our company, 1Z Entertainment, but to even touch lives and help create a future of longevity for Filipino creatives and Filipino music is something truly special,” 1Z Entertainment president Pablo says.

    That spirit of collaboration is central to the festival’s first day. Rather than following a conventional artist-by-artist concert format, OZF will bring together 1Z Entertainment’s artists through subunit performances, solo stages, special collaborations, and surprise appearances. The format gives the artists room to move beyond their established identities and explore what happens when different creative voices occupy the same space.

    For J2X, that opportunity is just as meaningful behind the scenes as it is onstage.

    “Sobrang thankful namin sa 1Z Entertainment, SB19 dahil nabibigyan kami ng ganitong platform. More than yung performances namin as artists, meron pang subunits na mapapakita kung gaano kagaling at ka-close ang mga artists ng 1Z Entertainment,” J2X says.

    XONARA’s Megumi likewise sees the festival as an opportunity to celebrate the relationships that have developed within and beyond the 1Z Entertainment roster.

    “The great thing about this festival is that it goes beyond just promoting us as artists but also the camaraderie it upholds by collaborating with different artists. And us in XONARA, we’re excited also to share a platform and stage with people we admire,” she says.

    The collaborative spirit extends to the festival’s special guests, with each 1Z Entertainment artist given the opportunity to share the stage with artists they admire. The result is a lineup designed not only around individual performances but around the possibilities created when artists meet, experiment, and build something together.

    Adding another layer to Day 1 are five individual 45-minute sets from SB19 members Pablo, Josh, Stell, FELIP, and justin. Rather than presenting SB19 solely as a collective, the individual stages put each member’s artistry under the spotlight, allowing fans to experience the distinct musical identities they have developed alongside the group.

    If Day 1 expands the idea of what an artist-centered festival can be, Day 2 turns inward toward the community that made much of that journey possible.

    October 25 will mark SB19’s eighth anniversary, with the group dedicating the second day of One Zone Music Fest to A’TIN. The anniversary celebration will feature games, activities, surprises, and special moments built around the community that has accompanied SB19 throughout its rise.

    “Of course, we’ll never forget about A’TIN. Yes, we’re celebrating One Zone Fest, but of course, we also like to celebrate the community that brought us here. That’s why the second day is dedicated to them. We’ll make sure the second day is a fun experience for them,” Stell says.

    Taken together, the two days reflect the dual purpose behind One Zone Music Fest: to look ahead at where Filipino music and its creative community can go, while also acknowledging the people and relationships that made that future possible.

    For 1Z Entertainment, the festival is ultimately a statement of intent. It puts its artists in one venue, but more importantly, places collaboration, individuality, and Filipino creativity at the center of the conversation.

    One Zone Music Fest takes place on October 24 and 25, 2026, at the Araneta Coliseum. Day 1 will feature 1Z Entertainment subunits, special guests, collaborations, and individual performances, while Day 2 will celebrate SB19’s eighth anniversary with A’TIN.

    Tickets are available through TicketNet.

  • Belle, Pip, Christian, Bituin & Bobot: A Night of Standards Across Generations

    Belle, Pip, Christian, Bituin & Bobot: A Night of Standards Across Generations

    Edgar “Bobot” Mortiz is going standard once more, and this time with a repeat that feels even more special.


    At 71, the veteran actor, director, and lifelong crooner proved it’s never too late to chase a dream when he staged his first solo concert, Goin’ Standard, on June 13 at the intimate Proscenium Theater in Rockwell. The night was packed, the Manila Philharmonic Orchestra soared under Maestro Rodel Colmenar, and the audience, mostly people who grew up with him, left smiling, nostalgic, and a little misty-eyed.​

    Now he’s doing it again.


    On Saturday, October 10 at 7 PM, Goin’ Standard The Repeat returns to the same elegant stage. Same warm, unpretentious spirit. Same love for the timeless standards that first put a teenage Bobot on the map as a Tawag ng Tanghalan champion way back in 1967. Different generations sharing one stage for one night of pure, heartfelt music.​

    Bobot has always said he knows people aren’t necessarily there just to hear him sing, they’re there because they love him. That humility is part of his charm. He still delivers the Sinatra and Bennett classics with that familiar gentle smoothness, the same voice that once made crowds scream the opening line of “My Pledge of Love.” This time, the guests make the evening even richer.


    Tirso Cruz III (Pip) is back, a longtime friend, fellow veteran, and easy chemistry partner from the first show. Their shared numbers last June felt like old barkada just hanging out and having fun with the classics.


    Christian Bautista brings that polished, romantic power that blends so well with the standards. Expect smooth, heartfelt moments that bridge the generations.


    Bituin Escalante adds soul and depth. Her voice has that lived-in richness that turns a ballad into something that settles right in your chest.


    And then there’s Belle Mariano, young, radiant, and already deep in rehearsals with Direk Bobot. Watching her share the stage with him feels like a full-circle moment: the new generation meeting the man who started it all with pure song. Different eras, same love for melody.​


    The first concert had its own beautiful lineup, Klarisse de Guzman, Alexa Ilacad, Julie Anne San Jose, daughter Calin Mortiz, plus the powerhouse duo of Christopher de Leon and Tirso Cruz III. Vilma Santos even sent a video greeting, teasing that she’d join if there was ever a repeat. The room was full of family, old friends, and people who simply wanted to celebrate a man who’s spent more than five decades making Filipino entertainment warmer and more human.​

    This October night carries that same spirit forward. It’s not a flashy production chasing trends. It’s Bobot doing what he’s always loved, singing the songs that never go out of style, surrounded by people who get it, in a theater that feels just the right size for real connection.


    Tickets are available through TicketWorld. If you were there in June, you already know why it’s worth going back. If you missed it, this is your chance to sit in a room full of people who still believe good songs and genuine hearts never get old.


    Edgar “Bobot” Mortiz is still going standard. And somehow, it still feels brand new

    Tickets are available here:

    https://premier.ticketworld.com.ph/shows/show.aspx?sh=EDGARMTR26

  • SM Prime Live Venues posts over 1M Visitors on Strong Event Demand

    SM Prime Live Venues posts over 1M Visitors on Strong Event Demand

    SM Prime Holdings, Inc. (SM Prime) continued to see strong demand across its major live entertainment venues, driven by a steady pipeline of concerts, sporting events and family shows, as well as the opening of the SM Seaside Cebu Arena.

    As of August 2026, the SM Mall of Asia (MOA) Arena, SM Seaside Cebu Arena and SMDC Festival Grounds welcomed over 1 million visitors, a 52 percent increase from approximately 710,000 visitors in the same period last year.

    SM Mall of Asia (MOA) Arena in Pasay continues its strong 2026 lineup, with more performances and sold-out shows set for 2027.
     

    The double-digit growth reflects the continued strong demand for live entertainment in the Philippines, further supported by the addition of SM Seaside Cebu Arena to SM Prime’s growing venue portfolio.

    “Our venues provide Filipino audiences with a complete experience before, during and after a live event,” said Jeffrey C. Lim, president of SM Prime. “With dining, retail, entertainment and other amenities within easy reach, we are able to extend the experience beyond the event itself while creating more value across our properties.”

    More than 110 shows were staged at the SM MOA Arena from January to August, showing up to 20% increase during the same period in 2025.

    SM Seaside Cebu Arena has also made a strong start since its official opening in July, with sold-out opening concerts by BINI and IV of Spades.

    The momentum is expected to continue through the final months of the year. At the SM MOA Arena, upcoming sold-out shows include performances by Regine Velasquez, Silent Sanctuary and 5 Seconds of Summer.

    Tickets are also on sale for Jason Mraz, Wave to Earth, and LE SSERAFIM, along with 34 performances of Disney On Ice presents Let’s Dance!

    In the SM Cebu Arena, the upcoming lineup includes Bida Sa Arena, Premier Volleyball League (PVL) and Spikers’ Turf, East Asia Super League and LANY, as well as 14 performances of Disney On Ice presents Let’s Dance!

    SM Prime-managed venues are also building their 2027 calendar. Major events already announced include Westlife’s anniversary tour, The Script’s sold-out three-show run, Maroon 5’s Asia 2027 tour and BIGBANG at the SMDC Festival Grounds in Manila, as well as the FIBA Women’s Asia Cup in Cebu.