Today, Spotify announced the release of “One,” an all-new Spotify Singles track performed by DxS – SEVENTEEN’s vocal powerhouse duo comprised of DK and SEUNGKWAN.
The Spotify Singles track also serves as the new official anthem for T1, one of the most celebrated esports teams in the world.
Produced by Founder of PLEDIS Entertainment Sung Soo Han in collaboration with Spotify, and composed by Nickko Young, d’tour and Neckwav, “One – Spotify Singles” celebrates the forces that drive competitive gaming, T1 and the fans behind them. Its lyrics tell a story of trust and solidarity, pushing past limits together and becoming each other’s answer in moments of doubt – making it a song built around what makes the team and its community special.
The release is the latest milestone in Spotify’s ongoing partnership with T1, and marks the first ever Spotify Singles track created for an esports team. Since launching in 2016, theSpotify Singles program has provided artists with a creative outlet to record exclusive tracks for the platform, fromK-Pop ON! (온) Singles featuring ENHYPEN and STAYC, to theKrOWN X HAN series spotlighting K-hip-hop artists like Jay Park, Kid Milli, and MIRANI amongst others. With “One,” the program enters new territory, its first original track created for an esports team.
From Mockumentary to Main Stage
The release of “One” follows a teaser campaign that had fans of both SEVENTEEN and T1 doing a double take. The teaser video, which took the form of a mockumentary, followed T1’s fictional journey to debuting as a K-Pop boy group – only for DxS to show up and steal the spotlight with a surprise appearance.
The clip sparked conversations across both fandoms and set the stage for the release of “One – Spotify Singles”.
DxS will take the stage at T1 Home Ground in Seoul on August 14 to perform “One – Spotify Singles,” live for the first time. And for T1 and SEVENTEEN fans everywhere, the live performance video will be released on Spotify later this month.
“E-sports and K-Pop have some of the most passionate fan communities in the world, and with ‘One’ we set out to push the fandom experience into new territory. This Spotify Singles collaboration, the storytelling behind it, and DxS’ live performance at T1 Home Ground are all about creating a deeper connection between fans on both sides and the worlds they love.” said Gautam Talwar, Spotify’s General Manager for Asia Pacific.
After a decade of hard work, Delinquent Society returns with “Gumagana Na,” a song that celebrates perseverance, loyalty, and the rewards of staying true to the journey. Marking a milestone the group once only dreamed of, the single reflects on how years of dedication have finally begun to bear fruit.
After years of grinding, Delinquent Society is now seeing the results of their commitment through sold-out performances, brand partnerships, and growing opportunities. What makes this chapter especially meaningful is that they continue to create music alongside the same people who have been with them since the beginning.
The group still works closely with DJ Ross Fuego, longtime friend and producer Delae, Burbankz, Murphy, and producer Wudz, proving that success is even more fulfilling when it is shared with the people who helped build it from day one.
The inspiration behind “Gumagana Na” came during a studio session while searching for samples and ideas. Instead, the group rediscovered an old voice note from their Uncle Ricky. The recording immediately resonated with everyone and became the emotional foundation of the song, appearing in the introduction and woven throughout the track as a reminder of where they came from and everything they have overcome.
With the voice note as the starting point, producer Wudz built the beat around it, allowing the record to come together organically. The result is a deeply personal anthem about trusting the process, staying loyal to your team, and recognizing the moment when years of sacrifice finally begin to pay off.
More than a celebration of success, “Gumagana Na” is a tribute to ten years of friendship, resilience, and the belief that consistent hard work creates opportunity. It serves as a reminder that while reaching your goals is important, the people who stand beside you throughout the journey are what make the destination truly meaningful.
Delinquent Society Produced By: WUDZ Performed By: Delinquent Society Written By: Ulysses Agura II, Moses Jones Navidad, Lois Tuanquin
[Intro: Uncle Ricky] If you have money, you have power If you have power, you have everything! Kasabot ka!?
Wudz Okay!
[Verse 1: Contemplate] Focus lang sa goal yan ang aking mission Kuha lang ng money tapos hati sa commision Tutok sa scope papunta don na direction Iba aming swag ice cold hagip attensyon Iba na kami (kami?) Kami, pumepera na! Kayo’y tumabi wala silang magagawa Ayaw niyo samin noon, ngayon may connection Iba na ang moves papunta sa top don kami diretso 8K, puputok na parang AK Di mo mapigilan aming wave lakas na lately Rami ng nagbago pwede na bilhin lahat ng luho Iba talaga basta galaw natin planado
[Hook: Aud] Whole crew homies gang Pumepera na Sakin to, sakanya, eto kanila Same parin yung ikot walang nag iba Dating mga plano nowadays gumagana na
[Verse 2: Aud]
Kung wala ng alak yung bote mo bili ka lang I got the stacks and the bread parang bakery lang I got packs unli cigarettes smoke for your lungs Kagagaling lang ng baby ko sa beauty salon ‘Se di na tulad to ng dati Pano to nangyare? Para bang yung bulsa namin bigla nalang na lumalim Lalong lumala nung buhay tinaya (woop!) Among gidala ang pagka Bisaya (woop!) Libo libo na galing sa tula (woop!) Tiga southside gikan sa baba (woop!) Tiga southside gikan sa baba (woop!) Tiga southside gikan sa baba (woop!)
[Hook: Aud & Fusr] Whole crew, homies, gang Pumepera na (Get your money up) Sakin to, sakanya, eto kanila (Not your funny up) Same parin yung ikot walang nag iba Dating mga plano nowadays gumagana na
[Verse 3: Fusr]
Mga plano gumagana pag masipag binebless Ipon ipon stack your bread sa sarili mag invest I be 5 moves ahead in my head parang chess Babygirl ko nagagalit “Sino ba laging katext mo?” Kausap ko si Aud at kausap ko si Ross Pinagusapan namin next moves If you wanna be boss you gotta learn to take a loss Pag-hinay hinay lang sa pressure Everybody sit down you know we do this shit for real Galawan namin parang Neptunes, batang galing Davao Respect the past to build the future sabi nga ni Sak Maestro Momma look at me now Umaangat kasama team kinokolekta mga wins I light the beam like Sacramento
[Hook: Aud] Whole crew homies gang Pumepera na Sakin to, sakanya, eto kanila Same parin yung ikot walang nag iba Dating mga plano nowadays gumagana na
[Refrain: Fusr] Lahat ng gusto ko gusto kong makuha I’d give it all dugo’t pawis tsaka luha Sobrang blessed magkapera saming sulat I’m checking goals tapos bonus na yung moolah
[Hook: Aud & Uncle Ricky] Whole crew homies gang Pumepera na (Money) Sakin to, sakanya, eto kanila (Power) Same parin yung ikot walang nag iba Dating mga plano nowadays gumagana na (Everything)
The fusion blends Manila’s disco-funk golden era with Margate England’s art-pop
In Regalado’s home studio, from right, Thandii (Graham Godfrey and Jess Berry), Jun Regalado, Monina Regalado, and Sama Sama Records’ founder Norsicaa aka Alice Whittington, January 12, 2026
When a British alt-soul and art-pop duocollaborates with Filipino musical royalty, the result is Coco Okayo, a blinding flash of artistic spirit that transcends geographical and generational barriers.
For London-based act Thandii,a chaotic whirlwind of a trip to Manila allowed Graham Godfrey and Jess Berry to explore a new cultural context of song-writing. After several prolific years of self-released albums, they channeled
Godfrey’s Filipino heritagethrough Sama Sama Records’ founder Norsicaa’s ambitious project to make their next album with the most recorded drummer in the Philippines, Jun Regalado.
Regalado is a 1998 KATHA Outstanding Musician, 2018 ALIW Lifetime Achievement Awardee, and Pakil’s Pride Awardee at the 2024 1st Laguna Jazz Festival. Now in his late 70s, his track ‘Pinoy Funk’ was reissued by London- based Soundway Recordsin their 2024 “Ayo Ke Disco”album. On youtube.com/@JunRegaladoMusic over the past five years, he has also re-created drumming to nearly a hundred songs he originally recorded in the 70s and 80s. Regalado points out that Coco Okayo “is unlike OPM sessions or Manila Sound cuts I’ve done before and it is my first album collaboration experience outside of my peers.”
Jun Regalado recording Coco Okayo at Wild Grass Recording Studios, Quezon City, January 13, 2026
Not only does Thandii take inspiration from the 70s ‘Manila Sound’movement, the sound of Manila itself is embedded in the album via the local recording studio. It was “like stepping into a time-warp”, the duo says. “Period correct pre-amps, compressors and instruments recreated the tones of the era and combined with Sir Jun’s magical sound and touch – it created an authenticity so completely right for the moment.”
British duo Thandii—Jess Berry and Graham Godfrey—blend soul, art-pop and Manila Sound influences on Coco Okayo.
In exploring a sound born of the diaspora with roots in British soul music, Coco Okayo makes full use of the polymath abilities of both Berry and Godfrey. “I felt like the melodies and flurries of flute poured out of me during this whole process – it was quite freeing and explorative and unlike any album we’d made previously,” Berry says.
Graham Godfrey and Jun Regalado reviewing recording playback at Wild Grass Recording Studios, Quezon City
The resulting album dances around genres and influences, from OPM to soul, disco-funk and trip-hop, refusing to be categorized as any one thing and yet cohesive in its sound. Thandii likes to dub it MAR-NILA. “It’s a new genre coming from Filipino diaspora artists paying tribute to the Manila sound of the 70s,” say Thandii, “but combining it with modern day post-punk-disco, beat-driven-art-popmusic coming from the small seaside town of Margate”. Whichever way the listener might interpret it, it’s clear that Coco Okayo is not stuck between worlds, but rather, has built a utopian world of its own.
Jun Regalado recognized as Pakil’s 1st Pride Awardee at the 2024 1st Laguna Jazz Festival, May 12, 2024
Regalado invites everyone to support this deeply personal yet universal project, underlining its weight and meaning. “This is Filipino musicianship being celebrated abroad.”
Coco Okayo, the collaborative album by Thandii and Jun Regalado.
Coco Okayo by Thandii and Jun Regalado will hit Spotify and all streaming platforms through Bandcamp on September 11. Check out the single and pre-order the vinyl or digital album at https://lnk.bio/samasama/thandii.
After more than a year since their last EP release, SunKissed Lola returns with “Edi Magalit Ka,” a warm, playful, and honest new single that builds on the heartfelt storytelling behind previous fan favorites such as “Pasilyo,” “Paki Sabi,” and “Makalimutan Ka.” Turning a familiar Filipino phrase into a song about love, patience, and choosing the relationship over the argument, the track marks a fresh yet familiar chapter for the band.
Known for heartfelt songs about love, longing, and the emotions people carry through relationships, SunKissed Lola enters a new chapter with a track that feels both familiar and refreshing. “Edi Magalit Ka” takes its title from a phrase often heard in everyday conversations, especially between couples and friends, but the band gives it a softer meaning. Instead of sounding dismissive or prideful, the song becomes an affectionate way of saying that even when things get difficult, love is still there.
“It’s a song about relationships,” vocalist Laura Lacbain shares. “Hindi maiiwasan ang away sa relationship, pero hindi pa rin mawawala ang love. Susuyuin pa rin sa huli.” Vocalist and guitarist Alvin “Bino” Serito describes the track as a “loving anthem,” saying that even when someone is upset, the feeling behind the song remains tender. “Even if you’re mad with your special someone, at the end of the day, they’re still your favorite person to come home to,” he says.
credit: SunKissed Lola
The song first began in 2021, but its earliest version carried a more prideful tone. As the track developed, the band softened the lyrics and gave the song more emotional openness. According to vocalist and guitarist Dan Ombao, Bino helped shape the confession-like parts of the song and added the line “’Di ba?” to make the message feel gentler.
Bino explains that the heart of the song lies in choosing love over ego. “No one has to win,” he says. “I will always choose the relationship over the argument.”
That emotional shift became central to the final version of “Edi Magalit Ka.” What could have been read as stubborn or sarcastic became something more sincere. The title itself invites curiosity because it depends on how the listener understands it.
credit: SunKissed Lola
“The title was intriguing in itself,” Laura says. “You will be curious. Pwedeng i-send sa jowa. You really need to listen to the song to understand the context.” Musically, “Edi Magalit Ka” also reflects a more relaxed and intentional side of SunKissed Lola. Dan shares that the song started as an acoustic piece before he brought it to the rest of the band. From there, the arrangement came together naturally, with each member adding their own parts.
credit: SunKissed Lola
For bassist Danj Quimson, the goal was to keep the sound simple and laid-back so the lyrics could stand out. “We all united to make it sound laid-back, simple, and we wanted to highlight the lyrics of the song,” he shares.
Compared to some of their earlier songs, which leaned into more unpredictable arrangements, “Edi Magalit Ka” was designed to feel lighter, warmer, and easier on the ears.
“For this one, we made it simple for the audience,” Bino says. “We made it magaan sa tainga.”
Dan adds, “That’s also what the song asks for. A very simple, refreshing, and warm song.”
For drummer Genson Viloria, the song’s charm comes from how instantly familiar it feels. He shares that when he first heard it, he thought it sounded like a cover because of how catchy and natural it was.
While the track still carries the easy-listening quality that listeners have come to love from SunKissed Lola, the band sees it as a more vulnerable and straightforward release. For Dan, “Edi Magalit Ka” stands apart because of how honest it feels. Laura also sees it as a fresh direction for the band, especially because it focuses on being in a relationship and working through the struggles that come with it.
“It’s the comeback of SunKissed Lola,” Laura says.
As the band approaches its fifth year, the release of “Edi Magalit Ka” also marks a more mature and intentional era for the group. Danj shares that he felt a change in the band during the recording process, with each member becoming more focused on serving the song in the best way possible.
Bino says the band has returned to its roots with more conviction. “We know our strengths and now we are able to maximize it,” he shares. “We are more intentional in releasing this song.”
Ultimately, SunKissed Lola hopes “Edi Magalit Ka” makes listeners smile, feel kilig, and maybe even rethink the way they handle small conflicts with the people they love.
“We want them to feel what we felt the first time we played the song,” Bino says. “We hope it makes them smile, the way kung paano namin siya niyakap sa umpisa.”
Laura adds that she hopes younger listeners, especially those new to relationships, realize that love also means learning how to work things out. “Sana kiligin din sila,” she says. “Sana our young listeners na bago pa lang sa relationship, ma-realize nila na they need to work it out.”
With “Edi Magalit Ka,” SunKissed Lola opens the door to more music, more stories, and a deeper connection with their listeners. Fans can expect more songs, more content, more gigs, more tours, and a closer look at the members beyond their roles in the band.
“We want to be part of more people’s stories,” Bino says.
“Edi Magalit Ka” is out today on all major streaming platforms.
About SunKissed Lola
SunKissed Lola is an OPM band from Olongapo, Zambales, known for heartfelt songs that blend modern pop, rock, and romantic Filipino storytelling. Formed in 2021, the band gained widespread recognition with their breakout hit “Pasilyo,” one of the defining OPM songs of the streaming era.
Composed of Laura Lacbain on vocals, Alvin “Bino” Serito on vocals and guitar, Dan Ombao on vocals and guitar, Danj Quimson on bass, and Genson Viloria on drums, SunKissed Lola continues to connect with listeners through songs that capture love, longing, heartbreak, and everyday emotions.
A’TIN wasted little time proving that SB19’s Wakas at Simula era belongs not only on streaming platforms, but on shelves, in collections, and in the hands of fans around the world. The first batch of the P-Pop powerhouse’s first-ever physical album, Wakas at Simula Global CD Version, has officially sold out, underscoring the continued demand surrounding one of the group’s most ambitious releases.
Originally released digitally, Wakas at Simula now takes on a tangible form through the Global CD Version, giving international A’TIN a physical connection to an album that has marked a significant chapter in SB19’s artistic evolution. With 24 tracks spread across two discs, the release preserves the project’s expansive narrative while extending the world of the album beyond the confines of a streaming platform.
The first batch’s sellout has prompted Backspacer Records and Sony Music Entertainment to open a second batch of pre-orders, giving fans another opportunity to own the group’s debut physical album.
For SB19, the significance of the release goes beyond simply putting a CD in circulation. The Global CD Version reflects the group’s increasingly international reach and their desire to maintain a tangible connection with A’TIN across borders.
“For us, the Global CD Version represents a way to stay connected with A’TIN around the world and remind them that no matter where they are, they will always have a piece of home with them,” Pablo says. “We want them to know that SB19 will continue to be by their side through the best moments of their lives and even during the challenging times.”
That connection has become increasingly important as SB19 continues to expand its footprint outside the Philippines. From performing at major festivals in international music markets to collaborating with global artists and earning recognition from prominent publications abroad, the group has steadily transformed its local success into a broader international presence.
The physical release, meanwhile, gives that growing audience something that streaming cannot quite replicate: an object that can be held, revisited, and preserved.
Justin describes the release as particularly meaningful because it marks SB19’s first-ever CD. “Since this is our first-ever CD release, it feels meaningful to share Wakas at Simula in a way that goes beyond just listening to the music,” he says. “We’re grateful that our community can now experience the album in a more personal and lasting way and have something that they can cherish over time.”
That sense of ownership is central to the album’s design. Rather than treating the CD as a straightforward physical reproduction of the digital release, SB19 and its team built the Global CD Version as an extension of the Wakas at Simula universe and the visual world established during their “Ikalawang Yugto” era.
The two-disc set contains all 24 tracks from the album, accompanied by a 52-page full-color lyric booklet, two exclusive photo prints, and a randomly selected photocard from five variants. Each copy also features a built-in NFC tag that provides quick access to the online album.
More unusually, 100 randomly selected copies contain an authentic fragment from the album’s tome, turning those editions into one-of-a-kind pieces of the project’s history.
For Josh, these physical elements are another way for A’TIN to become part of the story SB19 continues to build.
“It’s important for us to share these pieces because we wouldn’t be here without A’TIN, and they are an important part of this journey,” Josh says. “Through our music, we are able to tell our stories, but our fans are also part of the story we continue to create.”
The group’s involvement extends to the release’s creative direction and packaging. Ken emphasizes that SB19 was closely involved in determining how the album would look and what fans would ultimately receive, with each element designed to reflect the group’s identity as artists.
The result is a physical release that mirrors the ambition of Wakas at Simula itself: expansive, detailed, and built around a larger narrative rather than a collection of songs alone.
For Stell, the physical format gives fans another way to enter that narrative. The lyric booklet and accompanying memorabilia allow listeners to revisit the words, imagery, and details of the project at their own pace, creating a more intimate relationship with an album designed around storytelling.
That the first batch has already sold out makes the release particularly notable. At a time when much of music consumption has shifted toward digital platforms, the response to Wakas at Simula Global CD Version demonstrates the enduring value of physical music, especially when the object itself becomes part of an artist’s larger creative world.
More than a collector’s item, the CD becomes a physical marker of the Wakas at Simula era and of the community that helped carry it forward.
As SB19 continues to expand its reach beyond the Philippines, the response to the Global CD Version offers another measure of how far the group—and A’TIN alongside them—has traveled. The music may have started digitally, but its latest chapter is now something fans can hold onto.
XONARA is ready to move differently. Following the introduction of their sound and identity with their debut single “TABI,” the rising P-Pop girl group returns with “PULA”—a release that finds them taking greater creative strides while setting their sights on what comes next.
Released August 7 through 1Z Entertainment and UMG Philippines, “PULA” marks a pivotal second step for XONARA. If “TABI” was an introduction to the members and the world they hoped to build together, “PULA” is a statement of forward motion: a song about embracing change, pursuing bigger ambitions, and finding the confidence to take the next turn.
At its core, “PULA” reflects a group beginning to understand not only who they are, but also who they want to become. Rather than simply following up on the momentum of their debut, XONARA uses the single to explore a bolder side of their artistry, presenting a more assured chapter in their development as performers and musicians.
That evolution is captured through the single’s “Drive the World, PULA” campaign, which draws from road trips and car culture to frame the group’s journey. The concept becomes a fitting metaphor for XONARA’s own trajectory: every new release is another destination, every challenge another turn, and every experience another opportunity to discover where they can go.
For a young group navigating the increasingly competitive P-Pop landscape, that willingness to evolve can be just as important as making a strong first impression. XONARA’s journey is still in its early stages, but “PULA” suggests that the members are already looking beyond the expectations of a debut and toward a more distinct artistic identity.
The song’s message is also rooted in the idea that moving forward does not have to be a solitary journey. “PULA” celebrates friendship, perseverance, and the people who make difficult roads easier to navigate. In that sense, the single reflects both the bond among the members and their relationship with the fans who have supported them from the beginning.
XONARA brought that world to life on release day with the PULA Pit Stop at the TriNoma Activity Center on August 7. Designed around the single’s road-inspired concept, the event transformed the release into an immersive experience, bringing together music, fan interaction, and visual storytelling.
The PULA Pit Stop featured live performances, partner activations, the group’s official press conference, and the premiere of the “PULA” music video. Fans could also take part in the Driver’s License Stamp Rally, while Event Pass holders received access to exclusive experiences, including meet-and-greet opportunities, limited-edition merchandise, and collectibles marking the beginning of the new era.
Still, the most significant destination for XONARA may be the one that cannot be reached overnight: defining their own artistic lane.
With “PULA,” the group demonstrates an awareness that growth is not simply about moving faster—it is about knowing when to change direction, take a different route, and make each step count. The single builds on the foundation established by “TABI” while giving XONARA room to explore what their next chapter can sound and feel like.
In a P-Pop scene that continues to expand with every new generation of artists, XONARA is beginning to carve out a space of their own. “PULA” does not present their journey as a finished destination. Instead, it captures the excitement of being on the road, still discovering the possibilities ahead.
“TABI” may have introduced XONARA to the world. With “PULA,” they are beginning to show the world where they want to go.
“PULA” and its official music video are available on major streaming platforms.
Celebrating the 1st anniversary of LORDNINE: Infinite Class, the game continues to bring excitement to the Southeast Asian gaming community with the launch of “Rise of the Tenth Lord,” a cross-border guild competition featuring more than 20 gaming influencers from the Philippines and Thailand.
Leading the Philippines team are popular gaming creators including Dexie Diaz, Cherizawa, and Aningning, while the Thailand team is represented by PRIMKUNG, CigaretteS TV, and Junqko.
In this competition, the gaming influencers will take on the role of guild leaders, building their teams, recruiting players to join their guilds, developing their characters, and competing through various in-game activities. They will showcase their skills through boss battles, leveling progress, strategic gameplay, and PvE/PvP activities to prove their guild’s strength.
Throughout the competition, the influencers will livestream and create engaging content for fans to follow their journey as they compete to become the ultimate guild leaders and win the prize pool. The top-performing guilds will receive rewards of PHP 128,000 for 1st place, PHP 73,000 for 2nd place, and PHP 36,000 for 3rd place.
Players from the Philippines can join the guild of their favorite influencers to fight alongside them and have the chance to win rewards together.
Follow the Rise of the Tenth Lord tournament and support the Philippines KOL teams through the LORDNINE_GLOBAL YouTube livestream (https://www.youtube.com/@LORDNINE_GLOBAL) throughout the competition.
Join us to see which guild will emerge victorious in this historic tournament.
AHOF’s The First Spark lit up SM Mall of Asia Arena on July 25 to 26 with more than just an electrifying concert. From fan activities across the SM Mall of Asia complex to unforgettable moments inside the arena, FOHAs enjoyed a complete concert experience that transformed every stage of their visit into a celebration.
AHOF delivers stunning performance on their SM Mall of Asia Arena debut.
A home for FOHAs Arriving early was part of the experience. SM Mall of Asia transformed into the ultimate destination for FOHAs, giving fans spaces to celebrate their love for the group and connect with fellow supporters long before showtime.
Fans celebrate AHOF’s first anniversary at SM Mall of Asia.
From interactive message walls and fan-run booths at MOA Sky to lamppost banners across the mall grounds, every corner reflected the energy of the fandom. The entire complex became a vibrant gathering place where fans celebrated together before stepping inside the arena.
A connection like no other Although AHOF debuted only a year ago, the group has already built a strong connection with its Filipino fans. FOHAs marked the group’s first anniversary with heartfelt fan projects, banners, and themed outfits that showcased their unwavering support since debut.
Fans are dressed for the occasion with fan banners and lightsticks.
Filipino member JL Gaspar made the night even more memorable as he spoke to thousands of fans in Filipino, creating an instant connection through shared language, culture, and experiences.
AHOF’s JL Gaspar captivated the crowd at SM Mall of Asia Arena.
His heartfelt interactions resonated throughout the venue, highlighting the growing presence of Filipino talent in K-pop while making local fans feel seen, represented, and celebrated.
The future of live entertainment Today’s concerts extend far beyond the performance itself. Fans now seek experiences that begin before the first song and continue long after the final encore. SM Mall of Asia continues to redefine the concert journey by creating spaces where fandoms can gather, celebrate, and create lasting memories across the entire complex, from outdoor fan activities to world-class entertainment inside SM Mall of Asia Arena.
AHOF greets the SM Mall of Asia Arena crowd on their first anniversary as a group.
As the country’s most loved venue for local and international artists, SM Mall of Asia Arena continues to deliver more than world-class entertainment. Every concert is designed as a maxed out experience, where every fan enjoys unforgettable moments from the mall grounds to the final encore. By bringing together exceptional performances, seamless service, and immersive fan experiences, SM Mall of Asia Arena continues to set the stage for the biggest names in music and the memories that last long after the lights go down
Across two enchanting hours at The Space at Solaire, guests are welcomed into a live celebration of spellbinding performances, charismatic hosts, and a lavish spread of themed food and drink.
The magic of the wizarding world arrives in the Philippines for the very first time as Harry Potter: A Yule Ball Celebration makes its highly anticipated debut this Christmas season.
Presented by Warner Bros. Discovery Global Experiences and Fever, the leading entertainment discovery platform, in collaboration with GMG Productions, the celebration invites guests into an unforgettable evening drawn from one of Hogwarts’™ most beloved traditions. Whether arriving with family, friends, a special someone, or venturing solo, everyone is welcome to celebrate the season in true wizarding fashion.
Following acclaimed runs in Milan, Montreal, Sydney, and Mexico City, Harry Potter: A Yule Ball Celebration arrives at The Space at Solaire beginning September 3, 2026. Tickets are now available via TicketWorld.
Guiding the festivities from start to finish are two charismatic Masters of Ceremony, joined by spirited Hogwarts™ House Representatives who bring guests together in a shared night of magic, music, and merriment.
WHAT TO EXPECT A Magical Experience for Every Generation Whether you’re a lifelong Harry Potter fan reliving cherished memories or introducing the wizarding world to someone for the very first time, the celebration offers a warm, family-friendly experience where magic comes to life for witches, wizards, and Muggles of all ages.
Become Part of the Wizarding World On arrival, each guest is welcomed into their preferred Hogwarts™ house before the festivities begin — joining fellow witches, wizards, and Muggles to test their spell-casting in friendly duels and uncover enchanting surprises throughout the night.
The Champions Waltz One of the signature moments of Harry Potter: A Yule Ball Celebration, the Champions Waltz, invites guests to learn the choreography and take to the dance floor in a festive group dance inspired by the grandeur of the original Yule Ball.
Yule Ball Dance Party Show off your best moves or cheer from the sidelines as guests take to the dance floor for a lively dance-off competition. Whether you’re participating or simply enjoying the fun, it’s an enchanting celebration filled with music, and unforgettable moments.
Dress for the Ball Guests are warmly encouraged — though never required — to arrive in their finest, formal robes, house colors, or festive attire.
Fashion Parade The most inspired ensembles take center stage in the Fashion Parade where guests showcase their Yule Ball looks for the chance to be among the evening’s best-dressed.
Festive Grand Hall For a limited season, The Space at Solaire is transformed into a magnificent winter ballroom inspired by the iconic Yule Ball at Hogwarts™ with elegant silver drapery, towering Christmas trees, and bespoke scenic installations, all set to music from the beloved Harry Potter film series. In the Grand Hall guests can experience enchanting performances, magical moments, and interactive entertainment bringing the celebration to life.
Food, Drinks & Yule Ball Market A selection of themed food and beverages, will be available for purchase throughout the evening while the Yule Ball Market offers official Harry Potter merchandise – from wands, and robes to apparel, collectibles, and magical keepsakes to treasure long after the night ends.
Photo Opportunities Photo installations inspired by the Hogwarts™ houses and beloved wizarding world settings invite guests to capture magical memories — a delight for families and friends alike.
Ticket Information Tickets start at ₱1,500 for children aged 4–10 attending Family Sessions and ₱2,750 for General Admission. Guests can also enjoy 4-Ticket Bundles starting at ₱9,000, making it the perfect outing for families and groups of friends. For those looking to elevate their magical evening, VIP tickets start at ₱4,250 and include: • One food and beverage item • Early access to the pre-show area (10 minutes before General Admission) • One complimentary printed photo • An exclusive VIP commemorative lanyard Senior Citizen and PWD tickets start at ₱2,200. Premium pricing applies to select dates and sessions. Availability is limited.
Event Details What: An interactive celebration presented by Warner Bros. Discovery Global Experiences, Fever, and in collaboration with GMG Productions, Harry Potter: A Yule Ball Celebration is a gathering of fans of the beloved films around the iconic Yule Ball and the most cherished moments of the wizarding world. When: Various sessions beginning September 3, 2026 Where: The Space at Solaire, Solaire Resort Entertainment City, Parañaque City, Metro Manila Tickets: Ticket from ₱1,500 for children ages 4–10 attending Family Sessions and ₱2,750 for General Admission. 4-Ticket Bundles start at ₱9,000. VIP tickets start at ₱4,250 and early access to the pre-show area, a complimentary photo print, an exclusive VIP lanyard, and a special merchandise item. Senior Citizen and PWD tickets start at ₱2,200. Premium pricing applies on select dates and sessions. Quantities are limited. Website: https://premier.ticketworld.com.ph/
From captivating audiences as a member of a P-pop group to winning over listeners through heartfelt cover releases, Ashtine Olviga is stepping into the spotlight as a solo artist with the release of her debut extended play, Love Like Ashtine.
The six-track project marks a defining milestone in Ashtine’s evolving career, offering her most personal musical statement to date. More than an introduction to her artistry as a solo act, Love Like Ashtine reflects the experiences, emotions, and growth that have shaped her journey. It presents a confident yet intimate portrait of an artist embracing her own identity, balancing youthful charm with emotional depth.
Across its six songs, the EP explores a wide-ranging sonic landscape while showcasing the versatility of Ashtine’s vocals. It opens with the breezy pop energy of “Hinga,” eases into the smooth, groove-driven “This Way,” and takes a more mysterious turn with “enno.” The record then shifts toward emotional vulnerability through the heartfelt ballad “Nasaan Ka Na?” and the acoustic warmth of “Dito Lang Tayo,” before concluding with the bright and affectionate pop anthem “Love Like U,” leaving listeners with an uplifting celebration of love and self-expression.
Helping shape the project’s distinct sound is acclaimed songwriter and producer Thyro Alfaro, whose creative direction serves as a driving force behind the EP. Under his production, each track is tailored to highlight Ashtine’s vocal strengths while allowing her personality to shine through, resulting in a cohesive collection that effortlessly moves between infectious pop hooks and emotionally resonant storytelling.
With Love Like Ashtine, Ashtine confidently establishes herself as more than a former group performer—she emerges as a compelling solo artist with a clear artistic identity and a promising future in OPM.
Fans will soon have the opportunity to experience the EP live when she takes the stage for her first major solo concert at the New Frontier Theater on August 22, bringing this new chapter of her musical journey directly to audiences.
The official nominees for the 39th Awit Awards have been announced by the Philippine Association of the Record Industry (PARI) in partnership with Go Live Asia.
The awards recognize excellence in Filipino recorded music across 34 categories. The grand ceremony is scheduled for September 15, 2026, at the SM Mall of Asia Arena.
P-pop group SB19 and rock band IV of Spades are among the leading contenders with multiple nominations in the major categories, joined by strong showings from Dionela, Cup of Joe, Maki, Ben&Ben, Lola Amour, and others.
Key Grand Award Nominees Album of the Year includes: Silakbo — Cup of Joe Andalucia — IV of Spades Simula at Wakas — SB19 Kolorcoaster — Maki Love on Loop — Lola Amour Lab Songs ng Mga Tanga — Janine Berdin
Record of the Year nominees feature: “Pag-Ibig Ay Kanibalismo II” — Fitterkarma “Dam” — SB19 “Saranggola” — Ben&Ben “Konsensya” — IV of Spades “Ikigai” — Dionela featuring Loonie “Monster” — IV of Spades
Song of the Year contenders are: “Aura” — IV of Spades “Pag-Ibig Ay Kanibalismo II” — Fitterkarma “DUNGKA!” — SB19 “Kabisado” — IV of Spades “Kahel Na Langit” — Maki “Ikigai” — Dionela featuring Loonie
Best New Artist nominees include Gab Cabangon (Pieces), New Lore (Grief Cake), VVINK and DJ Love featuring Pio Balbuena (“Baduy”), Jamiela (“Bendahe”), It All Started in May (“O’ Kay Tamis”), and nicole (“Panaginip”).
Producer of the Year nods went to Brian Lotho, IV of Spades, Shadiel Chan, John Paulo Nase, Joshua Daniel Nase, and Dionela.
Songwriter of the Year contenders are John Paulo Nase, Joshua Daniel Nase, Blaster Silonga, Daniel Zildjian G. Benitez, Tim Dionela, Lola Amour, Joao De Leon, and Marlon Peroramas.
In performance categories, Best Performance by a Solo Artist includes tracks by Janine Berdin, Maki, Noel Cabangon, dwta, Rico Blanco, Rob Deniel, and Jay R.
Best Performance by a Group features SB19 (“Dam”), Fitterkarma, IV of Spades (“Monster”), Ben&Ben (“Saranggola”), BINI (“Shagidi”), Over October (“Dahan”), and One Click Straight (“Telepono”).
Best Collaboration Performance nominees include Sarah Geronimo and SB19 (“Umaaligid”), One Click Straight featuring Clara Benin (“Telepono”), Dionela featuring Loonie (“Ikigai”), and others.
Genre categories span Best Ballad, Pop, Rock/Metal, Alternative, Dance/Electronic (with strong showings for SB19’s “DUNGKA!”), Rap/Hip-Hop, R&B, Jazz, World Music, and Traditional/Contemporary Folk, among others. Special categories cover regional recordings, Christmas, musical theater, original soundtracks, children’s music, novelty, inspirational, instrumental, and global collaborations (including BINI featuring Agnez Mo’s “Blink Twice” and Lola Amour with KOKORO of PSYCHIC FEVER).
Technical awards recognize sound engineering, musical and vocal arrangements, remixes, cover art, and music videos, with multiple entries from IV of Spades, SB19, Cup of Joe, Dionela, and others.
The Awit Awards, organized annually by PARI, celebrate artistry, songwriting, production, and technical craftsmanship in Original Pilipino Music (OPM). This year’s edition is presented as one of the biggest yet. Full nominee lists and further details are available via the official Awit Awards channels.
The September 15 ceremony at the SM Mall of Asia Arena will bring together the industry’s top talents to honor the best of Filipino recorded music.
Tickets go on sale August 12 via smtickets.com and outlets nationwide.
Netflix Philippines just dropped a fun promotional campaign today (August 7, 2026) introducing Kris Aquino as its official C.H.I.K.A. — Chief Head of Insight and Kontent Analysis. It’s a playful, fictional role that leans hard into her iconic “chika” (gossip/candid commentary) style.
In the video, she steps into an editing room on her “first day,” delivering signature honest-to-goodness critiques of Filipino titles currently streaming on the platform (including A Secret in Prague, Blood vs Duty, and The Master Cutter). She requests bigger, colder winter vibes, bonggang visual upgrades, and her usual flair — then stamps the enhanced clips “Kris Aquino approved.” “Ano itong pasabog ni madam?! … with some bonggang upgrades to local shows, Krissy style.”
The campaign is planned as a three-episode series, with the next drops on August 14 and 20.
Fans are loving the pure Kris Aquino way, over-the-top title, the pajama job-application teaser earlier in the day, and that unmistakable delivery. Classic Queen move.
Filipino alternative pop band Over October is set to mark a defining moment in its 12-year career with its biggest headline concert to date. The band will take over the New Frontier Theater on Oct. 4, 2026, for a milestone performance that also serves as an emotional farewell to drummer Janessa “Janae” Geronimo before the group enters a new chapter.
Titled Over October Live at the New Frontier Theater, the concert follows a string of career highs for the band, including sold-out performances at the Music Museum and its successful anniversary show at MOA Sky in 2025. More than another milestone venue, however, the upcoming concert carries added emotional weight as it will be the final official performance featuring Over October’s original five-member lineup.
“For better or for worse, Janessa’s departure is something we will all have to come to terms with,” the band shared in a statement. “We’re all, for the most part, excited for both Over October’s and Janessa’s respective new chapters. But of course, we also feel that a good thing is about to come to an end.”
The group acknowledged that each member has been processing Geronimo’s departure differently, describing the transition as both exciting and uncertain. While the band expects creative adjustments moving forward, they emphasized that their priority remains delivering memorable performances throughout the remainder of the year.
“When the dread of Janessa’s departure and the nerves about how the band will move forward become too overwhelming, we just try to remind ourselves that our working relationships might come to an end soon, but our friendship will always be there,” the band said. “Creatively, there will be adjustments and changes, but honestly, we’re still feeling it out. What we can confidently say is that we’re still focused on giving the best shows these coming months and in the concert.”
Since its formation, Over October has become one of the Philippines’ most recognizable alternative pop acts, building a devoted audience through emotionally resonant songwriting, intimate live performances, and a catalog of songs that have connected with listeners over the past decade. While commercial milestones—including millions of streams and sold-out concerts—have helped elevate the band’s profile, the members say their most meaningful accomplishment lies in the experiences they’ve shared together.
“There are so many points of our career that we can say are defining moments,” the band said. “We can look at the hits, the streams, and the shows—all of which we are proud of. But we consider the memories we collected along the way just as important as all our achievements are. This goes in line with the heart of the concert: reflecting on our journey together, particularly now that the future of the band will look so much more different compared to the past 12 years.”
Tickets for Over October Live at the New Frontier Theater will be available through TicketNet Online and participating TicketNet outlets. A pre-sale is scheduled from Aug. 15 to 22 beginning at 6 p.m., while the general sale opens on Aug. 23.
Presented by Over October in partnership with GNN, Move It, and Swee Lee Philippines, the concert is poised to be both a celebration of the band’s remarkable journey and a poignant farewell to an era that helped shape one of Filipino alternative pop’s most enduring acts.
The country’s live music scene is expanding with the launch of Navotas Music Festival 2026, a new OPM-centered event that aims to unite some of the biggest names in Filipino music while celebrating culture, creativity, and community in one of Metro Manila’s emerging entertainment destinations.
Presented by the Philippine Chamber of Commerce and Industry (PCCI) – Navotas Chapter, the festival will make its debut on September 26, 2026, at the Navotas Convention Center, bringing together an eclectic lineup of established hitmakers and rising acts for a full-day celebration of Original Pilipino Music (OPM).
Leading the inaugural bill are chart-topping favorites Cup of Joe and Maki, whose emotionally resonant songs have become staples among today’s Filipino listeners. Joining them are alternative rock veterans Mayonnaise, rising P-pop group KAIA, and pop outfit Room Session, offering audiences a diverse showcase of contemporary Filipino music.
More than a concert, Navotas Music Festival 2026 is envisioned as a cultural gathering that highlights the city’s growing creative landscape while reinforcing its place as an emerging hub for live entertainment. Alongside the performances, festivalgoers can explore curated merchant booths, food hubs, and lifestyle stalls, creating an immersive community experience throughout the event.
Silver Balcony – PHP 4,000 (currently available for PHP 2,000 until August 20 through the 50% off promotional offer)
Each ticket includes access to all performances, festival merchant booths, food hubs, and lifestyle stalls throughout the event.
To make the inaugural edition more accessible, organizers have also introduced a series of limited-time promotions. Until August 20, Silver Balcony tickets are available at half the regular price, bringing the cost down from PHP 4,000 to PHP 2,000 while supplies last.
Fans attending with friends can also avail of the Barkada Package, which offers six tickets for the price of five in select sections. The package is priced at PHP 40,000 for VIP Seated, PHP 35,000 for Standing Room Only (SRO), and PHP 30,000 for Gold, with each offering available only while promotional allocations last.
As anticipation builds for its first edition, Navotas Music Festival 2026 positions itself as more than another stop on the local concert calendar. It is an event that celebrates Filipino artistry while fostering a vibrant sense of community through music, bringing together artists and fans for a day dedicated to the evolving landscape of OPM.
In response to the fast-selling two-city performance of TOAST the Best of Bread in Manila and Cebu, Ovation Productions has added a third city; Davao. The three-city Philippine Tour dates are now August 12 at the Smart Araneta Coliseum, August 13 at the SMX Convention Center in Davao, and August 15 at the Waterfront Cebu City Hotel and Casino.
TOAST the Best of Bread has faithfully re-created all the hits of the 1970’s legendary band, Bread, as well as the solo works of its founders David Gates and James Griffin. Concertgoers and die-hard fans consistently praise the band for their strikingly accurate recreations of Bread’s warm, sentimental tracks and complex harmonies. The band tours internationally, often packing major venues and bringing a feel-good, emotional experience to audiences worldwide.
The expanded itinerary gives more Filipino fans a chance to experience the band’s live renditions of timeless classics and hits by Bread like “Make It With You”, “If”, “Baby I’m-A-Want-You”, “Everything I Own”, “Aubrey”, “Sweet Surrender”, “It Don’t Matter To Me”, “Clouds”, “Mother Freedom”, “Everything I Own”, “Guitar Man”, “Games Of Magic”, “Lost Without Your Love”, “Goodbye Girl”, among many other Filipino favorites.
Toast the Best of Bread is composed of Jeff Clark, Brett Hart, Rich Bischoff, Robbie Lopez, Davie Rocks, and Troy Jolley. Their three-city Philippine Tour also features Noel Cabangon as special guest. Tickets available through ovationtickets.com. Presented by Ovation Productions in cooperation with Blast TV.
Visit Ovation Productions’ website and social media accounts for more updates on the seat map, ticket prices, and other official announcements.
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